Dylan makes a surprise appearance at Camden Lock market, an open-air market in Camden Town, London, where he is filmed in a restaurant called Fluke’s Cradle and walking around in a top hat and frock coat by ex-Eurythmic Dave Stewart. The resultant footage appears as a promotional video for “Blood in My Eyes” cleverly lip-synched and intercut with shots of Dylan signing autographs and walking among the crowds. Dylan is accompanied by his regular bodyguard, Jim Callaghan, but remains very approach- able throughout the afternoon, even when dining at the restaurant.
-Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
On July 21, 1993 Bob Dylan walked around in Camden Town, London in a top hat filming the video for “Blood In My Eyes”. He signed autographs and seemed relaxed. There are many cool pictures of this event, here are 18. And of course the video for “Blood In My Eyes”.
I love you pretty baby
You’re the only love I’ve ever known
Just as long as you stay with me
The whole world is my throne
Beyond here lies nothin’
Nothin’ we can call our own
I’m movin’ after midnight
Down boulevards of broken cars
Don’t know what to do without it
Without this love that we call ours
Beyond here lies nothin’
Nothin’ but the moon and stars
Anselmo Valencia Amphitheater Casino Del Sol Tucson, Arizona 19 July 2011
BF: Why does your voice change so much? From the country albums to Pat Garrett And Billy The Kid to the way you sound on tour…
Bob Dylan: That’s a good question. I don’t know. I could only guess, if it has changed. I’ve never gone for having a great voice, for cultivating one. I’m still not doing it now.
~Ben Fong-Torres interview (Jan 1974)
TC: Your music often seems to get ignored as compared with the emphasis that’s placed on the lyrics, but there have been some really nice instrumental passages like Pat Garrett and Billy The Kid, for example.
Bob Dylan: Yes, I just did a bunch of tracks with Dave Stewart that have no lyrics, and you don’t even miss the lyrics, really. They’re just different chord patterns that make up a melody. My records usually don’t have a lot of guitar solos or anything like that on them. The vocals mean a lot, and the rhythm means a lot, that’s about it.
~Toby Creswell interview (Jan 1986)
Here is the brilliant “Knocking On Heavens Door” scene from the movie:
“You see, I spend too much time working out the sound of my records these days, .. and if the records I’m making only sell a certain amount anyway, then why should I take so long putting them together?… I’ve got a lot of different records inside me, and it’s time just to start getting them out.”
~Bob Dylan (to Mikal Gilmore, Sept 1985)
“I’m thinking about calling this album Knocked Out Loaded, Is that any good, you think, Knocked Out Loaded?”
~Bob Dylan (to Mikal Gilmore, May 1986)
“Sounds like something he threw together in a week and away forever. But throwing it away is how he gets that off-the-cuff feel, and side two is great fun”
~Robert Christgau (robertchristgau.com)
Among his ten weakest albums, but it includes the brilliant “Brownsville Girl“.
Would you spend the night of Friday the 13th in a huge medieval castle? The folks that chose to do so on this cold, rainy evening, found it to be one of the luckiest days of their lives. Dylan is in top form, and the show is another near perfect performance in a string of many along this tour.
–bobsboots.com
Stirling Castle Stirling, Scotland 13 July 2001
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
