A lot of people don’t like the road, but it’s as natural to me as breathing. I do it because I’m driven to do it, and I either hate it or love it. I’m mortified to be on the stage, but then again, it’s the only place where I’m happy. It’s the only place you can be who you want to be.
~Bob Dylan (John Pareles Interview, Sept. 1997)
I do a certain amount of concerts every year. But it’s not a constant never-ending tour. A part of me doesn’t wanna do it at all. Just want to quit right away. Playing is a job. My trade. Like you’re journalists. You are heading for the next news item, I’m heading for the next town.
~Bob Dylan (London press conference, 4 Oct 1997)
Never Ending Tour 1997
Start date
February 9, 1997
End date
December 20, 1997
Legs
6
No. of shows
11 in Asia
78 in North America
4 in Europe
–
93 in Total
Edna Gundersen: Was playing at Woodstock [1994] a special moment?
Bob Dylan: Nah, it was just another show, really. We just blew in and blew out of there. You do wonder if you’re coming across, because you feel so small on a stage like that.
Never Ending Tour 1994
Start date
February 5, 1994
End date
November 13, 1994
Legs
5
No. of shows
14 in Asia
73 in North America
17 in Europe
–
104 in Total
A fine N.E.T. year with 3 very special moments:
Playing “Masters of War” in Hiroshima
The Great Music Experience – Nara, Japan
Woodstock 94
Please use the Comments section to post your personal favourites from 1994.
The reaction on the (U.S.) Slow Train tour was disheartening at times. But it doesn’t wound you because you get used to the ups and downs. You get to where the praise doesn’t mean anything because it’s often for the wrong reason, and it’s the same with the criticism. Besides, I don’t think I’ll be perceived properly till 100 years after I’m gone. I really believe that. I don’t think anybody has really caught on to Blonde On Blonde yet.
~Bob Dylan (to Robert Hilburn – June 1984)
…. Musically, this is probably Dylan’s finest record, a rare coming together of inspiration, desire and talent that completely fuse strength, vision and art. Bob Dylan is the greatest singer of our times. No one is better. No one, in objective fact, is even very close. His versatility and vocal skills are unmatched. His resonance and feeling are beyond those of any of his contemporaries. More than his ability with words, and more than his insight, his voice is God’s greatest gift to him. So when I listen to “When He Returns,” the words finally don’t matter at all. They are as good as they ever were, maybe even better. … I am hearing a voice. ~Jann Wenner (the famous “Slow Train Coming” review Sept 1979)
The last recording session brought us 4 masters: Gotta Serve Somebody, Do Right To Me Baby (Do Unto Others), When He Returns & Man Gave Names To All The Animals.
I got my back to the sun ’cause the light is too intense
I can see what everybody in the world is up against
You can’t turn back—you can’t come back, sometimes we push too far
One day you’ll open up your eyes and you’ll see where we are
Brighton Centre
Brighton, England
4 May 2002
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
He [Willie Nelson] takes whatever thing he’s singing and makes it his. There’s not many people who can do that. Even something like an Elvis tune. You know, once Elvis done a tune, it’s pretty much done. But Willie is the only one in my recollection that has even taken something associated with Elvis and made it his. He just puts his sorta trip on it…
~Bob Dylan (28 April 1993)
From the filming of Willie Nelson 60th birthday party.
KRLU-TV Studios
Jesse H. Jones Communication Center Building B
The University of Texas At Austin
Austin, Texas
28 April 1993
