All posts by Egil Mosbron

Today: Brian Wilson is 70

From Wikipedia:

Brian Douglas Wilson (born June 20, 1942) is an American musician, best known as the leader and chief songwriter of the group The Beach Boys. On stage, Wilson provided many of the lead vocals, and often harmonized with the group in falsetto. Early during his on-stage career, Wilson primarily played bass on stage, but gradually transitioned to primarily playing piano/keyboards. Besides being the primary composer in The Beach Boys, he also functioned as the band’s main producer and arranger.

Some Awards and recognitions

  • Wilson and the Beach Boys were inducted into the Rock Hall of Fame in January 1988.
  • In 2000, Wilson was inducted into the Songwriters Hall of Fame. Paul McCartney introduced Brian, referring to him as “one of the great American geniuses.”
  • Pet Sounds has been ranked as one of the most influential records in popular music, and has been ranked #1 on several music magazines’ lists of the greatest albums of all time. It is ranked #2 on Rolling Stone’s 500 Greatest Albums of All Time.
  • On May 10, 2004, Wilson was honored as a BMI Icon at the 52nd annual BMI Pop Awards. He was saluted for his “unique and indelible influence on generations of music makers.”
  • In 2005, Wilson won the Grammy Award for Best Rock Instrumental Performance for Mrs. O’Leary’s Cow.
  • In November 2006, Wilson was inducted into the UK Music Hall of Fame by Pink Floyd guitarist David Gilmour. Wilson performed “God Only Knows” and “Good Vibrations” at the ceremony.
  • On December 2, 2007, the Kennedy Center Honors committee recognized Wilson for a lifetime of contributions to American culture through the performing arts in music.
  • In 2008, Rolling Stone magazine published a list of the “100 Greatest Singers of All Time”, and ranked Wilson number 52.

Smile – Live:

Some Beach Boys as well.. – Good Vibrations:

Album of the day @ JV:

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Continue reading Today: Brian Wilson is 70

Video of the day: Rosalita (Come out tonight) – Live, July 8, 1978 – Phoenix, Arizona

Seeing the video as a thirteen-year-old, I felt my brain exploded…. this was honest, and true, and it made me feel. Really feel.
— Robert J. Wiersema

From Wikipedia:

Rosalita (Come Out Tonight)” is a 1973 song by Bruce Springsteen, from his The Wild, The Innocent, & The E Street Shuffle album, and is especially famed as a concert number for Springsteen and The E Street Band. The song, which clocks in at just over seven minutes, is a story of forbidden love between the singer and the titular Rosalita, whose parents disapprove of his life in a rock and roll band. It is included on the compilation albums The Essential Bruce Springsteen and Bruce Springsteen & The E Street Band Greatest Hits.

In the early 1980s, many years after the song’s initial release, MTV began showing a music video for the song. The video was a straight concert performance (from a Darkness Tour performance on July 8, 1978 at the Arizona Veterans Memorial Coliseum in Phoenix, Arizona) that included band introductions and numerous adoring females rushing the stage. While only adequate technically, the video captured the energy and playfulness of Springsteen and the E Street Band in concert, and was the first such introduction many casual fans had.

For many years, dating back virtually to when the song was written, “Rosalita” always closed the regular set in Springsteen concerts, often elongated to incorporate extended band introductions. It was the one “sure thing” in a Springsteen set list and celebrated as such. Steven Van Zandt used this time to shine on backing vocals, as his voice changed on performances of the song from the Born To Run Tours to the The River Tour.

However, on October 19, 1984 in the Tacoma Dome in Tacoma, Washington, during the Born in the U.S.A. Tour, this suddenly changed; “Rosalita” was dropped from the show..

The goodies:

Lyrics:

Spread out now, Rosie, doctor come cut loose her mama’s reins
You know playin’ blind man’s bluff is a little baby’s game
You pick up Little Dynamite, I’m gonna pick up Little Gun
And together we’re gonna go out tonight and make that highway run
You don’t have to call me lieutenant, Rosie, and I don’t want to be your son
The only lover I’m ever gonna need’s your soft sweet little girl’s tongue
Ah, Rosie, you’re the one

Dynamite’s in the belfry, baby, playin’ with the bats
Little Gun’s downtown in front of Woolworth’s, tryin’ out his attitude on all the cats
Papa’s on the corner, waitin’ for the bus
Mama, she’s home in the window, waitin’ up for us
She’ll be there in that chair when they wrestle her upstairs, ’cause you know we ain’t gonna come
Ah, I ain’t here on business, baby, I’m only here for fun
And Rosie, you’re the one

Rosalita, jump a little lighter
Senorita, come sit by my fire
I just want to be your lover, ain’t no liar
Rosalita, you’re my stone desire

Jack the Rabbit and Weak Knees Willie, don’t you know they’re gonna be there
Ah, Sloppy Sue and Big Bones Billy, they’ll be comin’ up for air
We’re gonna play some pool, skip some school, act real cool
Stay out all night, it’s gonna feel all right
So Rosie, come out tonight, oh, baby, come out tonight
Windows are for cheaters, chimneys for the poor
Oh, closets are for hangers, winners use the door
So use it Rosie, that’s what it’s there for

And Rosalita, jump a little lighter
Senorita, come sit by my fire
I just want to be your lover, ain’t no liar
Rosalita, you’re my stone desire
All right

Now, I know your mama, she don’t like me ’cause I play in a rock and roll band
And I know your daddy, he don’t dig me, but he never did understand
Your papa lowered the boom, he locked you in your room
I’m coming to lend a hand
I’m coming to liberate you, confiscate you, I want to be your man
Someday we’ll look back on this and it will all seem funny
But now you’re sad, your mama’s mad
And your papa says he knows that I don’t (have any money)
Whoa, your papa says he knows (that I don’t have any money)
Whoa, so your daddy says he knows I don’t have (Papa says he knows that I don’t have any money)

Well, tell him this is his last chance to get his daughter in a fine romance
Because the record company, Rosie, just gave me a big advance
And my tires were slashed and I almost crashed, but the Lord had mercy
And my machine, she’s a dud, out stuck in the mud somewhere in the swamps of Jersey
Well, hold on tight, stay up all night, ’cause Rosie, I’m comin’ on strong
By the time we meet the morning light, I will hold you in my arms
I know a pretty little place in Southern California down San Diego way
There’s a little café where they play guitars all night and all day
You can hear ’em in the back room strummin’
So hold tight, baby, ’cause don’t you know daddy’s comin’
Oh, everybody, so!

Rosalita, jump a little lighter
Senorita, come sit by my fire
I just want to be your love, ain’t no lie
Rosalita, you’re my stone desire
Oh, yeah
(Oh, yeah, oh, yeah, yeah, yeah, yeah, yeah, yeah)

 

I HAVE to include the Passaic-78 version as well:

-Egil

Today: Bob Dylan recorded Master version of “Like A Rolling Stone” in 1965 – 47 years ago

Bob Dylan’s second best song ? or best ? iow – best or second best song ever recorded.

It doesn’t really matter.

«.. The Sound Is So Rich the Song Never
Plays The Same Way Twice»
– Greil Marcus

From Wikipedia:

Like a Rolling Stone” is a 1965 song by American singer-songwriter Bob Dylan. Its confrontational lyrics originate in an extended piece of verse Dylan wrote in June 1965, when he returned from a grueling tour of England, exhausted.

After the lyrics were heavily edited, “Like a Rolling Stone” was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited. During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.

However, Columbia Records was unhappy with both the song’s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, “Like a Rolling Stone” reached number two in the US charts and became a worldwide hit.

 

B-side “Gates of Eden” (5:44)
Released July 20, 1965
Format 7″ single
Recorded June 15–16, 1965, Columbia Studio A, 799 Seventh Avenue, New York City
Genre Rock, folk rock
Length 6:09 (single)
6:13 (album)
Label Columbia
Writer(s) Bob Dylan
Producer Tom Wilson

 

Legacy:

The song’s sound was revolutionary in its combination of electric guitar licks, organ chords, and Dylan’s voice, at once young and jeeringly cynical. Critic Michael Gray described the track as “a chaotic amalgam of blues, impressionism, allegory, and an intense directness in the central chorus: ‘How does it feel'”. The song had an enormous impact on popular culture and rock music. Its success made Dylan a pop icon, as Paul Williams notes:

Dylan had been famous, had been the center of attention, for a long time. But now the ante was being upped again. He’d become a pop star as well as a folk star … and was, even more than the Beatles, a public symbol of the vast cultural, political, generational changes taking place in the United States and Europe. He was perceived as, and in many ways functioned as, a leader.
  • 2010 – rank 1 – 500 Greatest Songs of All Time (Rolling Stone Magazine) 
  • 2006 – rank 4 – 200 Greatest Songs of the 1960s (Pitchfork Media)
  • 2000 – rank 4 – 100 Greatest Rock Songs (VH1)

Live in 1966:

Original:

Spotify Playlist – different versions of this masterpiece:

Other June-16:

Continue reading Today: Bob Dylan recorded Master version of “Like A Rolling Stone” in 1965 – 47 years ago

Today: David Bowie released the “Space Oddity” single in 1969 – 43 years ago

From Wikipedia:

Space Oddity” is a song written and performed by David Bowie and released as a music single in 1969. It is about the launch of Major Tom, a fictional astronaut; its title alludes to the film 2001: A Space Odyssey, released the previous year. Incidentally, the protagonist of the film is called David Bowman. The lyrics have also been seen to lampoon the failed British space programme. The song appears on the album David Bowie (also known as Space Oddity). The BBC featured the song in its television coverage of the Apollo 11 launch and lunar landing, which took place in the days following the release of the song.

Bowie would later revisit his Major Tom character in the songs “Ashes to Ashes” and “Hallo Spaceboy“. German singer Peter Schilling‘s 1983 hit “Major Tom (Coming Home)” is written as a retelling of the song.

Following recording of a fresh version, the single was rush-released on 11 June 1969 to coincide with the Apollo 11 moon landing. It was promoted via advertisements for the Stylophone, played by Bowie on the record. Although they initially refused to give the song airplay, the BBC played it during their coverage of the Apollo 11 launch and lunar landing. This exposure finally gave Bowie a hit, reaching #5 in the chart. In the U.S, it stalled at 124.

Original video:

Album of the day @ JV:

Other June-11:

Continue reading Today: David Bowie released the “Space Oddity” single in 1969 – 43 years ago

Today: The late Howlin Wolf was born in 1910 – 102 years ago

 From Wikipedia:

Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was an influential American blues singer, guitarist and harmonica player.

With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” A number of songs written or popularized by Burnett—such as “Smokestack Lightnin’“, “Back Door Man“, “Killing Floor” and “Spoonful“—have become blues and blues rock standards.

At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the “classic” 1950s Chicago blues singers. This rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters. Howlin’ Wolf, Sonny Boy Williamson (Rice Miller)Little Walter Jacobs, and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.‘” In 2004, Rolling Stone magazine ranked him #51 on their list of the “100 Greatest Artists of All Time”.

How Many More Years with a GREAT intro:

Rock and Roll Hall of Fame

The Rock and Roll Hall of Fame listed three songs by Howlin’ Wolf of the 500 songs that shaped rock and roll.

Year Recorded Title
1956 Smokestack Lightning
1960 Spoonful
1962 The Red Rooster

Please also check out: The Best Songs – Smokestack Lightning

Album of the day @ JV:

Other June-10:

Continue reading Today: The late Howlin Wolf was born in 1910 – 102 years ago