…what I get from the musicians who I really care for: Bob Dylan, John Lennon, Bruce Springsteen, Neil Young – that intense passion.
– Roger Waters (1987)
George Roger Waters (born 6 September 1943), singer, songwriter, multi-instrumentalist, and composer. In 1965, he co-founded Pink Floyd with drummer Nick Mason, keyboardist Richard Wright and guitarist, singer, and songwriter Syd Barrett. Waters initially served as the group’s bassist, but following the departure of Barrett in 1968, he also became their lyricist, conceptual leader and co-lead vocalist.
He has, on several occasions, expressed his admiration for Bob Dylan. There are also reports from fans the he have played several of Bob Dylan’s songs during soundchecks.
Roger Waters of Pink Floyd talks to Howard Stern about Bob Dylan and the Beatles:
Joseph Hass: Can you explain why you were booed at the Newport Folk Festival last summer when
you came on stage with an electric guitar and began singing your new material? Bob Dylan: Like, I don’t even know who those people were. Anyway, I think there’s always a little boo in all of us. I wasn’t shattered by it. I didn’t cry. I don’t even understand it. I mean, what are they going to shatter, my ego? And it doesn’t even exist, they can’t hurt me with a boo.
(Joseph Hass interview – Nov 1965)
“They certainly booed, I’ll tell you that. You could hear it all over the place. I don’t know who they were… they’ve done it just about all over… I mean, they must be pretty rich to go some place and boo. I mean, I couldn’t afford it if I was in their shoes.”
~Bob Dylan ( San Francisco press conference in December ‘65)
“The reason they booed is because he only played for fifteen minutes, when everybody else played for forty-five minutes or an hour. They were feeling ripped off. Wouldn’t you? They didn’t give a shit about us being electric. They just wanted more.”
On July 25, 1965, Dylan performed with a rock band at the Newport Folk Festival. Some sections of the audience booed Dylan’s performance. Leading members of the folk movement, including Irwin Silber and Ewan MacColl criticised Dylan for moving away from political songwriting, and performing with an electric band. (wikipedia)
Freebody Park Newport, Rhode Island 25 July 1965 Newport Folk Festival
1999 Never Ending Tour – 1999.07.17 – Blockbuster-Sony Music Entertainment Centre (The E-Centre) – Camden, NJ
1. The Sound Of Silence
2. That’ll Be The Day
4. The Wanderer
3. Knockin’ On Heaven’s Door
“Easily for me, the most moving part of his set was when Dylan came out for “Sounds of Silence.” Maybe it was the ghost of another Kennedy tragedy hanging over the proceedings, or maybe it was the arrangement, much slower than the original Simon & Garfunkel single (and pretty much the way Simon’s been doing the song for the last 15 years or so) with Simon playing the melody on electric (finally doing some picking) but a lot of it had to do with Dylan being on stage. Dylan has presence and Simon for all his hand motions during his set just doesn’t — not at this show anyway. Dylan was singing in one of his spookier voices and immediately you knew that he was singing strongly as well.” – Peter Stone Brown (Boblinks)
Bob Dylan (vocal & acoustic guitar)
Paul Simon (vocal & electric guitar)
Mark Stewart (electric & acoustic guitar, dobro. Mandolin, cello)
Vincent Nguini (electric guitar)
Chris Botti (trumpet)
Jay Ashby (slide trombone, percussion)
Andy Snitzer (soprano saxophone, tenor saxophone, synthesizer)
Tony Cedras (keyboards, accordion), Alain Mallet (keyboards)
Bakithi Kumalo (bass)
Jamey Haddad (percussion)
Steve Shehan (percussion)
Steve Gadd (drums).
“Hey Joe” is an American popular song from the 1960s that has become a rock standard and as such has been performed in many musical styles by hundreds of different artists. “Hey Joe” tells the story of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. However, diverse credits and claims have led to confusion as to the song’s true authorship and genesis. The earliest known commercial recording of the song is the late-1965 single by the Los Angeles garage band The Leaves; the band then re-recorded the track and released it in 1966 as a follow-up single which became a hit.
My Favourite Bob Dylan bootleg 2011: Funen Village Odense Denmark June 27
This is a great sounding Bob Dylan bootleg from his 2011 European tour, we saw Dylan in Bergen, Norway two days later, and the Odense concert is really close to my experience in Bergen. I have the recording from Bergen as well, and I did consider that show as my 2011 choice. But in the end I had to admit that I like the Funen Village show a little bit better. It sounds very good and Bob Dylan is clearly enjoying himself. I also love his version of The Man in Me here (we didn’t get that in Bergen).
The highlights for me are: The Man in Me, and then “the three in a row”, Boots of Spanish Leather, The Ballad of Hollis Brown and Every Grain of Sand. Jump down to the video and check it out!
Bob Dylan – guitar, keyboard, harp
Tony Garnier – bass
George Recile – drums
Stu Kimball – rhythm guitar
Charlie Sexton – lead guitar
Donnie Herron – violin, viola, banjo, electric mandolin, pedal steel, lap steel
“…We participated all in a great garden party, perfect environment, amphi theatre packed with 2,000 spectators, surrounded by large trees, no wind, 20 degree C, blue night sky, my wife and I dancing few meters from the stage.
Most of the evening Bob acted as a showman, relaxed and unpretentious, rocking center stage with his microphone, harp or guitar, smiling “his” smile.
The band was swinging and the sound mercury clear, Bobs words came out personally strong, with long notes, in delicate balance with his tight band.
His standout songs tonight were many: The Man In Me , Things Have Changed (crooning with funny arm gestures), Ballad Of Hollis Brown (obsessive), Ballad Of A Thin Man (majestic theatrical) and specially Forgetful Heart (beautiful, who induced goosebumps)…” – Lars Jørgensen (Boblinks)
Full Funen Village, Odense playlist, very closely filmed and with good sound: