The Traveling Wilburys (sometimes shortened to the Wilburys) were a British-American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty. The band recorded two albums in 1988 and 1990, though Orbison died before the second was recorded.
“Nelson Wilbury” – George Harrison
“Otis Wilbury” – Jeff Lynne
“Lefty Wilbury” – Roy Orbison
“Charlie T. Wilbury, Jr” – Tom Petty
“Lucky Wilbury” – Bob Dylan
“Spike Wilbury” – George Harrison
“Clayton Wilbury” – Jeff Lynne
“Muddy Wilbury” – Tom Petty
“Boo Wilbury” – Bob Dylan
Jim Keltner, the session drummer and percussionist, was not listed as a Wilbury on either album. However, he is seen in all of the group’s music videos, and on the DVD released in 2007, he is given the nickname “Buster Sidebury”.
Inside Out from the album, Traveling Wilburys Vol. 3:
Bob Dylan & George Harrison: August 1, 1971, New York
The Concert for Bangladesh (or Bangla Desh, as the country name was spelt originally) was the name for two benefit concerts organised by George Harrison and Ravi Shankar, held at 2.30 and 8 pm on Sunday, 1 August 1971, playing to a total of 40,000 people at Madison Square Garden in New York City. The shows were organised to raise international awareness and fund relief efforts for refugees from East Pakistan (now Bangladesh), following the 1970 Bhola cyclone and the civil war-related Bangladesh atrocities. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films’ concert documentary, which opened in cinemas in the spring of 1972.The event was the first-ever benefit concert of such a magnitude and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and another legend of Indian music, Ali Akbar Khan, performed a separate set. Decades later, Shankar would say of the overwhelming success of the event: “In one day, the whole world knew the name of Bangladesh. It was a fantastic occasion …” ~Wikipedia
This was Dylan’s first live performance in two years. Harrison had to twist his arm to get him to take part in the benefit concert, and we can be very glad he did: it’s a stunning performance (both shows), modest, confident, richly textured, with Dylan feeling and communicating genuine love for the music he’s playing (in the case of” Blowin’ in the Wind” this was his first public performance of the song in seven years). Most of all, Dylan’s voice on this midsummer afternoon and evening has a rare, penetrating beauty that is immediately noticeable to almost anyone who hears it. This is, in a very real sense, the Dylan a large part of his audience dreams of hearing; this is the voice to fit the stereotyped or mythic image of Bob Dylan, guitar strumming poet laureate of the 1960s.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Madison Square Garden New York City, New York 1 August 1971 Rehearsals before the Bangla Desh Concert
If you knew Peggy Sue
Then you’d know why I feel blue
About Peggy, ’bout Peggy Sue
Oh well, I love you, gal
Yes, I love you Peggy Sue
At the Palamino Club in North Hollywood, Dylan, George Harrison, and John Fogerty join the Grafitti Band, which features Jesse Ed Davis and Taj Mahal, for a 90-minure onstage jam session. Dylan is not tempted to sing lead vocals but is happy to play guitar throughout.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Los Angeles, California
19 February 1987 Guest Appearance at a Taj Mahal concert
That was an inspired song that came to me. I felt like I was just putting down words that were coming from somewhere else, and I just stuck it out. ~Bob Dylan (“Biograph” notes)
“That’s an excellent song, very painless song to write,… It took like 12 seconds – or that’s how it felt.”
~Bob Dylan (to Robert Hilburn – Feb 1992)
…But “Every Grain of Sand” is something special: the “Chimes of Freedom” and “Mr. Tambourine Man” of Bob Dylan’s Christian period. A pearl among swine, it has surety and strength all down the line. Also vulnerability.
~Paul Nelson (from his famous “Rolling Stone Magazine” review of “Shot Of Love” – Oct. 1981)
Every Grain of Sand is a beautiful song, one of Dylan’s finest. It was released on Shot of Love in 1981. An alternate take of this song was released in The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991. It appeared on the soundtrack for the 1997 film Another Day In Paradise. Bob Dylan included in his live repertoire many years. First we will present five cover versions and after that we should listen to 2 really great versions from Dylan himself.
Luka Bloom – Every Grain Of Sand (2014, from the album Head & Heart):