September 14: Arcade Fire released Funeral in 2004
Funeral is the debut full-length album by Arcade Fire, released on September 14, 2004 in North America. It was given its title because several band members had recently lost members of their families: Régine Chassagne’s grandmother died in June 2003, Win and William Butler’s grandfather (swing musician Alvino Rey) in February 2004, and Richard Reed Parry’s aunt in April 2004.
“These are songs that pump blood back into the heart as fast and furiously as it’s draining from the sleeve on which it beats, and by the time Chassagne dissects her love of riding “In the Backseat” with the radio on, despite her desperate fear of driving, Funeral’s singular thread is finally revealed; love does conquer all, especially love for the cathartic power of music.”
– James Christopher Monger (Allmusic)
Arcade Fire – Rebellion (Lies)(Rock en Sine, 2007):
The album produced five singles. The most successful, “Rebellion (Lies)”, peaked at #19 on the UK Singles Chart. The album was nominated for a Grammy Award in 2005 for Best Alternative Music Album. It received wide critical acclaim and topped many year-end and decade-end lists. According to the website Metacritic, the album had the second most appearances on end-of-decade Top 10 lists. In the updated version of Rolling Stone’s 500 Greatest Albums of All Time, it was ranked at #151.
Arcade Fire – No Cars Go (Glastonbury,2007):
“Even in its darkest moments, Funeral exudes an empowering positivity. Slow-burning ballad “Crown of Love” is an expression of lovesick guilt that perpetually crescendos until the track unexpectedly explodes into a dance section, still soaked in the melodrama of weeping strings; the song’s psychological despair gives way to a purely physical catharsis.”
– David More (Pitchfork)
September 4: Get Yer Ya-Ya’s out! The Rolling Stones in Concert was released in 1970
“I have no doubt that it’s the best rock concert ever put on record.”
“Recorded during their American tour in late 1969, and centered around live versions of material from the Beggars Banquet-Let It Bleed era. Often acclaimed as one of the top live rock albums of all time, its appeal has dimmed a little today… it’s certainly the Stones’ best official live recording.”
~Richie Unterberger (allmusic.com)
July 10: The Beatles released A Hard Day’s Night in 1964
“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)
A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.
In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.
The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.
“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.
The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”
John Lennon or Paul McCartney, who’s the better songwriter? McCartney’s 20 best Beatles songs
And in the end, the love you take is equal to the love you make
Ok, so it is about the songs, is it? Not John’s cockiness and dry wit, not Paul’s technical skill, not the fact that death is the best career step a musician can have. (John Lennon would have laughed and agreed, so shut the fuck up. ) The fact is that John Lennon’s death put a blanket over Paul McCartney’s reputation and legacy (especially his work in The Beatles) and he will not be taken seriously until they meet in rock’n roll heaven. It is only about the songs? yeah right…
Yes, I am saying that Paul suffered in critical regard because he didn’t get murdered. But…
Them Again is the second album by Them, lead by singer and songwriter Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts.
21 January 1966 (UK), April 1966 (USA)
48:21Decca (UK), Parrot PA 61008; PAS 71008 (USA)
It’s a great record and often overlooked and unfavourably compared to Them’s debut. It is allmost as good. You owe it to yourself to check it out.
Two of the original Van Morrison songs included on the album, “My Lonely Sad Eyes” and “Hey Girl”, can be seen as precursors to the poetic musings of Morrison’s later Astral Weeks album, released in 1968. “My Lonely Sad Eyes” begins with the words, “Fill me my cup, and I’ll drink your sparkling wine/Pretend that everything is fine, ’til I see your sad eyes.” The title implies that the sad eyes belong to the singer but the lyrics address the singer’s love interest. It reminds me of Rolling Stones at their most soulful.
My Lonely Sad Eyes:
The song “Hey Girl” has a pastoral feel to it, enhanced by the addition of flutes and in Brian Hinton’s opinion is a “dry run for ‘Cyprus Avenue'” from Astral Weeks.