I’m goin’ to Memphis where the beat is tough
Memphis, I can’t get enough
It makes you tremble and it makes you weak
Gets in your blood, that Memphis Beat
~Jerry Lee Lewis – Memphis Beat
There many great songs with “Memphis” in their lyrics. Just check out this list on Memphis Rock n Soul Museum website: Over 1000 songs
I’ve picked 20 I really like:
1. Bob Dylan – Stuck Inside Of Mobile With The Memphis Blues Again
Oh, Mama, can this really be the end
To be stuck inside of Mobile
With the Memphis blues again
Sam Phillips was not just one of the most important producers in rock history. There’s a good argument to be made that he was also one of the most important figures in 20th century American culture.
~Richie Unterberger (allmusic.com)
If you’re not doing something different, you’re not doing anything.
~Sam Phillips
Great Sam Phillips documentary in two parts(Host: Billy Bob Thornton):
Well Nashville had country music but Memphis had the soul
Lord, the white boy had the rhythm and that started rock and roll
And I was here when it happened don’t you all think I ought to know
I was here when it happened, yeah, yeah, yeah
I watched Memphis give birth to rock and roll, Lord, lord yeah.
~Carl Perkins (Birth Of Rock And Roll)
In the early years, when the King [Elvis Presley] and the Four Horsemen [Johnny Cash, Jerry Lee Lewis, Carl Perkins & Roy Orbison] reigned over American music, Memphis music was the life force of teenage rebellion. It influenced clothing styles, created movie idols, helped end a war in Vietnam, and eventually changed the politics of a nation unaccustomed to listening to the voices of youth. By 1985, three decades after that rebellion had been hatched in the tiny studio of Sam Phillip’s Sun Records, popular music had gone through many cycles, as had the artists who invented it, but seldom had the music, or the artists who created it, ever returned to it’s birthplace.
~James L. Dickerson (Goin’ Back to Memphis: A Century of Blues, Rock ‘n’ Roll, and Glorious Soul)
Johnny Cash (Lewis, Perkins & Orbison) – We Remember The King:
As the swift bird flies o’er the mountains
How we wished, we were there at its wings
No Sir, by far, to a friend, we have lost We remember the King
We remember (we remember the King)
We recall (we recall everything)
We will treasure all of the gifts, that he did bring
We remember the King
Well kiss me baba, woo-oooooo….it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine
From Wikipedia:
Released
November 11, 1957
Recorded
October 8, 1957, Sun Studio, Memphis, Tennessee
Genre
Rock and roll, Rockabilly, Country
Label
Sun 281
Writer(s)
Otis Blackwell (under the pseudonym Jack Hammer)
“Great Balls of Fire” is a 1957 song recorded by Jerry Lee Lewis on Sun Records and featured in the 1957 movie Jamboree. It was written by Otis Blackwell (under the pseudonym Jack Hammer). The Jerry Lee Lewis 1957 recording was ranked as the 96th greatest song ever by Rolling Stone. The song is in AABA form.
From Rollingstone.com (500 greatest songs):
With Lewis pounding the piano and leering, “Great Balls of Fire” was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust. Lewis, a Bible-college dropout and cousin to Jimmy Swaggart, refused to sing it at first and got into a theological argument with Phillips that concluded with Lewis asking, “How can the devil save souls?” But as the session wore on and the liquor kept flowing, Lewis’ mood changed considerably — on bootleg tapes he can be heard saying, “I would like to eat a little pussy if I had some.” Goodness gracious, great balls of fire, indeed.
From allmusic.com – Cub Koda:
Written by African-American songwriter Otis Blackwell under the pseudonym of Jack Hammer, this was Jerry Lee Lewis’ third release and second consecutive hit. There are only two instruments on this recording, Lewis’ piano and J.M. Van Eaton’s drumming, with the echo from the Sun studios working as a third instrument. The song is over in a little more than a minute and a half and yet is perfectly realized with probably Jerry Lee’s best solo to recommend it and a vocal that borders on lascivious. You can do many things with “Great Balls of Fire” but most covers stick damn close to the original Jerry Lee strut and arrangement, so perfectly realized and empathetically played.
The song is best known for Jerry Lee Lewis’s original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957.
The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost’s defining moment when the Holy Spirit manifested itself as “cloven tongues as of fire” and the Apostles spoke in tongues.
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