Happy 74th Birthday Robbie Robertson.
- Bob Dylan quotes (about Robbie Robertson)
- Robbie Robertson quotes & video (about Bob Dylan)
- Sweet music
“Dylan’s probably my biggest hero as an artist, songwriter and singer”
– Kris Kristofferson
We have chosen to take a look into the relationship between Kris Kristofferson and Bob Dylan, and as expected it is harder to find quotes from Dylan than Kristofferson.
Dylan and Kristofferson go back a long time. Kris Kristofferson was a janitor in a Nashville studio when Dylan was recording Blonde on Blonde in 1966. They both appeared in the 1973 film “Pat Garrett and Billy The Kid” and they have recorded and performed each others’ material. Dylan covered Kristofferson’s They Killed Him on his album, Knocked Out Loaded.
JUN 13, 2016
San Diego, CA
Humphreys Concerts By The Bay
“At 75, Dylan shows every sign of rising to new heights. He is doing so by embracing anew his own legacy, and adding new twists, as has long been his style, and by embracing some of the Great American Songbook gems he pointedly spurned in the spoken introduction to his 1962 song, “Bob Dylan’s Blues.”
“This is unlike all the rest of the songs comin’ out of uptown New York — a Tin Pan Alley thing,” he said at the time, the derision in his voice unmistakable. “This one wasn’t written up there … this was … written down in the United States.”
Today, 54 years later, Dylan’s songs are as indelible a part of the American music fabric as any batch of Tin Pan Alley classics. Things have changed, undeniably, since then. But Dylan — in the autumn of his years — remains sturdy and vital. We’re lucky to have him.”
– San Diego Union Tribune
Empire Burlesque is singer-songwriter Bob Dylan’s 23rd studio album, it was released by Columbia Records 10 June 1985. The album peaked at #33 in the US and #11 in the UK.
“Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems — the most obvious being “Tight Connection to My Heart (Has Anybody Seen My Love?),” but also “Emotionally Yours” and “Dark Eyes” — proving that his powers are still there.”
I’ll Remember You (my favorite version from the movie Masked and Anonymous):
Bob Dylan fans and music critics continue to debate the album’s merits, especially when compared to the styles he pioneered in the 1960s and 1970s. It is one of Dylan’s most discussed albums in terms of quality, having a distinct “80s style” production to the songs. There are some really great songs on this album, but they seem hidden under the “80s sound”.
The sessions for Empire Burlesque were held in New York and Hollywood from July 1984 to April 1985.
I fuckin’ hope so, man, because it’s a great album
(in 2002, when asked if he didn’t fear burning out and ending up making albums such as “Self Portrait”)
Maybe not Bob Dylan’s proudest moment, but there are good songs on the record.
Here are our 6 best songs from the album:
“Well that was a joke, that album was put out at a time I didn’t like the attention I was getting. I never did want attention. At that time I was getting the wrong kind of attention for things I hadn’t done. So we released that album to get people off my back, so they would not like me anymore, that’s the reason the album was put out, so people would stop buying my records, and they did. “ – Bob Dylan (press conference 1981, Germany)
I think he was playing tricks with the journalists, there are interviews that tells about why he released the album to pay tribute to songwriters that he liked. But he also repeated the need he had to get away from “the fandom”. Last year it got re-released with better sound, that helped a lot. The one to buy is the box-set, Bootleg series vol.10: Another Self Portrait. You get outtakes, the Isle of Wight concert and the re-mastered album.
“I said: “Well, fuck it I wish these people would just forget about me. I wanna do something they can’t possibly like, they can’t relate to. They’ll see it and they’ll listen and they’ll say: “Well let’s go on to the next person. He ain’t sayin’ it no more. He ain’t givin’ us what we want,” you know? They’ll go on to somebody else.” But the whole idea back-fired. Because the album went out there, and the people said, “This ain’t what we want”, and they got more resentful. “ – Bob Dylan (Rolling Stone Magazine, 1984)
Continue reading June 8: Bob Dylan released Self Portrait in 1970