..Well, there were two good songs on S. P., DAYS OF FORTY-NINE and COPPER KETTLE… and without those two LPs there’d be no New Morning. Anyway I’m just starting to get back on my feet as far as my music goes… Al, do you use amphetamine?
~Bob Dylan (A.J. Weberman Interview, Jan 1971)
This is a quirky album, from a Dylan not pointing a way for anyone, but from a great artist remaining at his work knowingly in the face of not being creatively on top form in the phenomenal way he had been in the period 1964–68.Warm and abiding, it sounds better and better as the years go by.
~Michael Gray (The Bob Dylan Encyclopedia)
Day of The Locusts:
October 19, 1970
June–August 1970 at Studio B and Studio E, Columbia Studio Building, 49 East 52nd Street, New York City
Rock, country rock, country
New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, released in October 1970 by Columbia Records.
As a precursor of things to come, Winston Watson is the sole beatmaster tonight. Watson does not attempt anything too ambitious, although Dylan does attempt “Pretty Peggy-0” and “Queen Jane Approximately” to test his mettle.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Broome County Forum
Binghamton, New York
12 October 1992
Bob Dylan (vocal & guitar)
Bucky Baxter (pedal steel guitar & electric slide guitar)
…what I get from the musicians who I really care for: Bob Dylan, John Lennon, Bruce Springsteen, Neil Young – that intense passion.
– Roger Waters (1987)
George Roger Waters (born 6 September 1943), singer, songwriter, multi-instrumentalist, and composer. In 1965, he co-founded Pink Floyd with drummer Nick Mason, keyboardist Richard Wright and guitarist, singer, and songwriter Syd Barrett. Waters initially served as the group’s bassist, but following the departure of Barrett in 1968, he also became their lyricist, conceptual leader and co-lead vocalist.
He has, on several occasions, expressed his admiration for Bob Dylan. There are also reports from fans the he have played several of Bob Dylan’s songs during soundchecks.
Roger Waters of Pink Floyd talks to Howard Stern about Bob Dylan and the Beatles:
Charles Wayne Sexton (born August 11, 1968) is an American guitarist, singer and songwriter best known for the 1985 hit “Beat’s So Lonely” and as the guitarist for Bob Dylan’s backing band from 1999 to 2002 and since 2009. His style of playing has varied and he has been associated with artists in the blues, folk, rock and punk genres.
I first saw Charlie Sexton in the 80s and I have his first two vinyls in the attic (I don’t play vinyls anymore). He was promoted as this wonder kid, a new guitar god and he sounded and looked great. He was good then and he has gotten better. His first records suffered by that “eighties sound” but there are some good songs on them, and the guitar playing is tremendous.
Charlie Sexton Interview
Association with Bob Dylan
In 1999, Sexton was hired by Bob Dylan to replace Bucky Baxter. Sexton had previously played with Dylan during a pair of Austin, Texas, concerts in 1996, and on some demos recorded in the fall of 1983.
Sexton’s residency with Dylan from 1999–2002 brought him great exposure, with many critics singling out the interplay between him and Larry Campbell, who was also a guitarist in Dylan’s backing band. Hailed as one of Dylan’s best bands, the group recorded a number of studio recordings, including Things Have Changed (from the 2000 film Wonder Boys) and 2001’s critically acclaimed album, Love and Theft. He also performed and appeared with them in 2003’s Masked & Anonymous.
In October 2009, Sexton rejoined Dylan’s touring band, replacing Denny Freeman.
He is also an actor and did a very fine role in Richard Linklater’s masterpiece, Boyhood. He is also set to play Townes Van Zant in Ethan Hawke’s biopic about Blaze Foley, Blaze.
On the 26th of july, 1999, in a club in Manhattan, Bob Dylan delivered one of his greatest performances ever of his well-loved 1966 epic “Visions of Johanna.” As if to acknowledge and signal his awareness of the power and freshness of this latest reinterpretation, the singer-bandleader effectively changed the title of the song halfway through, by starting to sing the chorus as: “And these visions of Madonna are now all that remain/ … have kept me up past the dawn.”
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)
Tramps New York City, New York 26 July 1999
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)