Category Archives: Bob Dylan recording sessions

March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966

blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

Well I cut it in between. I was touring and I was doing it whenever I got a chance to get into the studio. So it was in the works for a while. I could only do maybe two or three songs at a time.
~Bob Dylan (to Jan Wenner – Nov 1969)

Bob-Dylan 1966

Continue reading March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966

March 8: Bob Dylan’s third Oh Mercy recording session in 1989

bob dylan Oh-Mercy

Most of them are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.
~Bob Dylan (to Edna Gundersen, Sept 1989)

The Studio
New Orleans, Louisiana
8 March 1989
Third Oh Mercy recording session, produced by Daniel Lanois

Continue reading March 8: Bob Dylan’s third Oh Mercy recording session in 1989

Feb 14: Bob Dylan- Third Recording Session for “Nashville Skyline” in 1969

bob dylan nashville skyline

This new album is country Dylan, a collection of unaffected and highly tuneful love songs, riding comfortably cushioned on the Nashville sound, which sometimes, as in “To Be Alone With You” or “One More Night,” is pure Country and Western, but which for the most part is just a relaxed get-together of expert musicians who seem to know each other’s – and Dylan’s – moves as if they were playing at the Grand Ole Opry.
~Hubert Saal (March 1969)

The third recording session for ‘Nashville Skyline’ took place on February 14, 1969. This time around he managed to pull out 4 master versions: “Peggy Day”, “Tell Me That It Isn’t True”, “Country Pie” and “Lay Lady Lay”.

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Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990





bob dylan under the red sky

I made this record, Under the Red Sky, with Don Was, but at the same time I was also doing the Wilburys record. I don’t know how it happened that I got into both albums at the same time.
~Bob Dylan (to Jonathan Lethem, Aug 2006)

It’s a magnificent album, really, and I love every performance on it.
~Paul Williams (from Bob Dylan: Mind Out of Time – Performing Artist 1986-1990 and Beyond)

Oceanway Studios
Los Angeles, California
6 January 1990
Produced by Don Was, David Was and Jack Frost

Continue reading Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990

November 29: Bob Dylan – Third (last) session for John Wesley Harding 1967

bob-dylan-john-wesley-harding-1967

JW: John Wesley Harding – why did you call the album that?
BD: We… I called it that because I had that song John Wesley Harding. It didn’t mean anything to me. I called it that, Jann, ‘cause I had the song John Wesley Harding, which started out to be a long ballad. I was gonna write a ballad on… Like maybe one of those old cowboy… You know, a real long ballad. But in the middle of the second verse, I got
tired. I had a tune, and I didn’t want to waste the tune, it was a nice little melody, so I just wrote a quick third verse, and I recorded that. But it was a silly little song….
~Bob Dylan to Jann Wenner November 29, 1969

This quiet masterpiece, which manages to sound both authoritative and tentative (a mix that gave it a highly contemporary feel), is neither a rock nor a folk album—and certainly isn’t folk-rock. It isn’t categorisable at all.
~Michael Gray (The Bob Dylan Encyclopedia)

47 years ago Bob Dylan entered Columbia Studio A, Nashville Tennessee tempting his third (and final) recording session for “John Wesley Harding”.

Continue reading November 29: Bob Dylan – Third (last) session for John Wesley Harding 1967