Category Archives: Rock

Today: 16 Horsepower released Sackcloth ‘n’ Ashes in 1996


16h

“Well, at first the band were simply called Horsepower, but a lot of people thought that was something to do with heroin. That really pissed me off, so I decided to put something in front of it to distract them. “I got ’16’ from a traditional American folk song, where a man is singing about his dead wife and 16 black horses are pulling her casket up to the cemetery. I liked the image of 16 working horses.”
– David Eugene Edwards (NME, 1996)

16 Horsepower originated out of the “Denver scene” around 1992. Edwards teamed up with bassist Keven Soll and drummer Jean-Yves Tola (yeah he is French), and the trio soon discovered a common love for country music, traditional music (from all corners of the world), and the darker bands of the ’80s, like Joy Division, the Gun Club, and Nick Cave & the Bad Seeds.

They toured extensively the first years, sometimes as opening act for bands like MorphineLos Lobos and the Violent Femmes.

Edwards said at the time that he regularly checked out Library of Congress records, old Appalachian music, and that he just listen to it for hours and hours. He expressed his for love Irish and Cajun music too, and how he saw it as all interconnected. All this seeped into Sackcloth ‘n’ Ashes.

When Edwards was writing about early America, he was referring to the darkest aspects of USA’s past: the slavery, the war with native americans and the rape of a fertile land. He’s also thinking of the moral decline and violence of the Wild West that found sinners having to answer to a form of justice much higher than that of Man’s. He writes about a young and more primitive country, he write about the punishments for wrong-doing that were much more severe and eagerly executed than today. The word of God was also the word of the state and the executioner. Edwards and the songs he wrote with Sixteen Horsepower existed in that world.

16 Horsepower – Haw (official video):

“The music of the church was the most important thing to me , that’s where I learned the doctrine, where it came to me. That was how I was spoken to.”
– Edward Eugene Edwards (grandson of a Nazarene minister)

Continue reading Today: 16 Horsepower released Sackcloth ‘n’ Ashes in 1996

Photo Special: The South at Cafe Mono in Oslo 2013

The South Mono 2013-2

Last night we went to Oslo to see The South, it was our first show with them after the new album, The Further Inside You Go... and we were excited. It is safe to say that they fulfilled all expectations, they are the best live band in Norway at the moment. They are playing in Bergen tomorrow and in Stavanger the 16th November (we’ll be there), run out and get tickets, folks. You will not se a better Norwegian band this year!

They played two sets with a ten minute intermission (just like Zimmy does these days) both sets were fantastic, but when the y “take off” on the longer jams in the second set, I’m in heaven. Be sure to clap them back on stage after the final song, they really gave us a treat last night, the encore started out as a fun and fairly faithful rendition of Scarlet Begonias (Grateful Dead) but then they switch gears and ends up into a rip-roaring version of Allman Brothers’ Jessica. Perfect! (the piano solo from the original was included and it was so fun and so great!)

Well, as you’ve already guessed, we had a tremendous time in Oslo and we are really looking forward to the Stavanger concert.

The South Mono 2013-9

First set:
Tinseltown
For Someone Else
Save You
Birds of a feather -> into Keep on Growing (Derek and The Dominos)
Dad
Can’t Find My Way Back Home
5th Gear
End of the day

The South Mono 2013-7

Second set + encore:
Nothin’ but my shoes
Sue
I’ll be the one
The Juggernaut
The Further Inside You Go…
Different Eyes

Scarlet Begonias (Grateful Dead) -> into Jessica (Allman Brothers Band)

I think this was the set-list, but I may be mistaken on the sequence or some of the songs, don’t be too mad at me 😉

Continue reading Photo Special: The South at Cafe Mono in Oslo 2013

Look out for: Rod Picott – new album and tour

rod picott

The great Rod Picott is currently touring in Norway, go see him!

Mr. Picott is not new on the scene, but he has not gotten the attention he deserves. He is a very good singer and songwriter.

Bio (from rodpicott.com):
The son of a welder from rural New England, Rod Picott is a masterful songwriter and soulful singer who carries with him as fine a suitcase of songs as you’ll find anywhere. Slaid Cleaves, Ray Wylie Hubbard and Fred Eagelsmith have recorded Rod Picott songs. A former construction worker who hung up his tools when he released his debut CD in 2000, Picott has carved a career for himself with a run of 6 beautifully crafted self released CDs over the last 13 years and a well earned reputation as a engaging, emotion fueled performer.

He is touring in Europe right now, promoting his new album (his 7th), Hang Your Hopes On A Crooked Nail. The album is produced by RS Field, who has also worked with Billy Joe Shaver, Justin Townes Earle and Hayes Carll.

I Might Be Broken Now (official video):

Hang Your Hopes On A Crooked Nails is a very fine album, and a natural successor to his last album (the great Weldig Burns). Rod Picott is a songwriter that tells us about life as he sees it, and he is a good storyteller. He tells everyday stories, he has a keen eye for the “small stuff”. I think he is a great observer of what is important in our everyday life. He sometimes remind me of Springsteen or Steve Earle.

Where No One Knows Your Name (live):

Picott is an experienced performer after about 12 years playing, he has a tremendous stage presence, and I urge everyone to catch one of his shows on this tour.

I am sitting here listening to his new album as I write this. I have talked about his skill as a lyricist, but what strikes me now is very fine melodies, this is a good record. I was a backer of his new album at Kickstarter.com, the album was then called Rod Picott’s Circus of Misery and Heartbreak. I like that he changed the title, it reflects the positivity and hope that is in his lyrics.

Here is his presentation from Kickstarter, very interesting and thankfully it got funded:

Highlights on the album for me (so far):
Dreams, I Might Be Broken Now, 65 Falcon, Where No One Knows My Name

The new album is not on Spotify yet, but here is a playlist from his earlier recordings:

– Hallgeir

Buy the album here

 

 

Here are his next dates in Norway:

Today: Brian Johnson is 66 Happy Birthday

brian1

“We’re never going to win any Grammy awards. We’re never gonna win any respect from the squeaky-clean mob and Rolling Stone or everybody like that, because we don’t give any messages out that they think are important.”
~Brian Johnson

” I like AC/DC.”
~Keith Richards

From Wikipedia:

Born 5 October 1947 (age 66)
Dunston, Gateshead, England
Genres Heavy metal, hard rock, rock and roll, blues rock, glam rock
Occupations Singer-songwriter
Instruments Vocals
Years active 1971–present
Labels EMI, Epic, Atlantic
Associated acts AC/DC, Geordie

Brian Johnson (born 5 October 1947) is an English singer and lyricist who has been the lead singer for the rock band AC/DC since 1980. He was inducted into the Rock and Roll Hall of Fame in 2003, along with the other members of the band.

brian2

AC/DC lead guitarist and co-founder Angus Young later recalled, “I remember Bon playing me Little Richard, and then telling me the story of when he saw Brian singing.” He says about that night, “There’s this guy up there screaming at the top of his lungs and then the next thing you know he hits the deck. He’s on the floor, rolling around and screaming. I thought it was great, and then to top it off—you couldn’t get a better encore—they came in and wheeled the guy off!'” Johnson was diagnosed with appendicitis later that night, which was the cause of his writhing around on stage. The band agreed immediately that Johnson’s performing style fit AC/DC’s music. Johnson’s first album with AC/DC, Back in Black, became the second best-selling album of all time.

Back in Black – Live:

You Shook Me All Night Long (2012 version Video)

Since AC/DC is not available on spotify… we need an extra youtube video

Hells Bells:

 

Led Zeppelin III is not on spotify either… “Fly Like an Eagle” it our choice then (Happy birthday to Steve Miller)

Album of the day: Steve Miller Band – Fly Like an Eagle (1976):

Other October 05:

Continue reading Today: Brian Johnson is 66 Happy Birthday

Today: Paranoid by Black Sabbath was released in 1970

Black-Sabbath-LP-Paranoid-cover

Paranoid is the second studio album Black Sabbath. Released 18 September 1970, it was the band’s only album to top the UK Albums Chart until the release of 13 in 2013.

Paranoid contains several of the band’s best-known signature songs, including “Iron Man”, “War Pigs”, and the title track.

It is one of the first metal albums and it is my favorite among the handful metal albums that I like. Slow, heavy and very, very blues based. Black Sabbath was a great band for about 4 albums (ok, 6, and then I’m stretching it a bit), after that I lost interest. Paranoid was their crowning achievement. The playing is excellent and Ozzy sings really well. They were never better.

Black Sabbath – War Pigs (Paris, 1970):

 

“…they did one thing and did it exceptionally well. If you want proof just take a look at the world of heavy metal. Without this album there wouldn’t be one. Simple as that.” – Sid Smith (BBC)

Black_Sabbath-Paranoid_(Deluxe_Expanded_Edition)-Interior_Trasera

Classic Albums documentary: Black Sabbath – Paranoid:

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics.
– Steve Huey (Allmusic)

 

Black Sabbath – Paranoid (1970):

Black Sabbath – Paranoid on Spotify:

Hell, I have to include Iron Man as well. Here is a performance from the TV show, Beat Club (1972):

– Hallgeir