Watch: Bob Dylan – Simple Twist of Fate, Oslo, Norway June 30, 2011 (Video)

bob dylan oslo 2011

They sat together in the park
As the evening sky grew dark
She looked at him and he felt a spark tingle to his bones
’Twas then he felt alone and wished that he’d gone straight
And watched out for a simple twist of fate

Spektrum
Oslo, Norway
30 June 2011

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Bob Dylan: Tears Of Rage, Stratford-upon-Avon, England – 14 July 1995 (Video)

bob dylan 1995 july

We carried you in our arms
On Independence Day
And now you’d throw us all aside
And put us on our way
Oh what dear daughter ’neath the sun
Would treat a father so
To wait upon him hand and foot
And always tell him, “No?”
Tears of rage, tears of grief
Why must I always be the thief?
Come to me now, you know
We’re so alone
And life is brief

Long Marston Airfield
Stratford-upon-Avon, England
14 July 1995
Phoenix Festival

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Continue reading Bob Dylan: Tears Of Rage, Stratford-upon-Avon, England – 14 July 1995 (Video)

November 2: Bob Dylan @ Fox Warfield Theatre, San Francisco in 1979 (audio)

bob dylan 1979

The importance of identifying Bob Dylan as a performing artist, as distinct from the popular perception that he’s a songwriter and recording artist, is immediately clear when one has a chance to hear his fall 1979 concerts. “What Can I Do for You?,” “Solid Rock,” “Saving Grace,” “Covenant Woman” and “In the Garden” as performed at these shows are some of the finest works in Dylan’s oeuvre..
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

I love Dylan’s Gospel tours from 1979 & 1980. And the concerts @ Fox Warfield Theatre November 1979 might be the best of them.

Fox Warfield Theatre
San Francisco, California
2 November 1979

  • Bob Dylan (vocal & guitar), Fred Tackett (guitar)
  • Spooner Oldham (keyboards)
  • Tim Drummond (bass)
  • Terry Young (keyboards)
  • Jim Keltner (drums)
  • Regina Mcrary , Helena Springs , Mona Lisa Young (background vocals)

Continue reading November 2: Bob Dylan @ Fox Warfield Theatre, San Francisco in 1979 (audio)

October 27: Bob Dylan University Of Illinois Champaign, Illinois 1999 (full concert video)

bob dylan Champaign 1999

1999 was a great year for Bob Dylan’s “Never Ending Tour”.

For all the splendours of earlier in the year [1999], this last leg was the most consistently triumphant. By the time Dylan brought the year’s touring to an end, with an extended set on November the 20th, he had played 121 shows – the most in a single year of his entire career. It had been a very good year, the best since 1995.
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)

A lot of concerts from this tour is in circulation (both video & audio) and this concert is a great example from that last leg. Highlights include: One Too Many Mornings, This Wheel’s On Fire, Not Dark Yet & Not Fade Away.

Assembly Hall
University Of Illinois
Champaign, Illinois
27 October 1999

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Bob Dylan’s Best Songs: Tweeter and the Monkey Man





Tweeter and the Monkey Man were hard up for cash
They stayed up all night selling cocaine and hash
To an undercover cop who had a sister named Jan
For reasons unexplained she loved the Monkey Man

‘Tweeter & The Monkey Man’ was Tom Petty and Bob sitting in the kitchen, Jeff and I were there too, but they were talking about all this stuff which didn’t make sense to me – Americana kind of stuff. And we got a tape cassette and put it on and transcribed everything they were saying and wrote it down. And then Bob sort of changed it, anyway. That for me was just amazing to watch ’cause I had very little to do with writing that [song] at all – except Jeff and I remembered a little bit that [Bob] did that he’d forgotten – which became that chorus part. It was just fantastic watching him do it because . . . he had one take warming himself up and then he did it for real on take two. The rest of us had more time but Bob had to go on the road and we knew he couldn’t do any more vocals again, so we had to get his vocals immediately. And on take two he sang [it] right through, and then what he did was he changed some of the lyrics maybe in about four places he changed a couple of lines and improved them, and dropped these lines in and that’s it – just as it was done and written. And the way he writes the words down! Very tiny, like a spider’s written it . . . It’s just unbelievable seeing how he does it.
– George Harrison, to Roger Scott, 1989

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