The importance of identifying Bob Dylan as a performing artist, as distinct from the popular perception that he’s a songwriter and recording artist, is immediately clear when one has a chance to hear his fall 1979 concerts. “What Can I Do for You?,” “Solid Rock,” “Saving Grace,” “Covenant Woman” and “In the Garden” as performed at these shows are some of the finest works in Dylan’s oeuvre..
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)
I love Dylan’s Gospel tours from 1979 & 1980. And the concerts @ Fox Warfield Theatre November 1979 might be the best of them.
Fox Warfield Theatre
San Francisco, California
2 November 1979
Bob Dylan (vocal & guitar), Fred Tackett (guitar)
Spooner Oldham (keyboards)
Tim Drummond (bass)
Terry Young (keyboards)
Jim Keltner (drums)
Regina Mcrary , Helena Springs , Mona Lisa Young (background vocals)
1999 was a great year for Bob Dylan’s “Never Ending Tour”.
For all the splendours of earlier in the year , this last leg was the most consistently triumphant. By the time Dylan brought the year’s touring to an end, with an extended set on November the 20th, he had played 121 shows – the most in a single year of his entire career. It had been a very good year, the best since 1995.
~Andrew Muir (One More Night: Bob Dylan’s Never Ending Tour)
A lot of concerts from this tour is in circulation (both video & audio) and this concert is a great example from that last leg. Highlights include: One Too Many Mornings, This Wheel’s On Fire, Not Dark Yet & Not Fade Away.
University Of Illinois
27 October 1999
Tweeter and the Monkey Man were hard up for cash
They stayed up all night selling cocaine and hash
To an undercover cop who had a sister named Jan
For reasons unexplained she loved the Monkey Man
‘Tweeter & The Monkey Man’ was Tom Petty and Bob sitting in the kitchen, Jeff and I were there too, but they were talking about all this stuff which didn’t make sense to me – Americana kind of stuff. And we got a tape cassette and put it on and transcribed everything they were saying and wrote it down. And then Bob sort of changed it, anyway. That for me was just amazing to watch ’cause I had very little to do with writing that [song] at all – except Jeff and I remembered a little bit that [Bob] did that he’d forgotten – which became that chorus part. It was just fantastic watching him do it because . . . he had one take warming himself up and then he did it for real on take two. The rest of us had more time but Bob had to go on the road and we knew he couldn’t do any more vocals again, so we had to get his vocals immediately. And on take two he sang [it] right through, and then what he did was he changed some of the lyrics maybe in about four places he changed a couple of lines and improved them, and dropped these lines in and that’s it – just as it was done and written. And the way he writes the words down! Very tiny, like a spider’s written it . . . It’s just unbelievable seeing how he does it.
– George Harrison, to Roger Scott, 1989
The Traveling Wilburys (sometimes shortened to the Wilburys) were a British-American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty. The band recorded two albums in 1988 and 1990, though Orbison died before the second was recorded.
“Nelson Wilbury” – George Harrison
“Otis Wilbury” – Jeff Lynne
“Lefty Wilbury” – Roy Orbison
“Charlie T. Wilbury, Jr” – Tom Petty
“Lucky Wilbury” – Bob Dylan
“Spike Wilbury” – George Harrison
“Clayton Wilbury” – Jeff Lynne
“Muddy Wilbury” – Tom Petty
“Boo Wilbury” – Bob Dylan
Jim Keltner, the session drummer and percussionist, was not listed as a Wilbury on either album. However, he is seen in all of the group’s music videos, and on the DVD released in 2007, he is given the nickname “Buster Sidebury”.
Inside Out from the album, Traveling Wilburys Vol. 3:
..Well, there were two good songs on S. P., DAYS OF FORTY-NINE and COPPER KETTLE… and without those two LPs there’d be no New Morning. Anyway I’m just starting to get back on my feet as far as my music goes… Al, do you use amphetamine?
~Bob Dylan (A.J. Weberman Interview, Jan 1971)
This is a quirky album, from a Dylan not pointing a way for anyone, but from a great artist remaining at his work knowingly in the face of not being creatively on top form in the phenomenal way he had been in the period 1964–68.Warm and abiding, it sounds better and better as the years go by.
~Michael Gray (The Bob Dylan Encyclopedia)
Day of The Locusts:
October 19, 1970
June–August 1970 at Studio B and Studio E, Columbia Studio Building, 49 East 52nd Street, New York City
Rock, country rock, country
New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, released in October 1970 by Columbia Records.