Tag Archives: 1966

April 13: Bob Dylan Sydney, Australia 1966 (audio)

bob dylan sydney 1966

 

Dylan’s 66 world tour is the best tour ever… by anyone. I know you all agree.

By the time we did the Australia and Europe tours we had discovered whatever this thing was. It was not light, it was not folky. It was very dynamic, very explosive and very violent.
~Robbie Robertson

By this point, Dylan, Robertson, and Co. knew instinctively that what they were doing was right, in every sense of the word. If the Hawks had been a little hesitant in their playing back in the fall of 1965, the music they were producing now was stately, immense, compelling. The sound itself had a thousand precursors, but no precedent. It was, indeed, ‘very explosive and very violent.’
~Clinton Heylin (Bob Dylan: Behind the Shades Revisited)

The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker. Pennebaker’s footage was edited by Dylan and Howard Alk to produce a little-seen film, Eat the Document, an anarchic account of the tour. Drummer Mickey Jones also filmed the tour with an 8mm home movie camera. Many of the 1966 tour concerts were recorded by Columbia Records. These recordings produced one official album, the so-called “Royal Albert Hall” concert, and also many unofficial bootleg recordings of the tour.Dylan’s 1966 Tour ended with his motorcycle accident on July 29, 1966. Subsequent to Dylan’s withdrawal to Woodstock, he refrained from undertaking a major tour until 1974.
~Wikipedia

Continue reading April 13: Bob Dylan Sydney, Australia 1966 (audio)

March 12-13: Bob Dylan – Hotel Room in Denver 1966





bob dylan 1966

…When Dylan and Robbie Robertson arrive at their Denver hotel at 3AM, they jam in Dylan’s hotel room for an hour. Shelton tapes the session on his portable reel-to-reel. Although it is just three days after Dylan completed Blonde 0n Blonde, Dylan and Robertson work on three new songs that, had they been given titles and not simply forgotten by Dylan, might have been called “Positively Van Gogh,” “Don’t Tell Him,” and “If You Want My Love.” Dylan then plays “Just Like a Woman” and “Sad-Eyed Lady of the Lowlands” for Shelton’s benefit, before deciding it is time to get some sleep.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Although the sound quality is bad this is wonderful stuff for some of us…

The music can be found on cd #6 in the bootleg “collection”: Jewels & Binoculars (26CD set).

A Hotel Room
Denver, Colorado
12–13 March 1966

Continue reading March 12-13: Bob Dylan – Hotel Room in Denver 1966

March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966





blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

Well I cut it in between. I was touring and I was doing it whenever I got a chance to get into the studio. So it was in the works for a while. I could only do maybe two or three songs at a time.
~Bob Dylan (to Jan Wenner – Nov 1969)

Bob-Dylan 1966

Continue reading March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966

February 20: Bob Dylan Martin Bronstein Interview, Montreal (audio) 1966

bob dylan on the phone - 1966

MB: Do you consider yourself a poet or a songwriter?
BD: I don’t consider myself either one of those two things. I did when I first heard the words, you know, of course – “songwriter” – you hear that when you’re very young. “Poet,” I never heard that word really. I never really could think of myself as such until I came to New York and then for a while I did think I was a poet, but I don’t consider myself anymore from seeing all the rest of the people who’re called poets too and I just don’t like to refer to myself as a poet because it puts you in a category with a lot of funny people, you know

Place Des Arts
Montreal, Quebec, Canada
20 February 1966

  • Released in the UK on ON THE CREST OF THE AIRWAVES VOLUME ONE, Music Melon MMLTDBOX12, 13 February 2012.
  • Released on The Classic Interviews 1965-1966, Chrome Dreams CIS2003, 19 May 2003.

Continue reading February 20: Bob Dylan Martin Bronstein Interview, Montreal (audio) 1966

May 27: Bob Dylan & The Hawks, London 1966





bob dylan london 1966

The final show of the 1966 world tour. Thankfully the entire acoustic half has emerged on acetate. CBS in fact recorded both nights at the Royal Albert Hall for a possible live album. Before performing “Visions of Johanna,” Dylan launches into a verbal attack on those critics who accuse him of writing drug songs, informing them the next song, “is not a drurg [sic} song. It’s just vulgar to think so.” But the highlight of this, the final 1966 acoustic set is a six-and-a-half minute “Just Like a Woman,” Dylan veering in and out of control of his phrasing. During the electric set, tempers, both on and offrhe stage, become frayed. Before “I Don’t Believe You,” Dylan announces, “I get accused of dismissing my old songs. That’s not true. I luuurve my old songs.” At the time critics are divided as to the merits of the two London shows. Ray Coleman, in Disc and Music Echo, felt that Dylan, “insults his own talents … [with} a shamble of noise.” The London Times reviewer, writing up the first London show, much preferred the acoustic set, entitling his article, “The Better Half of Dylan.” After Dylan· s motorcycle accident, though, the shows will quickly achieve mythic status.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Royal Albert Hall
London, England
27 May 1966

Musicians:

  • Bob Dylan (vocal & electric guitar)
  • Robbie Robertson (electric guitar)
  • Garth Hudson (organ), Rick Danko (bass)
  • Richard Manuel (piano)
  • Mickey Jones (drums)

The last three songs of the May 27 acoustic set at Royal Albert Hall are good enough to stand next to the best work of any twentieth century artist (performer, painter, poet, mathematician… )
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

Continue reading May 27: Bob Dylan & The Hawks, London 1966