Tag Archives: 1966

May 16: Bob Dylan & The Hawks: Gaumont Theatre, Sheffield 1966





BobDylan1966 sheffield

 

 …The Sheffield show is perhaps the best of the tour. The quality is incredible, and the performance can move you to tears. The Gaumont adds a warmth and depth to the overall sound that is lacking at many venues, and Bob pours his heart into every syllable. This set represents some of the finest of the tour…
~bobsboots.com

bob dylan sheffield 1966

Gaumont Theatre
Sheffield, England
16 May 1966

Continue reading May 16: Bob Dylan & The Hawks: Gaumont Theatre, Sheffield 1966

May 5: Bob Dylan concert in Dublin 1966 (audio)

bob dylan Dublin_66

CBS records this concert. A PA recording of the acoustic half of the show is subsequently widely bootlegged. The extant tape features “Visions of Johanna,” “Fourth Time Around,” “It’s All Over Now, Baby Blue,” “Desolation Row,” “Just Like a Woman,” and “Mr. Tambourine Man” (but not “She Belongs to Me,” presumably performed). Although the acoustic set seems to be well received, the audience is hostile throughout the electric set. One review of the show is headlined “Night of the Big Let Down.” According to Robbie Robertson, some of the audience were even holding up placards saying “Stop the War.” A recording of “I Don’t Believe You” from the electric set is eventually released on the Biograph set, incorrectly assigned to Belfast.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Another Great 66 gig.

Continue reading May 5: Bob Dylan concert in Dublin 1966 (audio)

April 13: Bob Dylan Sydney, Australia 1966 (audio)

bob dylan sydney 1966

 

Dylan’s 66 world tour is the best tour ever… by anyone. I know you all agree.

By the time we did the Australia and Europe tours we had discovered whatever this thing was. It was not light, it was not folky. It was very dynamic, very explosive and very violent.
~Robbie Robertson

By this point, Dylan, Robertson, and Co. knew instinctively that what they were doing was right, in every sense of the word. If the Hawks had been a little hesitant in their playing back in the fall of 1965, the music they were producing now was stately, immense, compelling. The sound itself had a thousand precursors, but no precedent. It was, indeed, ‘very explosive and very violent.’
~Clinton Heylin (Bob Dylan: Behind the Shades Revisited)

The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker. Pennebaker’s footage was edited by Dylan and Howard Alk to produce a little-seen film, Eat the Document, an anarchic account of the tour. Drummer Mickey Jones also filmed the tour with an 8mm home movie camera. Many of the 1966 tour concerts were recorded by Columbia Records. These recordings produced one official album, the so-called “Royal Albert Hall” concert, and also many unofficial bootleg recordings of the tour.Dylan’s 1966 Tour ended with his motorcycle accident on July 29, 1966. Subsequent to Dylan’s withdrawal to Woodstock, he refrained from undertaking a major tour until 1974.
~Wikipedia

Continue reading April 13: Bob Dylan Sydney, Australia 1966 (audio)

March 12-13: Bob Dylan – Hotel Room in Denver 1966





bob dylan 1966

…When Dylan and Robbie Robertson arrive at their Denver hotel at 3AM, they jam in Dylan’s hotel room for an hour. Shelton tapes the session on his portable reel-to-reel. Although it is just three days after Dylan completed Blonde 0n Blonde, Dylan and Robertson work on three new songs that, had they been given titles and not simply forgotten by Dylan, might have been called “Positively Van Gogh,” “Don’t Tell Him,” and “If You Want My Love.” Dylan then plays “Just Like a Woman” and “Sad-Eyed Lady of the Lowlands” for Shelton’s benefit, before deciding it is time to get some sleep.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Although the sound quality is bad this is wonderful stuff for some of us…

The music can be found on cd #6 in the bootleg “collection”: Jewels & Binoculars (26CD set).

A Hotel Room
Denver, Colorado
12–13 March 1966

Continue reading March 12-13: Bob Dylan – Hotel Room in Denver 1966

March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966





blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

Well I cut it in between. I was touring and I was doing it whenever I got a chance to get into the studio. So it was in the works for a while. I could only do maybe two or three songs at a time.
~Bob Dylan (to Jan Wenner – Nov 1969)

Bob-Dylan 1966

Continue reading March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966