Tag Archives: 1970

June 9: Bob Dylan received an honorary degree from Princeton University in 1970 – Photos

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I think we were staying at John Hammond’s house. Sara was trying to get Bob to go to Princeton University, where he was being presented with an honorary doctorate. Bob didn’t want to go. I said, ‘C’mon, Bob it’s an honor!’ Sara and I both worked on him for a long time. Finally, he agreed. l had a car outside – a big limousine. That was the first thing he didn’t like. We smoked another joint on the way and I noticed Dylan getting really quite paranoid behind it. When we arrived at Princeton, they took us to a little room and Bob was asked to wear a cap and gown. He refused outright. They said, ‘We won’t give you the degree if you don’t wear this.’ Dylan said. ‘Fine. l didn’t ask for it in the first place.’ … Finally we convinced him to wear the cap and gown.
~David Crosby

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June 8: Bob Dylan released Self Portrait in 1970





 

June 8: Bob Dylan released Self Portrait in 1970

Please read our post on Bootleg Series 10: Another Self Portrait from 2013 to get some more details and a more insightful description of what it could have been.

I fuckin’ hope so, man, because it’s a great album
Ryan Adams
(in 2002, when asked if he didn’t fear burning out and ending up making albums such as “Self Portrait”)

Maybe not Bob Dylan’s proudest moment, but there are good songs on the record.

Here are our 6 best songs from the album:

  • Copper Kettle (The Pale Moonlight)
  • Days of’ 49
  • Early Mornin’ Rain
  • Let It Be Me
  • Living The Blues
  • In Search of Little Sadie
  • Like a Rolling Stone (great with the re-mastered sound!)

“Well that was a joke, that album was put out at a time I didn’t like the attention I was getting. I never did want attention. At that time I was getting the wrong kind of attention for things I hadn’t done. So we released that album to get people off my back, so they would not like me anymore, that’s the reason the album was put out, so people would stop buying my records, and they did. “ – Bob Dylan (press conference 1981, Germany)

I think he was playing tricks with the journalists, there are interviews that tells about why he released the album to pay tribute to songwriters that he liked. But he also repeated the need he had to get away from “the fandom”. Last year it got re-released with better sound, that helped a lot. The one to buy is the box-set, Bootleg series vol.10: Another Self Portrait. You get outtakes, the Isle of Wight concert and the re-mastered album.

“I said: “Well, fuck it I wish these people would just forget about me. I wanna do something they can’t possibly like, they can’t relate to. They’ll see it and they’ll listen and they’ll say: “Well let’s go on to the next person. He ain’t sayin’ it no more. He ain’t givin’ us what we want,” you know? They’ll go on to somebody else.” But the whole idea back-fired. Because the album went out there, and the people said, “This ain’t what we want”, and they got more resentful. “ – Bob Dylan (Rolling Stone Magazine, 1984)
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Bob Dylan “Spanish is The Loving Tongue” – Three Great and One Awesome Version





Spanish is the lovin’ tongue
Soft as springtime, light as spray
There was a girl I learned it from
Living down Sonora way
Now I don’t look much like a lover
Yet I say her love words over
Late at night when I’m all alone
“Mi amor, mi corazon”

“Spanish is the Loving Tongue” is a song based on the poem “A Border Affair” written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon. Over the years, the song was recorded by many top recording artists, including Bob Dylan, Ian and Sylvia, Tom Paxton, Judy Collins, Marianne Faithfull, Emmylou Harris, Michael Martin Murphey, and The Chad Mitchell Trio (under the name “Adios, mi Corazon”).

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Bob Dylan and Earl Scruggs: East Virginia Blues

bob dylan earl scruggs 1970
Earl Scruggs and Bob Dylan

I was born in East Virginia
North Carolina I did go
There I courted a fair young maiden
But her age I did not know

Dylan records two songs with Randy, Gary, and Earl Scruggs at the New York home of Thomas B. Allen, for a documentary on Earl Scruggs. Playing harmonica and guitar on “Nashville Skyline Rag,” he then duets with Earl on “East Virginia Blues.” The first song is later released on Earl Scruggs Performing with His Family and Friends, both are included in a documentary of the same name screened by NBC in January 1971.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

The Home Of Thomas B. Allen
Carmel, New York
December 1970
Earl Scruggs Documentary

  • Bob Dylan (guitar & vocal)
  • Earl Scruggs (banjo)
  • Randy Scruggs (acoustic guitar)
  • Gary Scruggs (electric bass)

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October 19: Bob Dylan released New Morning in 1970

bob dylan new morning

October 19: Bob Dylan released New Morning in 1970

..Well, there were two good songs on S. P., DAYS OF FORTY-NINE and COPPER KETTLE… and without those two LPs there’d be no New Morning. Anyway I’m just starting to get back on my feet as far as my music goes… Al, do you use amphetamine?
~Bob Dylan (A.J. Weberman Interview, Jan 1971)

The album has a feeling of”starting over” about it, as the title and the back cover photo (Dylan with blues singer Victoria Spivey in 1961-he looks very young) both suggest.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

This is a quirky album, from a Dylan not pointing a way for anyone, but from a great artist remaining at his work knowingly in the face of not being creatively on top form in the phenomenal way he had been in the period 1964–68.Warm and abiding, it sounds better and better as the years go by.
~Michael Gray (The Bob Dylan Encyclopedia)

Day of The Locusts:

From Wikipedia:

Released October 19, 1970
Recorded June–August 1970 at Studio B and Studio E, Columbia Studio Building, 49 East 52nd Street, New York City
Genre Rock, country rock, country
Length 35:21
Label Columbia
Producer Bob Johnston

New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, released in October 1970 by Columbia Records.

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