“You hear sometimes about the glamour of the road, but you get over that real fast. There are a lot of times that it’s no different from going to work in the morning. Still, you’re either a player or you’re not a player. It didn’t really occur to me until we did those shows with the Grateful Dead [in 1987].
~Bob Dylan (to Robert Hilburn, Feb 1992)
As you get older, you get smarter and that can hinder you because you try to gain control over the creative impulse. Creativity is not like a freight train going down the tracks. It’s something that has to be caressed and treated with a great deal of respect. If your mind is intellectually in the way, it will stop you. You’ve got to program your brain not to think too much.
~Bob Dylan (Edna Gundersen Interview – May 1995)
Ok, here are some of our videos (& some audios) from the archives.
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn’t you?
People’d call, say, “Beware doll, you’re bound to fall”
You thought they were all kiddin’ you
You used to laugh about
Everybody that was hangin’ out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging for your next meal
How does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?
Radio City Music Hall
New York City, New York 18 January 1992 Taping for Late Night (w/ David Letterman) 10th Anniversary show
September 15: The Jayhawks released Hollywood Town Hall in 1992
Hollywood Town Hall is a 1992 album by The Jayhawks. It peaked at #11 on the Billboard Heatseekers and #192 on the Billboard 200. It came as a breath of fresh air during “the grunge movement”. It is a fantastic record, easy to like but not simple in any way. It is a strong album all through, no weak tracks. It should have been a monster seller of course, it is radio friendly and it is one of the best albums to drive to ever made.
The Jayhawks – Take me with you when you go:
It manages in a strange way to mix the heartache of Nashville with the west-coast sounds of Laurel Canyon. It has cool riffs and great harmonies, the playing is good and the production sounds big and lush. It sounds like Neil Young mixed with The Louvin Brothers!
There are some really great guests on the album, Nicky Hopkins, Charley Drayton and Benmont Tench contributes to a warm and organic sound.
The Jayhawks – Waiting for the sun (Letterman 1991, network debut):
Talk about wearing your influences on both sleeves: Hollywood Town Hall sounds like the Everly Brothers backed by the Rolling Stones during their ”Dead Flowers” era, with Neil Young sitting in for an occasional vibrato-drenched solo. Yet the Minneapolis-based ‘Hawks wear their hearts proudly. There’s nothing nostalgic about the passion and desperation in every syllable of singer-songwriter Mark Olson’s voice — or in the band’s effortless mix of sawdust harmonies and craggy electric guitars. A – Entertainment Weekly
Hollywood Town Hall at Spotify:
It was one of the more unlikely major label releases of 1992 — nothing to do with grunge, certainly not a last holdout from ’80s mainstream sludge. On the flip side, it wasn’t really the incipient alternative country/No Depression sound either, for all that there was a clear influence from the likes of Gram Parsons and fellow travelers throughout the grooves. This wasn’t a sepia-toned collection of murder ballads or the similarly minded efforts that were almost overreactions to Nashville’s triumphalism throughout the ’90s. At base, Hollywood Town Hall found a finely balanced point — accessible enough for should-have-been success (sclerotic classic rock station programmers were fools to ignore this while still playing the Eagles into the ground) but bowing to no trends.
– Ned Ragget (Allmusic) 4.5/5