If your mem’ry serves you well
We were goin’ to meet again and wait
So I’m goin’ to unpack all my things
And sit before it gets too late
No man alive will come to you
With another tale to tell
But you know that we shall meet again
If your mem’ry serves you well
This wheel’s on fire
Rolling down the road
Best notify my next of kin
This wheel shall explode!
Oakdale Theater Wallingford, Connecticut 18 August 1997
Bob Dylan (vocal & guitar)
Rick Danko (acoustic guitar & shared vocal)
Bucky Baxter (pedal steel guitar & electric slide guitar)
This album sort of wrote itself. It was bigger than me and faster than me and so it took me awhile to get a handle on what it was about. Basically, it comes down to stuff I care about. That’s where the title comes from.
I always like to perform solo before I make a record. It gives me the chance to try out new material on audiences.
– Steve Earle (steveearle.net)
“…the album kicks off with a tremendous one-two punch, the rousing acoustic ballad “Christmas in Washington” and “Taneytown,” a harrowing story of race and violence backed with gale-force electric guitars. El Corazón is also a good bit more eclectic than much of Earle’s previous work, dipping into bluegrass (“You Know the Rest,” featuring backing from the Del McCoury Band), old-school country (“The Other Side of Town”), hard rock (“N.Y.C.,” co-starring the Supersuckers, and “Here I Am”), and vintage R&B (“Telephone Road”).
As its title suggests, El Corazón often deals with matters of the heart”
Great album, one of Earle’s best!
It’s a mix of country, folk, rock, soul, pain, redemption and politics. What a magnificent brew it is ! Truly remarkable.
Taneytown (live, Sidney, 2013):
“This song, which is graced with Emmylou Harris singing backup, is told from the point of view of a 22 year old retarded black man. I also wrote it in the form of a short story that will be in my book. Taneytown is a real place – you can see it on maps of The Battle Of Gettysburg – but it (the story) could reallytake place anywhere racism exists. I took a risk writing the story and a risk doing this song and I don’t claim to have it well…. But just taking the chance made it worthwhile for me.” – Steve Earle
This was the last show of the “Ghost of Tom Joad Tour”.
The Ghost of Tom Joad Tour was a lengthy, worldwide concert tour featuring Bruce Springsteen performing alone on stage in small halls and theatres, that ran off and on from late 1995 through the middle of 1997. It followed the release of his 1995 album The Ghost of Tom Joad.The tour began on November 21, 1995 at the State Theatre in New Brunswick, New Jersey. The first group of shows ran through the end of the year in major media centers such as Los Angeles, the San Francisco area, Washington, Philadelphia, New York, and Boston.
After a winter holiday break, the show visited other North American cities in January 1996, including a stop in Youngstown, Ohio due to “Youngstown” being the album track most (relatively) played on radio.
February and March saw shows in Western Europe, followed by a three-week break during which Springsteen attended the Academy Awards show in Los Angeles. The tour resumed in Europe through earlyish May.
A family man with three small children at the time, Springsteen took off the summer of 1996 and then started up again in the U.S. in mid-September, now playing smaller markets and colleges, as well as local stops in Asbury Park and his old St. Rose of Lima School in Freehold, and finishing up in mid-December.
Another winter holiday break was taken, then in late January 1997 Springsteen took the show for three weeks in Japan and Australia. In May the final leg started up; first Springsteen went to Stockholm to accept the Polar Music Prize, then he toured Central Europe for perhaps the first time, seeing Austria, Poland, and the Czech Republic, before concluding with additional shows back in Western Europe. The 128th and final show of the tour was on May 26, 1997 at the Palais des Congrès in Paris and was attended by hundreds of fans from around the world.