Tag Archives: audio

Bob Dylan’s Nobel Lecture – audio & a collection of related links

When I first received this Nobel Prize for Literature, I got to wondering exactly how my songs related to literature. I wanted to reflect on it and see where the connection was. I’m going to try to articulate that to you. And most likely it will go in a roundabout way, but I hope what I say will be worthwhile and purposeful.

He finally delivered a 4000-word long lecture and the Nobel Prize for Literature (and the prize money) is officially his.

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June 7: Bob Dylan: Universal Amphitheater, Los Angeles, California – 1978

bob dylan 1978 june

Universal Amphitheater
Los Angeles, California
7 June 1978

  • Bob Dylan (vocal & guitar)
  • Billy Cross (lead guitar)
  • Alan Pasqua (keyboards)
  • Steven Soles (rhythm guitar, backup vocals)
  • David Mansfield (violin & mandolin)
  • Steve Douglas (horns)
  • Jerry Scheff (bass)
  • Bobbye Hall (percussion)
  • Ian Wallace (drums)
  • Helena Springs, Jo Ann Harris, Carolyn Dennis (background vocals)

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Bob Dylan “Spanish is The Loving Tongue” – Three Great and One Awesome Version





Spanish is the lovin’ tongue
Soft as springtime, light as spray
There was a girl I learned it from
Living down Sonora way
Now I don’t look much like a lover
Yet I say her love words over
Late at night when I’m all alone
“Mi amor, mi corazon”

“Spanish is the Loving Tongue” is a song based on the poem “A Border Affair” written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon. Over the years, the song was recorded by many top recording artists, including Bob Dylan, Ian and Sylvia, Tom Paxton, Judy Collins, Marianne Faithfull, Emmylou Harris, Michael Martin Murphey, and The Chad Mitchell Trio (under the name “Adios, mi Corazon”).

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May 27: Bob Dylan released The Freewheelin’ Bob Dylan in 1963





bob dylan freewheelin

May 27: Bob Dylan released The Freewheelin’ Bob Dylan 1963

“..easily the best of [Dylan’s] acoustic albums and a quantum leap from his debut—which shows the frantic pace at which Dylan’s mind was moving.You can see why this album got the Beatles listening. The songs at its core must have sounded like communiques from another plane.”
~John Harris (Q Magazine, 2000)

” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.”
– John Lennon (about The Freewheelin’ Bob Dylan)

Blowin’ In The Wind:

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May 27: Bob Dylan & The Hawks, London 1966





bob dylan london 1966

The final show of the 1966 world tour. Thankfully the entire acoustic half has emerged on acetate. CBS in fact recorded both nights at the Royal Albert Hall for a possible live album. Before performing “Visions of Johanna,” Dylan launches into a verbal attack on those critics who accuse him of writing drug songs, informing them the next song, “is not a drurg [sic} song. It’s just vulgar to think so.” But the highlight of this, the final 1966 acoustic set is a six-and-a-half minute “Just Like a Woman,” Dylan veering in and out of control of his phrasing. During the electric set, tempers, both on and offrhe stage, become frayed. Before “I Don’t Believe You,” Dylan announces, “I get accused of dismissing my old songs. That’s not true. I luuurve my old songs.” At the time critics are divided as to the merits of the two London shows. Ray Coleman, in Disc and Music Echo, felt that Dylan, “insults his own talents … [with} a shamble of noise.” The London Times reviewer, writing up the first London show, much preferred the acoustic set, entitling his article, “The Better Half of Dylan.” After Dylan· s motorcycle accident, though, the shows will quickly achieve mythic status.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Royal Albert Hall
London, England
27 May 1966

Musicians:

  • Bob Dylan (vocal & electric guitar)
  • Robbie Robertson (electric guitar)
  • Garth Hudson (organ), Rick Danko (bass)
  • Richard Manuel (piano)
  • Mickey Jones (drums)

The last three songs of the May 27 acoustic set at Royal Albert Hall are good enough to stand next to the best work of any twentieth century artist (performer, painter, poet, mathematician… )
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

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