The Best Dylan Covers: Jeff Beck Group – Tonight I’ll Be Staying Here With You
“Tonight I’ll Be Staying Here with You” is a song written by Bob Dylan from his 1969 album Nashville Skyline. It was the closing song of the album. The song was the third single released from the album.
Jeff Beck Group is the fourth studio album by The Jeff Beck Group and the second album with the line up of Jeff Beck, Bobby Tench, Clive Chaman, Max Middleton and Cozy Powell. The album was produced by Steve Cropper and often referred to as the Orange Album, because of the orange which appears prominently at the top of the front cover. The album has a wonderful song selection with unique arrangements that allows the virtuosity of the players to shine through. Jeff Beck as usual let his group members shine. Steve Cropper’s production is sometimes described as sloppy on this album, I don’t hear it. It’s a hidden gem and an underrated classic!
It is a very soulful album, and it includes this raw and very hones rendition of Bob Dylan’s Tonight I’ll Be Staying Here With You.
Audio, from the “Orange” album, Jeff Beck Group – Tonight I’ll Be Staying Here With You:
Up To Me was released on the album Cardiff Rose, a solo studio album by ex-The Byrds frontman Roger McGuinn, released in 1976. The album, produced by Mick Ronson, was recorded on the heels of Bob Dylan’s Rolling Thunder Revue 1975 tour, in which both McGuinn and Ronson had participated. The album includes a pirate tale “Jolly Roger”, a song about King Arthur’s “Round Table”, and a classic version of Joni Mitchell’s “Dreamland”.
Stylistically, the album varies from traditional sounding folk and sea chanty music (such as the aforementioned “Jolly Roger”) to hard, gritty rock tunes strongly influenced by the burgeoning punk rock movement (such as “Rock and Roll Time”).
“Roger McGuinn’s inspired participation with Bob Dylan’s epic 1975 Rolling Thunder Revue tour led the bard to offer McGuinn this exquisite outtake from Blood on the Tracks for his inclusion on Cardiff Rose, perhaps his finest solo album. Easily on a par with all of the excellent songs on that album, McGuinn did here what he does best with outside material: he synthesized it to make it sound like his own. A multi-layered and first-person confessional ballad, it’s a love song that is akin to a painting or a film, complete with flashbacks, allegories, and foreshadowing. The powerful sense of dignity and responsibility here is, as always, engaging, and stands up to repeated listening as much as any Dylan material from this period. McGuinn does it extreme justice, with a rocked-up, energetic arrangement that is quite different (but equally as effective) as Dylan’s original, which has been often bootlegged.”
– Matthew Greenwald / Allmusic