Tag Archives: best songs

Gram Parsons Top 7 cover songs

Relief Block print by Stephen Alcorn

Gram Parsons was a master songwriter both on his own and in collaboration with others. It is no wonder that his songs are covered by many artists. I have picked some of the best ones and hereby present my Top 7 Gram Parsons Cover songs.

1)  Jay Farrar’s wonderful rendition of Drugstore Truck Drivin’ Man (and Christine’s Tune as a bonus). Jay Farrar has a great voice, and he’s a good performer, this music just fits. He gets to pay tribute to the country part of his roots. Just fantastic!

“He’s been like a father to me
He’s the only DJ you can hear after three
I’m an all night musician in a rock ‘n’ roll band
And why he don’t like me, I can’t understand”

Written By Gram Parsons and Roger McGuinn

From Wikipedia:

The song Drug Store Truck Drivin’ Man details a moderately unpleasant on-air exchange between Ralph Emery and Roger McGuinn, the lead singer of the 1960s rock group The Byrds, concerning their 1968 appearance at The Grand Ole Opry. In that performance, the Byrds attempted unsuccessfully to convince traditional country music fans that their developing country rock sound was a legitimate part of the tradition.

2) I’ve chosen , A song for you performed by Whiskeytown (great vocal by Ryan Adams) and performed by Justin Townes Earle.

I couldn’t just pick one them, they’re both so god dam good and very different.

Whiskeytown/Ryan Adams:

Justin Townes Earle:

“…So take me down to your dance floor
And I won’t mind the people when they stare
Paint a different color on your front door
And tomorrow we will still be there…”

Written by Gram Parsons

Here is a great compliment: “The song is absolutely hopeless, beyond despair. It’s the saddest song I’ve ever heard.” That was Rolling Stone magazine’s description of A Song for You in March 1973, reviewing the album on which it featured, GP.

3) My Uncle performed by Steve Earle.

Steve Earle is a hero of ours and a list like this would not be complete without him. That said, he gives a fantastic interpretation of My Uncle from The Flying Burrito Brothers’ Guilded Palace of Sin.

Steve Earle My Uncle:

“A letter came today from the draft board
With trembling hands I read the questionnaire
It asked me lots of things about my mama and papa
Now that ain’t what I call exactly fair
So I’m heading for the nearest foreign border
Vancouver may be just my kind of town
Because they don’t need the kind of law and order
That tends to keep a good man underground..”

Written by Chris Hillman and Gram Parsons.

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Bob Dylan’s best songs – If You See Her, Say Hello – #56

So, I kick off my journey through “Bob Dylan top 200 songs” (my list of Bob Dylans 200 greatest songs) with number 56.
Why not start at number 1… or number 200 ? No particular reason, “I just happen to feel this way”.
I will publish posts in this category on and off, with no spesific frequency.

If You See Her, Say Hello – #56

New York Version 1

Outtake from original studio sessions for Blood On The Tracks
Alt version1: A&R Studios,  19  September 1974, Columbia A&R Studios, NYC
Musicians: Bob Dylan: Guitar, Vocals, Charles Brown III: Guitar, Eric Weissberg: Guitar, Barry Kornfield: Guitar
Not released – New York Sessions bootleg

This version is similar to Bootleg Series vol 1-3 version, but different take – softer and shorter without the harmonica solo before the last verse.

Short history – “The making of “Blood On The Tracks”:

The original “New York Sessions” for Blood On The Tracks took place from 16-25 of September 1974 in NYC. A test pressing of the album was made, but Dylan was not comfortable. He took the album “home” to Minnesota and played it for his brother – David Zimmerman. David told Bobby that the album was not “radio friendly”, and they put together a band with local musicians  at Sound 80 Studio in Minneapolis on 27 & 30 December. These two sessions ended up replacing half of the albums original New York takes… And one of the unlucky ones was “If You See Here, Say Hello”.. The released Blood On The Tracks version was recorded on December 30.

Why Do I Like the original “New York” version better ?

Continue reading Bob Dylan’s best songs – If You See Her, Say Hello – #56

Great songs: Tom Taubert’s Blues – Tom Waits

Wikipedia:
“Tom Traubert’s Blues” opens the album Small Change. Jay S. Jacobs has described the song as a “stunning opener [which] sets the tone for what follows.” The refrain is based almost word by word on the 1890 Australian song, “Waltzing Matilda” by A.B. “Banjo” Paterson, although the tune is slightly different.

Old Grey Whistle Test, 1977:

The origin of the song is somewhat ambiguous. The sub-title of the track “Four Sheets to the Wind in Copenhagen” seems to indicate that it is about a time that Waits spent in Copenhagen in 1976 while on a tour. There, he apparently met Danish singer Mathilde Bondo. Indeed, in a 1998 radio interview, she confirmed that she met Waits and that they spent a night on the town together.

Waits himself described the song’s subject during a concert in Sydney Australia in March 1979: “Uh, well I met this girl named Matilda. And uh, I had a little too much to drink that night. This is about throwing up in a foreign country.” In an interview on NPR’s World Cafe, aired December 15, 2006, Waits stated that Tom Traubert was a “friend of a friend” who died in prison.

Bones Howe, the album’s producer, recalls when Waits first came to him with the song:

He said the most wonderful thing about writing that song. He went down and hung around on skid row in L.A. because he wanted to get stimulated for writing this material. He called me up and said, “I went down to skid row … I bought a pint of rye. In a brown paper bag.” I said, “Oh really?.” “Yeah – hunkered down, drank the pint of rye, went home, threw up, and wrote ‘Tom Traubert’s Blues’ […] Every guy down there … everyone I spoke to, a woman put him there.”

Allmusic Review:

by Thomas Ward
“Tom Traubert’s Blues” is one of Tom Waits’ most popular songs, although this is due in the most part by Rod Stewart’s vastly inferiors cover version. Waits’ original is heartbreakingly beautiful, containing some of the artist’s finest lyrics, especially in the croaking opening “Wasted and wounded/’Taint what the moon did/Got what I paid for now”. The story, essentially a drunken tale, fits the gorgeous, elegiac melody perfectly, and indeed the song is so evocative it’s almost impossible for the listener not to be swept up in the story. Although the arrangement and the use of strings doesn’t take any real risks, it embellishes the melody beautifully. Without doubt, one of Tom Waits’ finest recordings.

Here introduced as Waltzing Matilda at Rockpalast in 1977:

Continue reading Great songs: Tom Taubert’s Blues – Tom Waits

Video of the day: That Wasn’t Me – Brandi Carlile (feat. Kris Kristofferson)

“a song that happened by accident,
like all my favorite songs that I write do.”

She says that she listened to Border Song by Elton John and The Beatles’ Let it Be when she wrote it, and that gospel feeling that those songs have, Brandi Carlile mannages to bring into this great song, That wasn’t  Me.

Music video by Brandi Carlile performing That Wasn’t Me.

Live at Beer Creek version:

She told Rolling Stone Magazine:

“I literally could not believe my luck,” recalls Carlile about getting Kristofferson to appear in the video. “I was fortunate enough to hang out with Kris at the shoot, and he surpassed all my expectations and proved himself to be a kind, compelling and inspiring gentleman.”

Two incredibly good versions of the song!

– Hallgeir

The 20 best songs from Bruce Springsteen’s CD boxset “Tracks” according to JV – part 2

 

What’s really the most amazing thing about this vast collection is that there really isn’t a bad song on it – Bruce Springsteen’s outtakes and leftovers are better than most artists’ released album tracks.

 

When we first started this task of finding the 20 best tracks off Tracks I was sure it would be an enjoyable but easy endevour. Not so.

 

They’re all so goddam good!

 

It took a lot longer than expected, and it was much more fun!

 

 

…and here are the rest from 10 to 1:

 

10. Janey don’t you lose heart:

You got your book baby with all your fears
Let me, honey, and I’ll catch your tears
I’ll take your sorrow if you want me to
Come tomorrow that’s what I’ll do
Listen to me
Recorded June 16 in 1983. Great track from the Born in the USA sessions. Steve Van Zandt on guitar and background vocals. When the song was being readied for release as the B-side to “I’m Goin’ Down” in 1985,  Nils Lofgren went into a studio and replaced Van Zandt’s vocal track.

 

Like “My Love Will Not Let You Down,” this was also on side two of Landau’s suggested track listing for Born in the U.S.A.  “Janey” has been played in concert ten times (5 times on the Rising tour). Clarence Clemons’ name is not on the credits on the box set but obviously he participates, and he magnificently plays on the song.

Live in Los Angeles 1985:

Here’s a great version from the Devils and Dust tour (2005) solo/piano:

Continue reading The 20 best songs from Bruce Springsteen’s CD boxset “Tracks” according to JV – part 2