Norah Jones is the daughter of Indian sitar player Ravi Shankar and Sue Jones. She is also Anoushka Shankar’s half-sister.
In 2002, she launched her solo music career with the release of the commercially successful and critically acclaimed album Come Away with Me, a fusion of jazz, pop, and country music, which was certified diamond album, selling over 26 million copies. The record earned Jones five Grammy Awards, including theAlbum of the Year, Record of the Year, and Best New Artist. Her subsequent studio albums, Feels Like Home, released in 2004, Not Too Late, released in 2007, the same year she made her film debut in My Blueberry Nights, and her 2009 release The Fall all gained Platinum status, selling over a million copies and were generally well received by critics. Jones’ fifth studio album, Little Broken Hearts, was released on April 27, 2012.
Jones has won nine Grammy Awards and was 60th on Billboard magazine’s artists of the 2000–2009 decade chart. Throughout her career, Jones has won numerous awards and has sold more than 50 million albums worldwide. Billboard named her the top jazz artist of the 2000–2009 decade.
We really like Norah Jones, we especially like it when she does Country music and of course when she sing the songs of our hero Bob Dylan. We have trawled the web to find some of her great cover versions.
Lets start with a duet, here she sings I Shall Be Released with the man himself, Bob Dylan:
Forever Young at a celebration of Steve Jobs
Live Apple Event, October 19, 2011:
“I know he really liked Bob Dylan”
I’ll Be Your Baby Tonight done very well by the birthday woman, Norah Jones:
Norah Jones covers Just Like a Woman at Dylanfest. May 28, 2010 at the Bowery Ballroom:
Here we have a good 89-concert from the “Fall US 89 tour”.
#5 – I Want You
Rensselaer Polytechnic Institute
Troy, New York
27 October 1989
Gotta Serve Somebody
What Good Am I?
Ballad Of Hollis Brown
I Want You
I’ll Be Your Baby Tonight
Highway 61 Revisited
Mama, You Been On My Mind
A Hard Rain’s A-Gonna Fall
It Ain’t Me, Babe
Everything Is Broken
It Takes A Lot To Laugh, It Takes A Train To Cry
My Back Pages
I’ll Remember You
I Shall Be Released
Like A Rolling Stone
Disease Of Conceit
8-11 Bob Dylan (vocal & guitar), G.E. Smith (guitar)
1, 18 Bob Dylan piano
2, 5, 8, 10, 11 Bob Dylan harmonica.
Bob Dylan (vocal & guitar)
G. E. Smith (guitar)
Tony Garnier (bass)
Christopher Parker (drums)
#8 – Mama, You Been On My Mind
The Never Ending Tour 1989 started in Sweden with a performance at Christinehof’s Slottspark on May 22. This was only the fourth time that Dylan had performed in Sweden. He then performed in Finland, his second performance there, before returning to Sweden. He then performed two concerts in Dublin, Ireland, the first time that he had performed there since 1965. Dylan then performed in Glasgow, Scotland his second only performance in the country. The first being in 1966. After performing concerts in Birmingham and London Dylan performed in the Netherlands, Belgium and France, Dylan performed three concerts in Spain, four in Italy, a single concert in Turkey and two concerts in Greece.
After finishing the European tour Dylan returned to the United States performing at many of the same venues that he had performed in the year before, on the first year of the Never Ending Tour. Dylan continued to perform in the United States and Canada until November 15.
Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Never weak but always strong
To protect you an’ defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe
#11 – It Ain’t Me Babe
Troy is a city in the US State of New York and the seat of Rensselaer County. Troy is located on the western edge of Rensselaer County and on the eastern bank of the Hudson River. Troy has close ties to the nearby cities of Albany and Schenectady, forming a region popularly called the Capital District. The city is one of the three major centers for the Albany-Schenectady-Troy Metropolitan Statistical Area (MSA), which has a population of 850,957. At the 2010 census, the population of Troy was 50,129. Troy’s motto is Ilium fuit, Troja est, which means “Ilium was, Troy is”.
Troy is known as the Collar City due to its history in shirt, collar, and other textile production. At one point Troy was also the second largest producer of iron in the country, surpassed only by the city of Pittsburgh, Pennsylvania. The Rensselaer School, which later became Rensselaer Polytechnic Institute, was founded in 1824 with funding from Stephen Van Rensselaer, a descendant of the founding patroon, Kiliaen. In 1821, Emma Willard founded the Troy Female Seminary on 2nd Street, which moved to its current location on Pawling Avenue in 1910. It was renamed Emma Willard School in 1895. The former Female Seminary was later reopened (1916) as Russell Sage College, thanks to funding fromOlivia Slocum Sage, the widow of financier and Congressman Russell Sage. All of these institutions still exist today.Houston Field House is a multi-purpose arena on the campus of Rensselaer Polytechnic Institute (RPI) in Troy, New York. It is the nation’s third-oldest hockey rink, behind Northeastern University’s Matthews Arena and Princeton University’s Hobey Baker Memorial Rink. Further, it is the second-oldest arena in the ECAC Hockey League, behind Princeton’s rink. Until the opening of the Times Union Center in Albany in 1990, it was the largest arena in the Capital Region.Wikipedia
Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow Ah, but I was so much older then I’m younger than that now
#14 – My Back Pages
They say ev’rything can be replaced
Yet ev’ry distance is not near
So I remember ev’ry face
Of ev’ry man who put me here
I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released
Diana Ernestine Earle Ross (born March 26, 1944) is an American vocalist, music artist and actress.
Ross first rose to fame as a founding member and lead singer of the Motown group The Supremes during the 1960s. After leaving the group in 1970, Ross began a solo career that has included successful ventures into film and Broadway. She received a Best Actress Academy Award nomination for her role as Billie Holiday in Lady Sings the Blues (1972), for which she won a Golden Globe award for most promising female newcomer. She has won seven American Music Awards, and won a Special Tony Award for her one-woman show, An Evening with Diana Ross, in 1977.
When The Lovelight Starts Shining Through His Eyes:
In 1976, Billboard magazine named her the “Female Entertainer of the Century.”
In 1993, the Guinness Book of World Records declared Diana Ross the most successful female music artist in history due to her success in the United States and United Kingdom for having more hits than any female artist in the charts with a career total of 70 hit singles.
Diana Ross has sold more than 100 million records worldwide.
In 1988, Ross was inducted to the Rock and Roll Hall of Fame as member of the Supremes alongside Florence Ballard and Mary Wilson.
Ross is one of the few recording artists to have two stars on the Hollywood Walk of Fame—one as a solo artist and the other as a member of The Supremes.
In December 2007, she received the Kennedy Center Honors.
In 2012, Diana was finally honored by NARAS with a Lifetime Achievement Grammy Award in her 50th year in the music business.
Jimmy Miller produced “The Rolling Stones” 4 best albums:
Exile on Main St. (1972)
Sticky Fingers (1971)
Let It Bleed (1969)
Beggars Banquet (1968)
He really connected with the band & Keith Richards in particular.
“It was really a gas to work with him. Jimmy Miller could turn the whole band on and make a nondescript number into something.”
Miller was a huge Stones fan before he started working with the band..
‘The night Jagger phoned I just knew he was gonna ask me to produce them. I glided over to his house on a cloud.’
James “Jimmy” Miller (23 March 1942 – 22 October 1994) was a Brooklyn, New York-born record producer and musician who produced dozens of albums between the mid-1960s and early 1990s, including landmark recordings for Blind Faith, Traffic, the Plasmatics, Motorhead, The World Bank and Primal Scream. He was perhaps best known for his lengthy association with the Rolling Stones, for whom he produced a string of singles and albums that all rank among the most critically and financially successful works of the band’s career: Beggars Banquet (1968), Let It Bleed (1969), Sticky Fingers (1971), Exile on Main St. (1972) and Goats Head Soup (1973).
Prior to working with the Rolling Stones, Miller rose to fame by producing successful releases for The Spencer Davis Group including their breakthrough hit “Gimme Some Lovin'” and the follow-up smash “I’m A Man,” which Miller co-wrote with the band’s singer-keyboardist, Steve Winwood. In addition to his production work for yet another Winwood band, Traffic, Miller also contributed the lyrics to the Traffic song “Medicated Goo.” Miller produced the only album by the Clapton/Winwood supergroup Blind Faith.
The Spencer Davis Group – Gimme Some Lovin’:
Traffic – Dear Mr. Fantasy:
Blind Faith – Can’t Find My Way Home:
Following his work with Blind Faith, Miller co-produced (with Delaney Bramlett) the hit Delaney & Bonnie album On Tour with Eric Clapton, recorded live at Croydon, United Kingdom, on 7 December 1969. He went on to produce Delaney & Bonnie keyboardist Bobby Whitlock, Kracker, the Plasmatics, Motörhead and the UK band Nirvana.
A drummer himself, Miller was known for the distinctive drum sound that characterized his productions, especially his work with the Rolling Stones, on whose recordings he occasionally played percussion parts such as the famous opening cowbell on “Honky Tonk Women” and the full drum kit on “You Can’t Always Get What You Want,” “Happy,” “Tumbling Dice” and “Shine a Light.”
Miller went on to work with Primal Scream on their breakthrough album Screamadelica and William Topley’s band The Blessing (Miller appears on their DVD Sugar Train during the song “Soul Love”). In the 1980s, Miller produced some acts including Johnny Thunders, Matrix and Jo Jo Laine (wife of Denny Lane, on “Moody Blues & Wings”). In 1990 he Co-Produced (along with Phil Greene) “What’s in A Name” for Florida band Walk the Chalk.
Among Miller’s last productions were three tracks on the 1992 Wedding Present project, Hit Parade 2. Jimmy also produced four tracks on The World Banks “In Debt Interview” which featured artists such as Billy Preston and Bobby Keys, a rare musical sideline from author Hunter S. Thompson. Jimmy traveled to Woody Creek, Colorado in 1994 to meet with Hunter S. Thompson for a memorable weekend in May shortly before he passed on. He died in October 1994.
Album of the day – Exile on Main St. (1972):
From allmusic.com – Stephen Thomas Erlewine:
Greeted with decidedly mixed reviews upon its original release, Exile on Main St. has become generally regarded as the Rolling Stones’ finest album. Part of the reason why the record was initially greeted with hesitant reviews is that it takes a while to assimilate. A sprawling, weary double album encompassing rock & roll, blues, soul, and country, Exile doesn’t try anything new on the surface, but the substance is new. Taking the bleakness that underpinned Let It Bleed and Sticky Fingers to an extreme, Exile is a weary record, and not just lyrically. Jagger’s vocals are buried in the mix, and the music is a series of dark, dense jams, with Keith Richards and Mick Taylor spinning off incredible riffs and solos. And the songs continue the breakthroughs of their three previous albums. No longer does their country sound forced or kitschy — it’s lived-in and complex, just like the group’s forays into soul and gospel. While the songs, including the masterpieces “Rocks Off,” “Tumbling Dice,” “Torn and Frayed,” “Happy,” “Let It Loose,” and “Shine a Light,” are all terrific, they blend together, with only certain lyrics and guitar lines emerging from the murk. It’s the kind of record that’s gripping on the very first listen, but each subsequent listen reveals something new. Few other albums, let alone double albums, have been so rich and masterful as Exile on Main St., and it stands not only as one of the Stones’ best records, but sets a remarkably high standard for all of hard rock. …read more over @ allmusic.com