Tag Archives: Clinton Heylin

March 11: Bob Dylan @ Palác kultury, Prague, Czech Republic 1995





Bob Dylan Prague 11 March 1995

 Dylan opens the year with one of the most remarkable performances of the “Never Ending tour,” despite still visible suffering the after effects of the bug (at several points he sits on the drum rise, scrunched up in some discomfort)… the shock of the evening is not in his song selection.. but the fact that he performs almost the entire show without a guitar.. harmonica in hand, making strange shadow-boxing movements, cupping the harmonica to his mouth on nearly every song, blowing his sweetest harp breaks in years.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Concert # 641 of The Never-Ending Tour. First concert of the 1995 European Spring Tour. First concert in 1995.

Kongresový sál
Palác kultury
Prague, Czech Republic
11 March 1995

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Setlist

  1. Crash On The Levee (Down In The Flood)
  2. If Not For You
  3. All Along The Watchtower

    Continue reading March 11: Bob Dylan @ Palác kultury, Prague, Czech Republic 1995

March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966




blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)

bob dylan al kooper 1966

Columbia Music Row Studios
Nashville, Tennessee
9-10 March 1966

Produced by Bob Johnston

Songs:

Continue reading March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966

March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966





blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

Well I cut it in between. I was touring and I was doing it whenever I got a chance to get into the studio. So it was in the works for a while. I could only do maybe two or three songs at a time.
~Bob Dylan (to Jan Wenner – Nov 1969)

Bob-Dylan 1966

Continue reading March 8: Bob Dylan 9th recording session for Blonde On Blonde in 1966

Bob Dylan: Planet Waves (January 17, 1974)




Bob_Dylan-Planet_Waves-Frontal

“Planet Waves” marks Dylan’s return as a committed artist, the first time since “John Wesley Harding” that he has truly allowed an album-in-progress to be an open canvas for the expression of whatever he is seeing, thinking, and feeling as he works on it.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

I particularly like the song ‘Something There Is About You’,….. It completes a circle for me, about certain things running through my pattern.
~Bob Dylan (John Rockwell Interview, Jan 1974)

Something there is about you that strikes a match in me
Is it the way your body moves or is it the way your hair blows free?
Or is it because you remind me of something that used to be
Somethin’ that crossed over from another century?

Something There Is About You:

Continue reading Bob Dylan: Planet Waves (January 17, 1974)

December 6: The 7th Freewheelin’ Bob Dylan recording session in 1962





bob dylan - the_freewheelin

 Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)

Dylan nailed 3 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.

bob dylan freewheelin shots

Continue reading December 6: The 7th Freewheelin’ Bob Dylan recording session in 1962