Tag Archives: Clinton Heylin

Bob Dylan: “When The Night Comes Falling From The Sky”

Bob Dylan Bootleg_series_1-3

Composing it [When The Night Comes Falling From The Sky], yeah. Um… you know, it was bits and pieces of different places that went into writing that. Lines overheard here and there, you know, strung together over a long period of time, resulted in that particular piece.
~Bob Dylan (to Eliot Mintz – March 1991)

…Dylan sings wonderfully. The songs seems capable of kicking itself into even-higher gear, and as the band recognizes it, so does Dylan, who gets audibly more and more excited as the song progresses
~John Bauldie (about the TBS 1-3 version)

@ #113 on my list of Dylan’s 200 best songs.. and this is the “Bootleg Series 1-3” version…. the Empire Burlesque version is nowhere near my top 200…

This version was recorded @

Studio A
The Power Station
New York City, New York
19 February 1985
Empire Burlesque recording session

The band included 2 “E-streeter’s”: Roy Bittan & Little “Stevie” Van Zandt..

  • Bob Dylan (guitar, vocal)
  • Roy Bittan (piano)
  • Robbie Shakespeare (bass)
  • Sly Dunbar (drums)
  • Queen Ester Marrow, Debra Byrd, Carolyn Dennis (backing vocals).
  • Steve van Zandt (guitar)

Spotify:

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May 11: Bob Dylan recorded “Lonesome Day Blues” in 2001





bob dylan love & theft

May 11: Bob Dylan’s best songs: “Lonesome Day Blues” recorded in 2001

I overwrite. If I know I am going in to record a song, I write more than I need. In the past that’s been a problem because I failed to use discretion at times. I have to guard against that. On this album, “Lonesome Day Blues” was twice as long at one point.
~Bob Dylan (Robert Hilburn – Sept 2001)

bob dylan 2001

@ #152 on my list of Dylan’s 200 best songs.. comes this hard, tough & tight electric blues.

The master version (Love and Theft version) was recorded @ Sony Music Studios – New York City – May 11, 2001 (according to Clinton Heylin –  Still on the Road: The Songs of Bob Dylan, 1974-2006).
Few session details are available.

 …Dylan growls like a bear cat that hasn’t eaten since the Eighties
~Rob Sheffield (Rollingstone.com)

Continue reading May 11: Bob Dylan recorded “Lonesome Day Blues” in 2001

April 24: Bob Dylan: The 8th and last Freewheelin’ Bob Dylan session 1963




bob dylan freewheelin

 Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)

Dylan nailed 5 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.

bob dylan freewheelin shots

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March 23, 1989 Bob Dylan Recorded “Series of Dreams”





bob dylan series_of_dreams

Dreams can tell us a lot about ourselves, if we can remember them. We can see what’s coming around the corner sometimes without actually going to the corner..
~Bob Dylan (to Bill Flanagan in 2009)

“Series of Dreams” is a major Dylan song and an important statement.
~Paul Williams (Bob Dylan: Performing Artist Volume 3: Mind Out Of Time 1986 And Beyond)

#62 on my list of Dylan’s 200 best songs. First recorded on March 23, 1989 during the recording sessions for Oh Mercy. It was overdubbed and first released in 1991 as the final song on “The Bootleg Series 1-3”. It is a great haunting song.. with fascinating lyrics.

1991 version:

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Bob Dylan’s best songs: Can’t Wait





bob dylan time out 1997

I can’t wait, wait for you to change your mind
It’s late, I’m trying to walk the line
Well, it’s way past midnight and there are people all around
Some on their way up, some on their way down
The air burns and I’m trying to think straight
And I don’t know how much longer I can wait

…the version [of Can’t Wait] he finally went with on Time Out of Mind makes a pig’s ear out of a prize-winning sow.
~Clinton Heylin (Still on the Road: The Songs of Bob Dylan Vol. 2, . 1974-2008)

…one day Bob comes in, sits at the piano, and plays this song, ‘Can’t Wait’. And this is a gospel version. Tony starts playing this real sexy groove with him, and Bob is hammering out this gospel piano and really singing. The hair on my arms went up. It was stunning. Luckily, I was recording. We were thinking, ‘If this is going to be anything like this, this record is going to be unbelievable.’
~Mark Howard (Engineer on Time Out Of Mind) about the early version – “Oxnard version”


Time out of mind version:

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