A very good 88-concert and the sound on the circulating soundboard tape is incredible.
It is concert #15 of the Never Ending Tour & this tour is “labeled” the Interstate 88 Tour, part 1.
#10 – Eileen Aroon
I know a valley fair,
I know a cottage there
Far in the valley shade I know a tender maid
Flow’r of the hazel glade, Eileen Aroon
#3 – You’re A Big Girl Now
Wantagh, New York
Wantagh (pronounced /WAHN-taw/) is a hamlet and census-designated place (an unincorporated section of the town of Hempstead) in Nassau County on Long Island, New York, United States. The population of Wantagh was 18,871 at the time of the 2010 census.
We had a fantastic night at Høvleriet in Haugesund last night. We want to come back, what a venue and what an atmosphere! Thank you.
– Ida Jenshus (on her webpage)
Ida Jenshus has recently released her third album, Someone to love. The album is a departure from the country on her two previous records, into a more airy sounding country/rock/songwriter style. The obvious comparison is Emmylou Harris’ collaboration with super-producer Daniel Lanois, but I can also hear Kathleen Edwards and Mary Gauthier in the quiet stuff, and Lucinda Williams in her more uptempo stuff. I like the direction she’s taken. I like the first two records but I think her concerts have showed a truer Ida Jenshus, and finally it is reflected in her recorded work.
The wonderful Tender Leaves:
We saw Ida Jenshus with a great group of musicians at Høvleriet in Haugesund last friday, there she dedicated a very fine version of Tender Leaves to Chip Taylor. An artist that Jenshus has worked with lately and have played with on several occasions. Chip Taylor is the man who wrote Wild Thing and Angel of the morning.
It was a lovely show that varied from tender moments into full blown guitar jams, never dull and, man, what a great group she’s touring with! The audience clearly liked what they heard, quiet listening and attentive, and it was great to see this many people coming out to see Ida Jenshus. Country flavoured music isn’t always the biggest audience puller.
Last night I saw I Was A King(IWAK) for the fourth time. It is a fantastic band and they just keeps getting better. They still sound a bit like a Teenage Fanclub and Byrds mix, and that’s a good thing.
The New album is a fine mix of powerpop, guitar walls and great song writing. The guitars are “byrdsy” jangly and this time they flirt even more with the American side of indie-americana-pop. So you see, they’re kinda hard to describe. But they sound terrific!
IWAK has gotten together with two fantastic popmusic masters this time, Norman Blake (Teenage Fanclub vocalist, yes him!) and Robyn Hitchcock (Power-pop godfather, The Soft Boys member and solo artist extraordinaire), what a dream-team!
When i first read about it I really couldn’t believe it, it’s a match made in heaven.
IWAK once wrote a fine song called “Norman Bleik” (on the second album, 2009), about one of their inspirations, just as Norman Blake once wrote a song about one of his own heroes Neil Young, called “Neil Jung”. Fun fact.
The result of this collaboration is IWAK’s best album, a fully realised record with great songs. It sounds so big and it is full of air, but it’s not pretentious at all. They sound more mature and more pop. The Playing is better than ever and the songwriting is spectacular, I realy love this album (You guessed that, eh?) and it is a quintessential pop album. A love letter to music, no less.
Best on the album: Frozen Disease, Superhero and Leave
Best live in Haugesund: Food Wheels and A Million Signs (with The One I love snippet as intro!)
I Was A King gave us a lesson in harmony induced pop music in Haugesund last night. I’ve never heard them better. Normally they’re not very talkative with the audience, but this night was a bit different. Anne Lise Frøkedal had several fammily members in the audience and the atmosphere was very friendly. Of course there were no sing-alongs, but it was a fun and relaxed interaction.
After a five year break, Witchcraft(from Sweden) have released Legend, their fourth studio album and first for Nuclear Blast. Before their production style and sound was compared to the sound that made American bands like Blue Cheer so recognizable (“loudest band in the world” 60s) The new record sound much more up to date, it sounds great.
Thursday night they played in Haugesund (at Jimmy Legs), it was my first show seeing Witchcraft. What a great band! They mix modern hard rock with Sabbath-style doom metal and Roky Erickson psychedelia (and a bit grunge ala Soundgarden), the singer/band leader Magnus Pelander is fantastic. At times he seems to not know what to do with his hands, and I understand that this is his first album not playing the guitar.
When asked by About.com if it was strange not playing guitar he said:
“No, it is more of a relief not to have a guitar strap around your neck.”