Eat The Document premiered at the New York Academy Of Music, February 8, 1971.
Eat the Document is a documentary of Bob Dylan’s 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan’s direction by D. A. Pennebaker, whose groundbreaking documentary, Don’t Look Back, chronicled Dylan’s 1965 British tour. The film was originally commissioned for the ABC television series Stage ’66.
Eat the Document includes footage from the infamous Manchester Free Trade Hall concert, wherein an audience member shouted “Judas!” during the electric half of Dylan’s set. Dylan’s band during these shows were The Hawks (later to become The Band). Songs from various shows throughout the tour featured in the film include “Tell Me, Momma”, “I Don’t Believe You (She Acts Like We Never Have Met)”, “Ballad of a Thin Man”, and “One Too Many Mornings.”
Other scenes include Dylan and Robbie Robertson in hotel rooms writing and working through new songs, most of which remain unreleased and unpublished. Among these songs are “I Can’t Leave Her Behind”, which was later covered by Stephen Malkmus for the I’m Not There soundtrack.
The film also includes a piano duet with Johnny Cash performing Cash’s “I Still Miss Someone”.
May 17: Dont look back the Bob Dylan documentary premiered in 1967
He was very assured of who he was, but he was actually kind of inventing himself as he went along. He was like a person who had just stepped out of a Kerouac book, and there he was, in front of your eyes, and you were reading about him at the same time you were watching him. –D.A. Pennebaker
Dont Look Back is a 1967 film by D.A. Pennebaker that covers Bob Dylan’s 1965 concert tour in the United Kingdom.In 1998, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”. Wanting to make more than just a concert film, Pennebaker decided to seek out both the public and private Bob Dylan. With unobtrusive equipment and rare access to the elusive performer, he achieved a fly-on-the-wall glimpse of one of the most influential musicians of all time and redefined filmmaking along the way. …and it is funny!
It opens with the much-copied cue-card rendition of Subterranean Homesick Blues, in which a sardonic-looking Mr. Dylan flips through cards hand-printed with words and phrases from the song while standing in an alley.
Dont look back Trailer (in effect the first minutes of the film):
You know the audience that subscribe to TIME Magazine, the audience of people that want to know what’s happening in the world week by week, the people that work during the day and can read it, its small, alright and it’s concise and there’s pictures in it, you know? It’s a certain class of people, its a class of people that take the magazine seriously, I mean sure I can read it, you know, I read it , I get it on the airplanes but I don’t take it seriously. If I want to find out anything, I’m not gunna read TIME magazine, I’m not gunna read Newsweek, I’m not gunna read any of these magazines, I mean cause they just got to much to lose by printing the truth. You know that.
– Bob Dylan Continue reading May 17: Dont look back the Bob Dylan documentary premiered in 1967→