….when we recorded Bringing It All Back Home, that was like a break through point, it’s the kind of music I’ve been striving to make and I believe that in time people will see that. It’s hard to explain it, it’s that indefinable thing..
~Bob Dylan (Paul Gambaccini Interview, June 81)
This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.
~Stephen Thomas Erlewine (allmusic.com)
#1 – Subterranean Homesick Blues
Johnny’s in the basement
Mixing up the medicine
I’m on the pavement
Thinking about the government
The man in the trench coat
Badge out, laid off
Says he’s got a bad cough
Wants to get it paid off
Look out kid
It’s somethin’ you did
God knows when
But you’re doin’ it again
You better duck down the alley way
Lookin’ for a new friend
The man in the coon-skin cap
By the big pen
Wants eleven dollar bills
You only got ten
The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)
The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin’ a bell.
You can’t copyright guitar licks and maybe that’s good, because if you could, Chuck might have hoarded them as he does his Cadillacs. Without The Chuck Berry Riff, we’d lose not just the Beach Boys, but essential elements of the Beatles, the Rolling Stones, Bob Dylan, Bob Seger, and Bruce Springsteen — to mention only the most obvious examples. In a way, what was at the center of the first wave of the British Invasion could be described as a Chuck Berry revival.
~Dave Marsh (The Heart of Rock and Soul)
I wandered again
To my home in the mountains
Where in youth’s early dawn
I was happy and free.
I look for my friends,
But I never could find ’em.
I found they were all
Rank strangers to me.
Albert E. Brumley
“Rank Strangers To Me” is a song written/arranged by Albert E. Brumley.
Albert Edward Brumley
October 29, 1905
near Spiro, Oklahoma, United States
November 15, 1977 (aged 72)
Powell, Missouri, United States
Albert Edward Brumley (1905–1977) was an American shape note gospel music composer and publisher.
“I’ll Fly Away,” “Turn Your Radio On,” “If We Never Meet Again (This Side of Heaven),” “I’ll Meet You In The Morning,”, “He Set Me Free” & “Rank Strangers To Me” are among a host of favorites written by Albert E. Brumley. He wrote over 800 songs. He established the Albert E. Brumley Sundown to Sunup Gospel Sing (now Albert E. Brumley Gospel Sing) in 1969 in Springdale, Arkansas. Brumley has been inducted into the Nashville Songwriters Hall of Fame, Gospel Music Hall of Fame, and Oklahoma Music Hall of Fame.
“If you cannot find peace within yourself, you will never find it anywhere else.”
I hope to refine music, study it, try to find some area that I can unlock. I don’t quite know how to explain it but it’s there. These can’t be the only notes in the world, there’s got to be other notes some place, in some dimension, between the cracks on the piano keys.