Cool video.. created by Roderick Smith.
I love the song (off course) & Pieter Bruegel the Elder was a one of the great northern renaissance painters.
From youtube comment:
This 10 minute film is a collage of music and imagery set down by two artists who lived 450 years apart in history. The unexpected union of these visionaries was a chance encounter late one night while perusing through an old book of engravings by the Flemish artist, Peter Bruegel the Elder while listening to the song “Desolation Row” by Bob Dylan. In an instant an uncanny collaboration was taking place. The wildly strange visual imagery of Bruegel was illustrating the equally bizarre lyrics of Dylan. They were in tandem. Yet neither medium violated the unique vision of the other. This unusual film captures this creative apparition through the use of marionettes, engravings and music.
Continue reading Bob Dylan: Desolation Row – The Marionette Performance part 1 & 2
- 262 times acoustic w/ band – top year 2000 (42 times)
- 19 times acoustic – top year – top year 1966 (13 times)
- 166 times w/band – top year 2011 (32 times)
- First performance: Forest Hills Tennis Stadium, New York – Aug 28, 1965
- Last performance: Pepsi Live at Rogers Arena, Vancouver – July 25, 2017
Continue reading Bob Dylan: 5 Great Live Versions of “Desolation Row”
A great concert from 2001.
- Fantastic version of “Desolation Row”
- Concert # 1325 of The Never-Ending Tour
- Concert # 12 of the 2001 Europe Summer Tour
- 2001 concert #48
Check out boblinks.com for different reviews of the show.
Continue reading July 12: Watch Bob Dylan @ King’s Dock Liverpool, England 2001
The final show of the 1966 world tour. Thankfully the entire acoustic half has emerged on acetate. CBS in fact recorded both nights at the Royal Albert Hall for a possible live album. Before performing “Visions of Johanna,” Dylan launches into a verbal attack on those critics who accuse him of writing drug songs, informing them the next song, “is not a drurg [sic} song. It’s just vulgar to think so.” But the highlight of this, the final 1966 acoustic set is a six-and-a-half minute “Just Like a Woman,” Dylan veering in and out of control of his phrasing. During the electric set, tempers, both on and offrhe stage, become frayed. Before “I Don’t Believe You,” Dylan announces, “I get accused of dismissing my old songs. That’s not true. I luuurve my old songs.” At the time critics are divided as to the merits of the two London shows. Ray Coleman, in Disc and Music Echo, felt that Dylan, “insults his own talents … [with} a shamble of noise.” The London Times reviewer, writing up the first London show, much preferred the acoustic set, entitling his article, “The Better Half of Dylan.” After Dylan· s motorcycle accident, though, the shows will quickly achieve mythic status.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Royal Albert Hall
27 May 1966
- Bob Dylan (vocal & electric guitar)
- Robbie Robertson (electric guitar)
- Garth Hudson (organ), Rick Danko (bass)
- Richard Manuel (piano)
- Mickey Jones (drums)
The last three songs of the May 27 acoustic set at Royal Albert Hall are good enough to stand next to the best work of any twentieth century artist (performer, painter, poet, mathematician… )
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Continue reading May 27: Bob Dylan & The Hawks, London 1966