This is the story of Bob Dylan and The Band, the legendary amateur recordings that they made together in Woodstock, their re-invention of American music and their continued relationship during the late 1960s and 1970s. Featuring the first interview with Garth Hudson in over a decade, together with contributions from Band producer John Simon; 66 tour drummer Mickey Jones; Hawks mentor Ronnie Hawkins and many more, plus rare footage, archive interviews and the music that changed the world. This is the finest program on Dylan and The Band s respective and communal careers yet to emerge. ~amazon.com
Wilson Pickett was born March 18, 1941 and he died January 19, 2006.
A major figure in the development of American soul music, Pickett recorded over 50 songs which made the US R&B charts, and frequently crossed over to the US Billboard Hot 100.
The early hit I Found A Love with The Falcons (audio only 1962):
Wilson Pickett was one of the rawest and sweatiest, singing some of soul’s best dancefloor grooves. He had hits a plenty: “In the Midnight Hour,” “Land of 1000 Dances,” “Mustang Sally,” and “Funky Broadway” and more.
He is often a preferred alternative of fans who like their soul on the raw side. He also played an important part in establishing Southern soul as a vital part of the soul genre.
His hits were often written and recorded with the very best of the session musicians in Memphis and Muscle Shoals.
The impact of Pickett’s songwriting and recording led to his 1991 induction into the Rock and Roll Hall of Fame.
Land of 1000 Dances – Live:
There are very few songs by “The Wicked” Picket on Spotify so we have included a fabulous radio documentary from BBC. Roger Daltrey, lead singer of The Who and a Wilson Pickett fan, tells the story of the soul legend:
I have to include an audio clip of my favourite Pickett recording, Engine #9:
“You’re in rock’n roll heaven, man”
– Keith Richards
We can hardly wait, this is really the stuff of legends. The new documentary, “Muscle Shoals” will soon be released, it was shown on The Sundance festival 26th of January. The film was inspired by a magical visit to the town of the same name in Alabama. Camalier a self-taught filmmaker expresses his passion using his instinct, sensibility, and great appreciation of the art form. His original approach to this music documentary is clear in the mystical and evocative way he tells the story of Muscle Shoals.
From Rolling Stone Magazine:
Filled with interviews with a wide array of artists and never-before-seen footage, Muscle Shoals tells the story of this Northern Alabama town and the many hits that came out of its legendary recording spaces: Rick Hall’s FAME Studios and Muscle Shoals Sound Studio, which was started by FAME’s former rhythm section, the Swampers. “Being there does inspire you to do it slightly differently,” says Mick Jagger in the trailer. “It was really funky; you know, that was the whole idea of it.”
The Muscle Shoals Sound Studio was formed in Muscle Shoals, Alabama, in 1969 when musicians Barry Beckett (keyboards), Roger Hawkins (drums), Jimmy Johnson (guitar) and David Hood (bass) (called The Swampers) left FAME Studios to create their own studio. The Muscle Shoals Sound Rhythm Section, as they became known, was the first rhythm section to own its own studio and, eventually, its own publishing and production companies.
The distinctive accompaniment and arrangements have been heard on a tremendous amount legendary recordings, including those from Wilson Pickett, Aretha Franklin, and the Staple Singers among others. Many artists have recorded hit songs and complete albums at the studio. (read more on Wikipedia)
A short clip of director Greg Camalier explaining why he made the movie:
Back in 2008, he was driving from the East Coast to New Mexico with a friend when Camalier saw a road sign for Muscle Shoals. Camalier was a music fan who had heard bits of information about the place for years, but didn’t know much about it. They decided to spend the night in Muscle Shoals, and he and his friend talked about why they had never seen a film about that small yet crucial slice of music history.
FAME (Florence Alabama Music Enterprises) Studios are located at 603 East Avalon in Muscle Shoals, Alabama. They have been an integral part of American popular music from the late 1950s to the present. Artists who recorded there included Wilson Pickett, Aretha Franklin, Otis Redding, Joe Tex, Duane Allman, The Hour Glass, Clarence Carter, Candi Staton, Mac Davis, Paul Anka, Tom Jones, Etta James, Andy Williams, The Osmonds, Shenandoah, and many others. The studio was added to the Alabama Register of Landmarks and Heritage on December 15, 1997. (read more, Wikipedia)
When I looked for songs on youtube for Jackson Brownes birthday I stubled upon this great documentary. This is why the web is so goddam cool, you can find long lost treasures, things you were certain was out of circulation or that you’ve never even heard of.
In 1977 the Dutch public broadcasting association VARA made a documentary called Wonderland, about then up-&-coming recording artists Warren Zevon, Linda Ronstadt, Bonnie Raitt & Jackson Browne. Here is that film.
Warren Zevon at Griffith Observatory, Linda Ronstadt in studio “Tracks Of My Tears” alternative studio version, Linda Ronstadt outside her Malibu house, Warren Zevon at a burrito stand, Warren Zevon in concert “Carmelita”, Bonnie Raitt at Frederick’s, Bonnie Raitt in concert “Nothing Seems To Matter”, Linda Ronstadt in the bedroom of her Malibu house, Linda Ronstadt in studio “Lose Again” alternative studio version, Warren Zevon at Griffith Observatory, Warren Zevon in rehearsal “Frank And Jesse James”, Bonnie Raitt in concert “Give It Up Or Let Me Go”, Jackson Browne in concert “Before The Deluge”.
From Wikipedia: The Muscle Shoals Sound Studio was formed in Muscle Shoals, Alabama, in 1969 when musicians Barry Beckett (keyboards), Roger Hawkins (drums), Jimmy Johnson (guitar) and David Hood (bass) (called The Swampers) left FAME Studios to create their own studio. The Muscle Shoals Sound Rhythm Section, as they became known, was the first rhythm section to own its own studio and, eventually, its own publishing and production companies. The distinctive accompaniment and arrangements have been heard on a tremendous number of legendary recordings, including those from Wilson Pickett, Aretha Franklin, and the Staple Singers amongst others.
“Spooner Oldham and Muscle Shoals” is a short, no budget, 4-part documentary I shot in celebration of Spooner’s induction into the Rock ‘N’ Roll Hall of Fame (created by Cory Pennington). The sound is a bit all over the place on the interviews, but it’s a facinating look into one of the most legendary studios.