Dylan’s 66 world tour is the best tour ever… by anyone. I know you all agree.
|The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan’s 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following his “going electric” at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as The Hawks; they subsequently became famous as The Band. The 1966 tour was filmed by director D. A. Pennebaker. Pennebaker’s footage was edited by Dylan and Howard Alk to produce a little-seen film, Eat the Document, an anarchic account of the tour. Drummer Mickey Jones also filmed the tour with an 8mm home movie camera. Many of the 1966 tour concerts were recorded by Columbia Records. These recordings produced one official album, the so-called “Royal Albert Hall” concert, and also many unofficial bootleg recordings of the tour.Dylan’s 1966 Tour ended with his motorcycle accident on July 29, 1966. Subsequent to Dylan’s withdrawal to Woodstock, he refrained from undertaking a major tour until 1974.
Continue reading April 13: Bob Dylan Sydney, Australia 1966 (audio)
CBS records this concert. A PA recording of the acoustic half of the show is subsequently widely bootlegged. The extant tape features “Visions of Johanna,” “Fourth Time Around,” “It’s All Over Now, Baby Blue,” “Desolation Row,” “Just Like a Woman,” and “Mr. Tambourine Man” (but not “She Belongs to Me,” presumably performed). Although the acoustic set seems to be well received, the audience is hostile throughout the electric set. One review of the show is headlined “Night of the Big Let Down.” According to Robbie Robertson, some of the audience were even holding up placards saying “Stop the War.” A recording of “I Don’t Believe You” from the electric set is eventually released on the Biograph set, incorrectly assigned to Belfast.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Another Great 66 gig.
Continue reading May 5: Bob Dylan concert in Dublin 1966 (audio)
Dylan’s voice is extremely rough, but the performance, if anything, even more intense than the English shows
~Clinton Heylin (A Life In Stolen Moments)
Great 66 Show where Dylan sounds very stoned, and still brilliant.
For this show he uses a borrowed guitar, as his had been broken. When compared to the Sydney show, this performance is more laid back.
Melbourne, Victoria, Australia
20 April 1966
Continue reading April 20: Bob Dylan Concert in Melbourne 1966
“The ghost of ’lectricity howls in the bones of her face Where these visions of Johanna have now taken my place”
— from “Visions of Johanna”
In 1982 readers of ‘The Telegraph” voted ‘Visions of Johanna’ their “favourite Dylan Song” by a wide margin (‘Like A Rolling Stone’ & ‘It’s Alrght, Ma’ tied for second). Why? There is a depth in this song, an intimate bond created between the singer and the listener, that defies analysis & explanation
~Paul Williams (BD Performing Artist 1960-73)
@ #1 on my list of Dylan’s 200 best songs.. this really is a song so good it’s hard grasp… every time I put it on… it feels like a new & old classic.. a true masterpiece.
The master version (Blonde On Blonde version) was recorded @ Columbia Music Row Studios – Nashville, Tennessee –14 February 1966 (47 years ago).
This was the the 6th Blonde On Blonde session, produced by Bob Johnston.. and Dylan also landed “Fourth Time Around” @ this sessions.
Continue reading Bob Dylan’s best songs – Visions of Johanna #1