With its acoustic guitars and drumless bits, this triumph of hard rock is no more a pure hard rock album than Tommy. … And… it uses the synthesizer to vary the power trio format, not to art things up.
On Who’s Next, the band crossed that line with power and grace. The album spawned the concert classics “Baba O’Riley” and “Won’t Get Fooled Again”; the great Daltrey vocal vehicles “Bargain” and “Song Is Over”; Entwistle’s scorching, anxiety-ridden “My Wife”; and Townshend’s most delicate song on record, “Behind Blue Eyes.” On Who’s Next, Townshend unleashed the power of the synthesizer as a rock & roll instrument, to be used like guitar or bass rather than as a special-effects novelty.
~The New Rolling Stone Album Guide (rollingstone.com)
The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)
The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)
9 April 1965
15 February 1965,
EMI Studios, London
“Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.
They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)
Original 1965 Promotional Video:
The song was written primarily by John Lennon (credited to Lennon–McCartney), with Paul McCartney’s contributions in dispute. Lennon said that McCartney’s contribution was limited to “the way Ringo played the drums”. McCartney said that was an incomplete description, and that “we sat down and wrote it together… give him 60 percent of it… we sat down together and worked on that for a full three-hour songwriting session.” This song was also the first song by the band in which McCartney was featured on lead guitar.
The song features a coda with a different tempo that extends the song’s length past three minutes, the first Beatles single ever to do so. Lennon said this double-time section (with the lyric “My baby don’t care”) was one of his “favourite bits” in the song.
Shea Stadium Live 1965 – HQ:
Music critics Richie Unterberger of Allmusic and Ian MacDonald both describe “Ticket to Ride” as an important milestone in the evolution of the musical style of the Beatles. Unterberger said, “the rhythm parts on ‘Ticket to Ride’ were harder and heavier than they had been on any previous Beatles outing, particularly in Ringo Starr’s stormy stutters and rolls.” MacDonald described it as “psychologically deeper than anything the Beatles had recorded before … extraordinary for its time — massive with chiming electric guitars, weighty rhythm, and rumbling floor tom-toms.” MacDonald also notes that the track uses the Indian basis of drone which might have influenced the Kinks’ “See My Friends”.
Meaning of ‘Ticket To Ride’
While the song lyrics describe a girl “riding out of the life of the narrator”, the inspiration of the title phrase is unclear. McCartney said it was “a British Railways ticket to the town of Ryde on the Isle of Wight”, and Lennon said it described cards indicating a clean bill of health carried by Hamburg prostitutes in the 1960s. The Beatles played in Hamburg early in their musical career, and “ride/riding” was slang for having sex.
So we round off with The Beatles final appearance @ “Ed Sullivan Show” – 14th August 1965
They performed six songs: I Feel Fine, I’m Down, Act Naturally, Ticket To Ride, Yesterday and Help!