Tag Archives: Great Album

October 6: Bootleg series vol 8 Tell Tale Signs by Bob Dylan was released in 2008


telltalesigns

 Altars are burning, the flames far and wide
The foe has crossed over from the other side
They tip their caps from the top of the hill
You can feel them come, more brave blood to spill

– ‘Cross the Green Mountain

The Bootleg Series Vol. 8 – Tell Tale Signs: Rare and Unreleased 1989–2006 is a compilation album the official “bootleg series” of rare and unissued recordings. It was originally released as a double, and (limited edition) triple album. It was later released as a single album, consisting of disc one of the double set. The three-disc version of Tell Tale Signs includes a detailed 56 page book annotating the recordings by Larry Sloman, and a book of photos of “The Collected Single Sleeves of Bob Dylan” drawing on Dylan releases from around the world, plus a 7″ vinyl single with two tracks from the set: “Dreamin’ Of You” and “Ring Them Bells”.

The bootleg series—the commentary to the canon—did finally catch up to the latter phases of his recorded output. Again it was a revelation and a fantastic collection of alternative versions and outtakes. It is a strong confirmation of the sky-high quality of Dylan’s latter-day production.

Continue reading October 6: Bootleg series vol 8 Tell Tale Signs by Bob Dylan was released in 2008

Nov 26: The Bootleg Series Vol 5 Bob Dylan Live 1975 was released in 2002

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“I was just sitting outside my house one day thinking about a name for this tour, when all of a sudden, I looked into the sky and I heard a boom! Then, boom, boom, boom, boom, rolling from west to east. So I figured that should be the name.”
– Bob Dylan

This is my favorite of Bob Dylan’s bootleg series, and one of the best live albums ever released.

The Rolling Thunder Revue was a concert tour  Bob Dylan with a traveling caravan of notable musicians, including Joan Baez,Roger McGuinn, and Ramblin’ Jack Elliott. Bob Neuwirth assembled the backing musicians, including T-Bone Burnett, Mick Ronson, David Mansfield, Steven Soles, and from the Desire sessions, violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the American south and southwest in the spring of 1976.

rolling_TORONTO

Tangled up in Blue:

Continue reading Nov 26: The Bootleg Series Vol 5 Bob Dylan Live 1975 was released in 2002

November 9 & 10: Neil Young: Sugar Mountain, Live at Canterbury House 1968

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Neil Young was horribly nervous before the performance and had to be coaxed from his hotel room by his manager Elliot Roberts and the minister of Canterbury House, Dan Burke. Burke tells NPR Music he remembers Neil Young huddled in Young’s hotel room bed, too scared to perform. He told Burke no one would want to hear the Buffalo Springfield tunes or his new tunes. Young was afraid he didn’t have enough material. But he was eventually persuaded to take the small stage.
~Neil Young News

This is a GREAT live album from Neil Young’s two concert @ The Canterbury House, Ann Arbor, Michigan, USA – Nov 9-10 1968.

Wikipedia:

Released December 2, 2008
Recorded November 9 and 10, 1968
Genre Folk-rock, Country rock
Length 70:15
Label Reprise

Sugar Mountain – Live at Canterbury House 1968 is a live album by Neil Young. On November 8–10, 1968, Young performed three shows at Canterbury House in Ann Arbor, Michigan. This album is compiled from the performances on the 9th and 10th.

This album is Volume 00 in the Archives Performance Series. Since volumes 2 and 3 had already been released, this album, while performed earlier chronologically, is the third release from the Series. The Riverboat 1969, released in The Archives Vol. 1 1963–1972in 2009, is the fourth Archive Performance Series released but was performed earlier chronologically than volumes 2 and 3.

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The songs, by the way, are beautiful. He does mysterious Springfield compositions (“Broken Arrow,” “Nowadays Clancy Can’t Even Sing”), and provocative newer tunes (“The Old Laughing Lady,” “The Loner”). The version here of “Sugar Mountain,” his enduring lost-adolescence lament written before Springfield, has been previously released as a B-side and on the Decade box set. But hearing it in this context adds to its impact.
~Steve Rosen (pastemagazine.com)

Continue reading November 9 & 10: Neil Young: Sugar Mountain, Live at Canterbury House 1968

November 4: The Allman Brothers Band released their self titled debut in 1969

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 “It might seem strange to apply the adjective “lovely” to a heavy-white-blues album, but that is what this record so paradoxically is. Sometimes it sounds like what Led Zeppelin might have been if they weren’t hung up on gymnastics. Sometimes it sounds like the more-lyrical Louisiana cousins of Johnny Winter. But what it is consistently is subtle, and honest, and moving. “
– Lester Bangs (Rolling Stone Magazine)

The Allman Brothers Band, released in 1969, was the debut album of  the Allman Brothers Band.

“Dreams” and “Whipping Post” would become the basis for two of The Allman Brothers’ most famed epic concert numbers.

In April 1969 the Allman Brothers Band moved from Jacksonville, Florida to Macon, Georgia. They first rented a house at 309 College Street. The front album cover photo was taken at the entrance of the College House (now owned by Mercer University) right next door at 315 College Street. The back cover photo of the album was taken at the Bond Tomb at Rose Hill Cemetery located at 1091 Riverside Drive in Macon. “Don’t Want You No More” is a cover of a 1967 song by The Spencer Davis Group.

Continue reading November 4: The Allman Brothers Band released their self titled debut in 1969

November 3: The Jam released All Mod Cons in 1978

“All Mod Cons, released to wide acclaim in 1978, firmly cemented the group’s rise to extraordinary heights. Indeed, for many it was the first essential Jam album and listening to it now its impact has not diminished over time.”
-BBC

When I think about English records I think of  The Kinks’ The Village Green Preservation Society, The Smiths’ The Queen is Dead, The Who’s Quadrophenia and The Jam’s All Mod Cons. To me all those albums are quintessential English.

All of them are fantastic albums.

All Mod Cons:

Released 3 November 1978
Recorded 4 July 1978 to
17 August 1978RAK (Upper London) and Eden Studios
Genre Punk rock, Mod Revival, Power pop
Length 37:28
Label Polydor
Producer Vic Coppersmith-Heaven
Chris Parry

It’s their third full-length LP. It took it’s title from a British idiom one might find in housing advertisements, is short for “all modern conveniences” and is a pun on the band’s association with the mod revival as well. Of Course it is also Paul Weller’s view on the music business as a ‘con’.

Continue reading November 3: The Jam released All Mod Cons in 1978