Tag Archives: Great Concert

July 1: Bob Dylan – Nuremberg, West Germany – 1978

bob dylan nurnberg 1978

In his first tour of Europe in 12 years, Bob Dylan played Nürnberg on July 1. Organized by the new “Rock im Park” festival which was established in 1976 with Santana and Chicago, 1978 featured both Eric Clapton and Dylan in front of 80,000 spectators.
The show is imbued with additional meaning since the Zeppelinfeld was constructed in the ’30s and was the site for the Nazi Party rallies between 1933 and 1938 and can be seen in the film Triumph Of The Will. That a Jewish artist such as Bob Dylan preformed there 40 years later provides a special irony for the setting.
~gsparaco(collectorsmusicreviews.com)

Zeppelindfeld
Nuremberg, West Germany
1 July 1978

  • Bob Dylan (vocal & guitar)
  • Billy Cross (lead guitar)
  • Alan Pasqua (keyboards)
  • Steven Soles (rhythm guitar, backup vocals), David Mansfield (violin & mandolin)
  • Steve Douglas (horns)
  • Jerry Scheff (bass)
  • Bobbye Hall (percussion)
  • Ian Wallace (drums)
  • Helena Springs, Jo Ann Harris, Carolyn Dennis (background vocals)
  • Eric Clapton (guitar) on I’ll Be Your Baby Tonight & The Times They Are A-Changin’

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Great Bob Dylan Concert in Aberdeen September 16, 2000 (video)





Another great gig from 2000, the embedded video includes the last 7 songs in the setlist.

Aberdeen Exhibition & Conference Centre
Aberdeen, Scotland
16 September 2000

  • Bob Dylan (vocal & guitar)
  • Charlie Sexton (guitar)
  • Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
  • Tony Garnier (bass)
  • David Kemper (drums & percussion)

Continue reading Great Bob Dylan Concert in Aberdeen September 16, 2000 (video)

May 27: Bob Dylan & The Hawks, London 1966





bob dylan london 1966

The final show of the 1966 world tour. Thankfully the entire acoustic half has emerged on acetate. CBS in fact recorded both nights at the Royal Albert Hall for a possible live album. Before performing “Visions of Johanna,” Dylan launches into a verbal attack on those critics who accuse him of writing drug songs, informing them the next song, “is not a drurg [sic} song. It’s just vulgar to think so.” But the highlight of this, the final 1966 acoustic set is a six-and-a-half minute “Just Like a Woman,” Dylan veering in and out of control of his phrasing. During the electric set, tempers, both on and offrhe stage, become frayed. Before “I Don’t Believe You,” Dylan announces, “I get accused of dismissing my old songs. That’s not true. I luuurve my old songs.” At the time critics are divided as to the merits of the two London shows. Ray Coleman, in Disc and Music Echo, felt that Dylan, “insults his own talents … [with} a shamble of noise.” The London Times reviewer, writing up the first London show, much preferred the acoustic set, entitling his article, “The Better Half of Dylan.” After Dylan· s motorcycle accident, though, the shows will quickly achieve mythic status.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Royal Albert Hall
London, England
27 May 1966

Musicians:

  • Bob Dylan (vocal & electric guitar)
  • Robbie Robertson (electric guitar)
  • Garth Hudson (organ), Rick Danko (bass)
  • Richard Manuel (piano)
  • Mickey Jones (drums)

The last three songs of the May 27 acoustic set at Royal Albert Hall are good enough to stand next to the best work of any twentieth century artist (performer, painter, poet, mathematician… )
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

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