Columbia Recording Studios
New York City, New York
29 July 1965
The 3rd Highway 61 Revisited session, produced by Bob Johnston
7 July 1984
August 30: Bob Dylan released Highway 61 Revisited in 1965
“I never wanted to write topical songs, have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.”
~Bob Dylan (Frances Taylor Interview, Aug 1965)
[Highway 61] Oh yes, it goes from where I used to live… I used to live related to that highway. It ran right through my home town in Minnesota. I traveled it for a long period of time
actually. It goes down the middle of the country, sort of southwest…. lot of famous people came off that highway.
~Bob Dylan (John Cohen And Happy Traum Interview, June/July 1968)
Dylan’s sixth album and his first fully fledged eagle-flight into rock. Revolutionary and stunning, not just for its energy, freshness and panache but in its vision: fusing radical electric music—electric music as the embodiment of our whole out-of-control, nervouenergy-fuelled, chaotic civilization—with lyrics that were light-years ahead of anyone else’s, Dylan here unites the force of blues-based rock’n’roll with the power of poetry.
~Michael Gray (Bob Dylan Encyclopedia)
Like a Rolling Stone:
How does it feel
How does it feel
To be without a home
Like a complete unknown
Like a rolling stone?
July 30: Bob Dylan: 4th recording session for Highway 61 Revisited 1965
“I never wanted to write topical songs,…. Have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.”
~Bob Dylan (to Frances Taylor – Aug 1965)
“Dylan had not only changed his sound, but his persona, trading the folk troubadour for a streetwise, cynical hipster. Throughout the album, he embraces druggy, surreal imagery, which can either have a sense of menace or beauty, and the music reflects that, jumping between soothing melodies to hard, bluesy rock. And that is the most revolutionary thing about Highway 61 Revisited — it proved that rock & roll needn’t be collegiate and tame in order to be literate, poetic, and complex.”
~Stephen Thomas Erlewine (allmusic.com)
On July 30, Dylan and his band returned to Studio A and recorded three songs. A master take of “From a Buick 6” was recorded and later included on the final album, but most of the session was devoted to “Can You Please Crawl Out Your Window?” Dylan was unsatisfied with the results and set the song aside for a later date; it was eventually re-recorded with the Hawks in October.