Well I taught that weeping willow how to cry cry cry,
Taught the clouds how to cover up a clear blue sky.
Tears I cried for that woman are gonna flood you big river,
And Im a gonna sit right here until I die.
Baltimore Arena Baltimore, Maryland 8 November 1999
Bob Dylan (vocal & guitar)
Charlie Sexton (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)
Bob Dylan and Johnny Cash became friends at the 1964 Newport Folk Fest where they both performed (they had corresponded some time before this and they bumpen into each other in New York in 63 backstage at The Gaslight cafe) , Johnny Cash the seasoned country legend and Bob Dylan the new golden boy. They spent the evening picking in Joan Baez’s hotel room with June Carter Cash, Joan Baez, Jack Elliot and others. As the story goes, Johnny Cash took Dylan aside and handed him his Martin guitar as a gift, a gesture of honor among country musicians.
Their paths crossed on several occasions, and they recorded and performed together many times.
Here are the songs I could find where Cash covers Dylan:
The 30th Anniversary Concert Celebration is a live double-album release in recognition of Bob Dylan’s 30 years as a recording artist. Recorded on October 16, 1992 at Madison Square Garden in New York City, it captures most of the concert, which featured many artists performing classic Dylan songs, before ending with three songs from Dylan himself.
May 14: Legendary producer the late great Bob Johnston was born in 1932
“Is it rolling, Bob?” – Bob Dylan at the beginning of To Be Alone With You (Nashville Skyline)
“Johnston had fire in his eyes. He had that thing that some people call ‘Momentum.’ You could see it in his face and he shared that fire, that spirit. Columbia’s leading folk and country producer, he was born one hundred years too late. He should have been wearing a wide cape, a plumed hat, and riding with his sword held high. Johnston disregarded any warning that might get in his way. … Johnston lived on low country barbecue, and he was all charm.”
– Bob Dylan, Chronicles: Volume One
“I had the best in the world in my hand – there was no place I couldn’t go with him, so that’s where I went. I think Blonde On Blonde is the best record Dylan ever cut… Blonde On Blonde was the first symphony cut in Nashville!” – Bob Johnston (Uncut magazine)
Donald William ‘Bob’ Johnston (born May 14, 1932, Hillsboro, Texas, died August 14, 2015) was an American record producer, best known for his work with Bob Dylan, Johnny Cash, Leonard Cohen, and Simon and Garfunkel.
Well I’m sitting here wondering, will a matchbox hold my clothes
Yeah I’m sitting here wondering, will a matchbox hold my clothes
I ain’t got no matches, but I got a long way to go
I’m an ol’ poor boy and a long way from home
I’m an ol’ poor boy and a long way from home
Guess I’ll never be happy, eveything I do is wrong, yeah
He [Carl Perkins] really stood for freedom. That whole sound stood for all degrees of freedom. It would just jump off the turntable… we wanted to go where that was happening.
~Bob Dylan (note from Dylan @ Carl Perkins funeral)
December 4, 1956
“Matchbox” is a rock and roll and rockabilly song written by Carl Perkins and first recorded by him at Sun Records in December 1956 and released on February 11, 1957 as a 45 single on Sun Records as Sun 261. It has become one of Perkins’ best-known recordings. Perkins’ “Matchbox” has been followed by many cover versions, notably by the Beatles.
Carl Perkins & Sam Phillips
After recording “Your True Love”, Carl Perkins’s father Buck suggested that he do “Match Box Blues”. Buck knew only a few lines from the song, either from a 1927 recording by Blind Lemon Jefferson, or from the version by country musicians The Shelton Brothers (who recorded the song twice in the 1930s, and again in 1947). As Perkins sang the few words his father had suggested, Jerry Lee Lewis, who was at that time a session piano player at Sun Studios, began a restrained boogie-woogie riff. Carl began picking out a melody on the guitar and improvised lyrics. On December 4, 1956 Carl Perkins recorded the song called “Matchbox”. Later that day, Elvis Presley, Johnny Cash, and session pianist Jerry Lee Lewis were all in the Sun studio with Sam Phillips. The impromptu group formed at this jam session became known as the Million Dollar Quartet.
Perkins maintained that he had never heard Jefferson’s “Match Box Blues” when he recorded “Matchbox”. Jefferson’s song is about a mean spirited woman; Perkins’ was about a lovelorn “poor boy” with limited prospects.