The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)
Columbia Music Row Studios
9-10 March 1966
Produced by Bob Johnston
Continue reading March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966
April 28: Bob Dylan Klas Burling Interview, Stockholm, Sweden,1966
What do you think Mozart would say to you if you ever come up to him and ask him the questions that you’ve been asking, you know? What kind of questions would you ask him, you know, ‘Tell me, Mr. Mozart… ‘
~Bob Dylan (to Klas Burling, April 28, 1966)
Immediately after the official press conference at the Hotel Flamingo at Stockholm, Dylan was interviewed for Swedish Radio 3: Stockholm: Radiohuset by Sweden’s first disc jockey, Klas Burling. Burling asked all the questions that Dylan had clearly grown sick and tired of hearing and got a really hard time as a result. You have to give poor Burling credit for lasting the distance and carrying the interview through to the end. (Every Mind Polluting Word)
Continue reading April 28: Bob Dylan Klas Burling Interview, Stockholm, Sweden,1966