Tag Archives: little richard

Music Calendar, Rock'n Roll

September 14: Little Richard recorded Tutti Frutti in 1955

little-richard

The phrase next to Robert Zimmerman’s picture in the 1959 Hibbing High School Yearbook was “To join Little Richard.”

“Bob Dylan is my brother. I love him same as Bobby Darin is my baby. I feel Bob Dylan is my blood brother. I believe if I didn’t have a place to stay, Bob Dylan would buy me a house. He sat by my bed; he didn’t move for hours. I was in pain that medicine couldn’t stop. My tongue was cut out, leg all tore up, bladder punctured. I was supposed to be dead. Six feet under. God resurrected me; that’s the reason I have to tell the world about it.”
– Little Richard (to John Waters, 1987)

Tutti Frutti (meaning “all fruits” in Italian) is a song written by Little Richard (Richard Wayne Penniman) along with Dorothy LaBostrie that was recorded in 1955 and became his first major hit record. With its opening cry of “A-wop-bom-a-loo-mop-a-lomp-bom-bom!” (a verbal rendition of a drum pattern that Little Richard had imagined) and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also a model for rock and roll itself. The song introduced several of rock music’s most characteristic musical features, including its loud volume and vocal style emphasizing power, and its distinctive beat and rhythm.

It was recorded in September 1955 and released in November the same year.

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Bob Dylan, Bob Dylan - The songs he didn't write

Bob Dylan: Brown Sugar (Jagger/Richards)

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bob dylan Jagger richards

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

“They say things – try to kid you – no, I don’t like the Rolling Stones.”
~Bob Dylan (18 April 1966)

“The Rolling Stones? Who else has come through? Mick Jagger and Keith Richard have come through the same fire that I’ve come through.”
~Bob Dylan (to Robert Shelton, June 1978)

From Wikipedia:

Released 16 April 1971 (UK)
7 May 1971 (US)
Recorded 2–4 December 1969
Genre Hard rock
Length 3:50
Label Rolling Stones Records
Writer(s) Jagger/Richards
Producer Jimmy Miller

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Drive-by Truckers, Music Calendar

Today: Mike Cooley is 47 Happy Birthday

mike-cooley

Mike Cooley, guitarist, songwriter and singer in one of our favorite bands Drive-By Truckers, was born 14 September 1966.

Happy Birthday, Mike Cooley!

Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, but two of the members (Patterson Hood and Mike Cooley) are originally from The Shoals region of Northern Alabama, and the band strongly identifies with Alabama. Their music uses three guitars as well as bass, drums, and now keyboards.

During a recent solo tour, the Drive by Truckers’ Mike Cooley stopped by the Fretboard Journal magazine offices to perform this tune. “Birthday Boy” originally appeared on the DBT’s album ‘The Big To-Do.’ Cooley also describes the unique guitar he’s playing, built by luthier Scott Baxendale.

Mike Cooley – Birthday Boy:

Drive-By Truckers was co-founded by Mike Cooley and Patterson Hood in Athens, Georgia, in 1996. The two had played in various other bands including Adam’s House Cat which was chosen as a top ten Best Unsigned Band by a Musician contest in the late 1980s. After the demise of Adam’s House Cat, Cooley and Hood performed as a duo under the name “Virgil Kane.” They eventually started a new band, “Horsepussy,” before splitting for a few years. It was during this split that Hood moved to Athens, Georgia and began forming what would become Drive-By Truckers. Cooley soon followed.

Mike Cooley – Gravity’s Gone (The Hideout, Chicago, November 29, 2012):

 

” After spending much of his young life scrapping in the rock & roll trenches, he’s become one of the best songwriters of his generation, having
amassed a catalog of songs that can go toe-to-toe with any of his contemporaries. Along the way, he and DriveBy Truckers have become an acclaimed, enduring lynchpin of American rock & roll. And now, with The Fool on Every Corner, Cooley begins the latest chapter in his impressive career, uncompromising as always, and more thankful than ever.

I’m lucky as hell,” he says. “No doubt about it. I’m not rich, I’m probably not gonna be, and I’m totally cool with
that. But I’m making my living, and I do what I want—I do it my way. I’ve got an awesome family, a bunch of
great friends, loyal fans. And I think about that every day. It just would be immoral for me not to.”

– drivebytruckers.com (press release, Fool on Every Corner)

Today’s album is Fool On Every Corner (Spotify):

 

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Blues, List, Rock'n Roll

Rock and Roll: 100 Best Singles – according to Paul Williams – Part 1

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paul williams 100 best singles

There’s a scream inside everyone of us at every moment. And every one of us has had the experience of listening to a record and feeling that scream take over. Release. Abandon. Let it all out. Rock and Roll for me is about Eros, not Logos, which is paradoxical since my job is putting the experience in words.
~Paul Williams (Author’s note)

One of our favorite authors here at JV is Paul Williams, and…. he did write about other stuff than Bob Dylan.

We all love lists, so I’ll try out a new series of posts honoring one of his lesser known books:

Rock And Roll: The 100 Best Singles

..the list is chronological, starting back before the beginning and going through the 50’s and the 60’s and the 70’s and the 80’s, and ending for the sake of convenience in 1991. So #1 is not supposed to be ‘better’ than #100. It just got in the line first.

My criteria are simple: the song has to have been released as a seven-inch 45 rpm single in the United States or Great Britain (Robert Johnson’s 78 rpm ten-inch is the exception that proved the rule), and it has be “rock and roll” according to my subjective evaluation…
~Paul Williams (Author’s note)

All quotes are from the book.

Here is #1 – 10:

Continue reading Rock and Roll: 100 Best Singles – according to Paul Williams – Part 1 →