I saw Yuma Sun on a small stage last Thrursday, they were good. They’re a very promising band. A bit rough around the edges, as expected from a young/new band, but very playful and very exciting. They have a vision and they are on their way.
They call their music “prairie rock”, and they fit the bill. It’s not country rock in The Eagles vein, but more a StanRidgeway/Wall of Voodoo (but without the 80s snaredrum sounds) twangy italian western influence. With an emphasis on the rock part.
They are right now in the middle of a release tour for their album, Romanza. Go see them if you can.
Yuma Sun are:
Jaran Hereid – Akustisk gitar & vokal Bjørn Ognøy – Baritongitar Andreas Dyraas – Trommer Jonas Konrad Knudsen – Bass Espen Lund – Gitar
My favourite from the new record is the opening track Another Day:
Many, including The Rolling Stones, consider this their first official full-length live release, despite the appearance of the US-only Got Live If You Want It! in 1966 as a contractual obligation product. One reason for releasing a live album was to counter the release of the Live’r Than You’ll Ever Be bootleg recording of an Oakland performance on the same tour, a recording which was even reviewed in Rolling Stone magazine.
The performances captured for this release were recorded on 27–28 November 1969 at New York City’s Madison Square Garden, while “Love in Vain” was recorded in Baltimore, Maryland on 26 November 1969. Overdubbing was undertaken during January and February 1970 in London’s Olympic Studios. No instruments were overdubbed, although on bootlegs, examples are known of Richards trying out different guitar parts (e.g. a guitar solo on “Jumpin’ Jack Flash“). The finished product featured new lead vocals on half the tracks, and added backing vocals by Richards on several others.
The title of the album was adapted from the song “Get Yer Yas Yas Out” by Blind Boy Fuller. The phrase used in Fuller’s song was “get your yas yas out the door”.
Review of the “40th Anniversary Deluxe Box Set” from Sean Murphy – popmatters.com:
Best live album ever? Who cares. What is beyond dispute is that 1970’s Get Yer Ya-Ya’s Out is certainly the best live album the Rolling Stones ever recorded. And here we are, 40 years after the concerts took place in NYC at Madison Square Garden. World’s Greatest Band + World’s Greatest Stage = Deluxe Box Set! What are we looking at here? The original, remastered album? Check. Six unreleased tracks? Check. Bonus disc of opening acts B.B. King and Ike & Tina Turner? Check. Bonus DVD mixing live songs and offstage antics? Check. Obligatory booklet with critical essays and never-before seen photos? Check. Caveat emptor: for anyone thinking of shelling out $40-to-$60, be warned that the extra Stones material and the DVD are both less than 30 minutes in length. For Stones enthusiasts, this newly unearthed bounty is essential and price should be no object. ...read more
Side one 1. “Jumpin’ Jack Flash” (November 27, 1969: Madison Square Garden, New York City) 4:02 2. “Carol” (Chuck Berry) – (November 28, 1969: MSG (first show)) 3:47 3. “Stray Cat Blues” (November 28, 1969: MSG (first show)) 3:41 4. “Love in Vain” (Robert Johnson†) – (November 26, 1969: Civic Center, Baltimore) 4:57 5. “Midnight Rambler” (November 28, 1969: MSG (second show)) 9:05
Based on setlists from all “Wrecking Ball Tour” shows, and considering the latest trends, I’ve put up a list of songs and their estimated probability to get played in the coming concerts. I’ve also created a spotify playlist.
This is off course estimates and Bruce alters his setlist for every concert. But some songs have been played in every concert this tour thus far, and many have gotten relative many plays. My aim is to hit over 80% on the 2 coming show in Bergen, Norway (July 23/24).
I will limit my playlist to 35 songs, and the list might change on every update.
playlist expanded to include 46 songs – on july 20
playlist expanded to include 47 songs – on july 22
“..So.. is anybody drunk yet?”
–Jonathan Wilson joking with the audience
(the bass player immediately raised his hand)
Jonathan Wilson’s concert at Bergenfest on Thursday evening was a time travel back to 70s California and Wilson and his band turned the hot venue into a cool west-coast breeze. Jonathan Wilson had an easy going vibe going, he joked with the audience and it was an overall good feeling in the “tent”.
Wilson’s album, Gentle Spirit, have been making huge waves this last year and it was on many best-of-the- year lists in 2011. That said, the evening wasn’t all calm and cool. The band (and what a band, they’re fantastic both individiually and as collectively) frequently manouvered into a heavy rock’n roll groove. Just magnificent.
On the album his music is clearly related to the softer Laurel Canyon sound, cool, melancholic tunes layered in strings and organs, beautiful . In concert, the songs open up in a more “aggressive” way. It’s like Crosby, Stills, Nash and Young with emphasis on Neil Young and I also heard Pink Floyd’s influence on several songs.
It was an absolutely great concert, and we all wanted more when it was over.