Tag Archives: Maggie’s Farm”

September 22: Bob Dylan – Farm Aid, Champaign, Illinois 1985 (videos)

bob Dylan Farm Aid 1985

September 22: Bob Dylan – Farm Aid, Champaign, Illinois 1985 (videos)

Dylan joins Tom Petty and The Heartbreakers (who have just concluded their own set) on stage. Together they launch straight into “Clean-Cut Kid” followed by a blues song called “Shake,” seemingly a Dylan lyric set to the rune of Roy Head’s “Treat Her Right.” Then comes the live debuts of two Empire Burlesque songs, “I’ll Remember You” and “Trust Yourself,” both of which have Dylan dueting with Madelyn Quebec, who is clearly struggling to keep up with his idiosyncratic phrasing. A searing version of “That Lucky 0l’ Sun” follows, before Willie Nelson joins them on guitar for a romp through the highly appropriate “Maggie’s Farm.” Although the American TV broadcast, courtesy of the Nashville Network, manages to omit the first and fifth songs and cut the second, the excitement of the performance comes across, reaffirming Dylan’s power in concert after the very public disaster at “Live Aid ” The buzz from the concert is enough for him to suggest a more longterm collaboration with the Heartbreakers.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

University Of Illinois
Champaign, Illinois
22 September 1985
Farm Aid Concert

  • Bob Dylan (vocal & guitar)
  • Tom Petty (guitar)
  • Mike Campbell (guitar)
  • Benmont Tench (keyboards)
  • Howie Epstein (bass)
  • Stan Lynch (drums)
  • Debra Byrd, Queen Esther Marrow, Madelyn Quebec, Elisecia Wright (backing vocals)

Continue reading September 22: Bob Dylan – Farm Aid, Champaign, Illinois 1985 (videos)

July 17: Bob Dylan: Loreley, West Germany 1981 (Video)

bob dylan 1981
Photo – Jürgen Rosch

Freileichtbühne
Loreley, West Germany
17 July 1981

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June 26: Bob Dylan She Belongs To Me & Maggie’s Farm, Liverpool 1996 (video)

bob dylan liverpool 1996

 

She’s got everything she needs
She’s an artist, she don’t look back
She’s got everything she needs
She’s an artist, she don’t look back
She can take the dark out of the nighttime
And paint the daytime black

Empire
Liverpool, England
26 June 1996

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Continue reading June 26: Bob Dylan She Belongs To Me & Maggie’s Farm, Liverpool 1996 (video)

March 11: Bob Dylan @ Palác kultury, Prague, Czech Republic 1995

Bob Dylan Prague 11 March 1995

 Dylan opens the year with one of the most remarkable performances of the “Never Ending tour,” despite still visible suffering the after effects of the bug (at several points he sits on the drum rise, scrunched up in some discomfort)… the shock of the evening is not in his song selection.. but the fact that he performs almost the entire show without a guitar.. harmonica in hand, making strange shadow-boxing movements, cupping the harmonica to his mouth on nearly every song, blowing his sweetest harp breaks in years.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Concert # 641 of The Never-Ending Tour. First concert of the 1995 European Spring Tour. First concert in 1995.

Kongresový sál
Palác kultury
Prague, Czech Republic
11 March 1995

  • Bob Dylan (vocal & guitar)
  • Bucky Baxter (pedal steel guitar & electric slide guitar)
  • John Jackson (guitar)
  • Tony Garnier (bass)
  • Winston Watson (drums & percussion)

Setlist

  1. Crash On The Levee (Down In The Flood)
  2. If Not For You
  3. All Along The Watchtower

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The Best Dylan Covers: Rage Against The Machine – Maggie’s Farm

Rage_Against_The_Machine_17979

“Maggie’s Farm” is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album Bringing It All Back Home on March 22 of that year. Like many other Dylan songs of the 1965–66 period, “Maggie’s Farm” is based in electric blues. It was released as a single in the United Kingdom on June 4, 1965, and peaked at #22 on the chart.

bob dylan bringing it all back home

The biographical context of the song provides only one of many lenses through which to interpret the text. While some may see “Maggie’s Farm” as a repudiation of the protest-song tradition associated with folk music, it can also (ironically) be seen as itself a deeply political protest song. We are told, for example, that the “National Guard” stands around the farm door, and that Maggie’s mother talks of “Man and God and Law.” The “farm” that Dylan sings of can in this case easily represent racism, state oppression and capitalist exploitation.

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