Tag Archives: New York

Bob Dylan – Troy, New York 27 October 1989 (Videos)

bob dylan 1989

Here we have a good 89-concert from the “Fall US 89 tour”.

#5 – I Want You

Houston Fieldhouse
Rensselaer Polytechnic Institute
Troy, New York
27 October 1989

  1.  Gotta Serve Somebody
  2. What Good Am I?
  3. Ballad Of Hollis Brown
  4. Lenny Bruce
  5. I Want You
  6. I’ll Be Your Baby Tonight
  7. Highway 61 Revisited
  8. Mama, You Been On My Mind
  9. A Hard Rain’s A-Gonna Fall
  10. To Ramona
  11. It Ain’t Me, Babe
  12. Everything Is Broken
  13. It Takes A Lot To Laugh, It Takes A Train To Cry
  14. My Back Pages
  15. I’ll Remember You
  16. I Shall Be Released
  17. Like A Rolling Stone
  18. Disease Of Conceit
  19. Maggie’s Farm
  • 8-11 Bob Dylan (vocal & guitar), G.E. Smith (guitar)
  • 1, 18 Bob Dylan piano
  • 2, 5, 8, 10, 11 Bob Dylan harmonica.

Band:

  • Bob Dylan (vocal & guitar)
  • G. E. Smith (guitar)
  • Tony Garnier (bass)
  • Christopher Parker (drums)

#8 – Mama, You Been On My Mind

The Never Ending Tour 1989 started in Sweden with a performance at Christinehof’s Slottspark on May 22. This was only the fourth time that Dylan had performed in Sweden. He then performed in Finland, his second performance there, before returning to Sweden. He then performed two concerts in Dublin, Ireland, the first time that he had performed there since 1965. Dylan then performed in Glasgow, Scotland his second only performance in the country. The first being in 1966. After performing concerts in Birmingham and London Dylan performed in the Netherlands, Belgium and France, Dylan performed three concerts in Spain, four in Italy, a single concert in Turkey and two concerts in Greece.
After finishing the European tour Dylan returned to the United States performing at many of the same venues that he had performed in the year before, on the first year of the Never Ending Tour. Dylan continued to perform in the United States and Canada until November 15.

Wikipedia

Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Never weak but always strong
To protect you an’ defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

#11 – It Ain’t Me Babe

Troy is a city in the US State of New York and the seat of Rensselaer County. Troy is located on the western edge of Rensselaer County and on the eastern bank of the Hudson River. Troy has close ties to the nearby cities of Albany and Schenectady, forming a region popularly called the Capital District. The city is one of the three major centers for the Albany-Schenectady-Troy Metropolitan Statistical Area (MSA), which has a population of 850,957. At the 2010 census, the population of Troy was 50,129. Troy’s motto is Ilium fuit, Troja est, which means “Ilium was, Troy is”.
Troy is known as the Collar City due to its history in shirt, collar, and other textile production. At one point Troy was also the second largest producer of iron in the country, surpassed only by the city of Pittsburgh, Pennsylvania. The Rensselaer School, which later became Rensselaer Polytechnic Institute, was founded in 1824 with funding from Stephen Van Rensselaer, a descendant of the founding patroon, Kiliaen. In 1821, Emma Willard founded the Troy Female Seminary on 2nd Street, which moved to its current location on Pawling Avenue in 1910. It was renamed Emma Willard School in 1895. The former Female Seminary was later reopened (1916) as Russell Sage College, thanks to funding fromOlivia Slocum Sage, the widow of financier and Congressman Russell Sage. All of these institutions still exist today.troy new yorkHouston Field House is a multi-purpose arena on the campus of Rensselaer Polytechnic Institute (RPI) in Troy, New York. It is the nation’s third-oldest hockey rink, behind Northeastern University’s Matthews Arena and Princeton University’s Hobey Baker Memorial Rink. Further, it is the second-oldest arena in the ECAC Hockey League, behind Princeton’s rink. Until the opening of the Times Union Center in Albany in 1990, it was the largest arena in the Capital Region.hudson field house troyWikipedia

Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow
Ah, but I was so much older then
I’m younger than that now

#14 – My Back Pages

They say ev’rything can be replaced
Yet ev’ry distance is not near
So I remember ev’ry face
Of ev’ry man who put me here
I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released

#16 – I Shall Be Released

Check out:

-Egil

Lou Reed profile

lou-reed

One chord is fine. Two chords are pushing it. Three chords and you’re into jazz.
~Lou Reed

I think that everything happens for a reason, everything happens when it’s going to happen.
~Lou Reed

…he’s often cited as punk’s most important ancestor. It’s often overlooked, though, that he’s equally skilled at celebrating romantic joy, and rock & roll itself, as he is at depicting harrowing urban realities.
~Richie Unterberger

Patti Smith inducts Velvet Underground Rock and Roll Hall of Fame 1996:

Sweet Jane (@ Letterman 1993):

Wikipedia:

Birth name Lewis Allan Reed
Born March 2, 1942 (age 71)
Brooklyn, New York
United States
Genres Rock, experimental rock, art rock, protopunk, noise music, drone music, psychedelic rock, folk rock, glam rock, blue-eyed soul, spoken word
Occupations Musician, songwriter, producer, photographer
Instruments Vocals, guitar, ostrich guitar, bass, synthesizer, keyboards, piano, harmonica, drums, percussion
Years active 1964–present
Labels Matador, MGM, RCA, Sire, Reprise, Warner Bros.
Associated acts The Velvet Underground, John Cale, Nico,David Bowie, The Killers, Mick Ronson, Gorillaz, Laurie Anderson, Peter Gabriel, Metallica, Metric
Website www.loureed.com

Lewis Allan “Lou” Reed (born March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his solo career, which has spanned several decades. Though the Velvet Underground were a commercial failure in the late 1960s, the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era. As the Velvet Underground’s principal songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including sexuality and drug culture.

The-Velvet-Underground

After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with “Walk on the Wild Side”, although he subsequently lacked the mainstream commercial success its chart status seemed to indicate. Reed’s work as a solo artist frustrated critics wishing for a return of the Velvet Underground. In 1975, Reed released a double album of feedback loops, Metal Machine Music, upon which he later commented, “No one is supposed to be able to do a thing like that and survive.”

lou reed

A Walk On The Wild Side (Live at Farm Aid 1985):

 Album of the day:

New York (1989)

lou reed newyork

Other March 02:

Continue reading Lou Reed profile

Blood On The Tracks – 4th Recording Session

On the 3th recording session for Blood On The Tracks on September 18th, Dylan only tried 2 takes on Buckets of Rain. The 4th recording session (on  September 19, 1974) was a way more important story….

Here are some quotes, facts & music….

If any of Dylan’s record albums deserve to be singled out as a “masterpiece” (and I’ve avoided this because how can one leave out ‘Blonde On Blonde’? ‘Highway 61 Revisited’? ‘Hard Rain’?), it is the one that most successfully combines conscious, deliberate creation (composition) with spontaneous expression (performance) – 1974’s ‘Blood On The Tracks’
~Paul Williams (Performing Artist 74-86)

..Dylan.. succeeded in producing an album that stoked up his genius quotient nearly ten years after he was thought to have left it by the roadside. And he had done it by reinventing his whole approach to language. Gone were the surrealistic turns of phrase on Blonde On Blonde, gone was the ‘wild mercury sound’ surrounding those mystical words. In their place was a uniformity of mood, a coherence of sound, and an unmistakable maturity to the voice…. He had never sung better.
~Clinton Heylin (Behind The Shades)

 

Albums involved:

ALBUM Release date CODE
Blood On The Tracks 1975-01-17 BOTT
Biograph 1985-11-07 BIO
The Bootleg Series Volumes 1–3
(Rare & Unreleased) 1961-1991
1991-03-26 TBS1-3
Blood On The Tracks – Test pressing  Nov 74  BOTT-TP
Jerry Maguire – Soundtrack 1996-12-10 JMS

Studio A, A & R Recording, New York City, New York
September 19, 1974, 7 pm-03am

Produced by Bob Dylan
Engineers: Phil Ramone & Glenn Berger (“Phil & Lenn”)

  1. Up To Me
  2. Up To Me
  3. Buckets Of Rain
  4. Buckets Of Rain
  5. Buckets Of Rain
  6. Buckets Of Rain – BOTT & BOTT-TP
    Life is sad
    Life is a bust
    All you can do is do what you must
  7. If You See Her, Say Hello – BOTT-TP
  8. Up To Me
  9. Up To Me
  10. Up To Me
  11. Meet Me In The Morning
  12. Meet Me In The Morning
  13. Buckets Of Rain
  14. Tangled Up In Blue
  15. Tangled Up In Blue
  16. Tangled Up In Blue – BOTT-TP (or 15)
  17. Simple Twist Of Fate
  18. Simple Twist Of Fate
  19. Simple Twist Of Fate – BOTT & BOTT-TP
    ‘Simple Twist of Fate’ is another absolutely extraordinary performance. Where ‘Tangled Up In Blue’ is bright, bouncy, jangly, ‘Simple Twist Of Fate’ is soft and warm and mournful. Dylan’s voice is.. gentle and rounded.
    ~Paul Williams (Performing Artist 74-86)
  20. Up To Me
  21. Up To Me – BIO
    In its own way ‘Up To Me’ is as masterful an achievement as ‘Tangled Up In Blue’, using much the same technique to create a well-crafted juxtaposition of ‘what I know to be the truth’ and what ‘I’m projecting’.
    ~Clinton Heylin (Still On The Road)
  22. Idiot Wind
  23. Idiot Wind
  24. Idiot Wind
  25. Idiot Wind – TBS1-3
  26. You’re A Big Girl Now
  27. Meet Me In The Morning
  28. Meet Me In The Morning
  29. Meet Me In The Morning
  30. Meet Me In The Morning
  31. Meet Me In The Morning
  32. Meet Me In The Morning
  33. Tangled Up In Blue
  34. Tangled Up In Blue
  35. Tangled Up In Blue

“[The real] wonder is in the spaces, in what the artist’s left out of his painting. To me, that has always been the key to Dylan’s art. To state things plainly is the function of journalism; but Dylan sings a more fugitive song: allusive, symbolic, full of imagery and ellipses, and by leaving things out, he allows us the grand privilege of creating along with him. His song becomes our song because we live in those spaces. If we listen, if we work at it, we fill up the mystery, we expand and inhabit the work of art. It is the most democratic form of creation”
~Peter Hamill (liner notes to BOTT)

 

Musicians: 

  • Bob Dylan (guitar, vocal)
  • Tony Brown (bass)

Related articles @ JV:

References:

-Egil

Blood On The Tracks – Second Recording Session


Bob Dylan’s second recording session for Blood On The Tracks continued on  September 17, 1974. Another important day in the studio.

Here are some quotes, facts & music….

We cut the entire album in one day like that. Now that blew my mind. I was 19-years-old and trying to learn how to make art. The style of the time was set by guys I was working with like Paul Simon, who would take weeks recording a guitar part only to throw it away. I thought that was the way one was supposed to do it: one note at a time and a year to make an album. Dylan cut the whole thing in six hours on a Monday night. I was confused. It was like the floor, barely built under my young soul, was being ripped apart, board by board.
Then Dylan came back in on Tuesday, and recorded most of the album again.
~Glenn Berger (Bob Dylan’s Blood On The Tracks: The Untold Story)

Albums involved:

ALBUM Release date CODE
Blood On The Tracks 1975-01-17 BOTT
Biograph 1985-11-07 BIO
Blood On The Tracks – Test pressing  Nov 74  BOTT-TP
Jerry Maguire – Soundtrack 1996-12-10 JMS

 

Studio A, A & R Recording, New York City, New York
September 17, 1974, 7 pm-01am

Produced by Bob Dylan
Engineers: Phil Ramone & Glenn Berger (“Phil & Lenn”)

  1. You’re A Big Girl Now
  2. You’re A Big Girl Now – BIO & BOTT-TP
    You’re A Big Girl Now was pain personified, that pain remaining red raw when he cut the exquisite New York version originally intended for the album (only released ten years later, on Biograph).
    ~Clinton Heylin (from “Still On The Road”)

    Dylan complains in the Biograph notes about “stupid and misleading jerks” (i.e. critics) who have suggested this song is “about my wife”.
    ~Paul Williams (Performing Artist 1974-86) 

  3. Tangled Up In Blue
  4. Unidentified Song
  5. Blues
  6. You’re Gonna Make Me Lonesome When You Go
  7. Shelter From The Storm – JMS
    This first run-through on the seventeenth has no bass accompaniment, possibly because he was showing Brown the song.  Taking a pause to work on other songs, he only returned to ‘Shelter’ later the same evening, wisely deciding the sixth verse added very little to the song.
    ~Clinton Heylin (from “Still On The Road”)

  8. Shelter From The Storm
  9. Buckets Of Rain
  10. Tangled Up In Blue
  11. Buckets Of Rain
  12. Shelter From The Storm
  13. Shelter From The Storm
  14. Shelter From The Storm – BOTT & BOTT-TP
    That word-perfect fifth take survived all the reconfigurations the album underwent, emerging as on of it’s real highlights. And though Dylan went on to perform it a number of different ways – almost always effectively – the nature of the song remained fixed. ~Clinton Heylin (from “Still On The Road”)
  15. You’re Gonna Make Me Lonesome When You Go
  16. You’re Gonna Make Me Lonesome When You Go – BOTT & BOTT-TP

Musicians: 

  • Bob Dylan (guitar, vocal)
  • Tony Brown (bass)
  • Paul Griffin (organ)

Related posts on JV:

References:

-Egil