Tag Archives: New York

Van Morrison – Beacon Theater New York – 30 November 1989 (Concert Video)

van morrison beacon 1989

Great late 80’s VM concert with John Lee Hooker & Mose Allison. Check out “Summertime in England” @ ~30min.

Setlist:

(italic – not included in VHS release & this youtube video)

  1.  I Will Be There
  2. Whenever God Shines His Light
  3. Cleaning Windows
  4. It’s all in the game 
  5. Orangefield
  6. Tore Down A La Rimbaud
  7. When Will I Ever Learn To Live In God
  8. Beautiful Vision
  9. Help Me
  10. Everybody’s Cryin’ Mercy
  11. City Home
  12. Thank God For Self Love
  13. Raglan Road
  14. Carrickfergus
  15. Full Force Gale
  16. Summertime In England
  17. Caravan
  18. Moondance
  19. Fever
  20. Vanlose Stairway > Trans-Euro Train
  21. Star Of The County Down
  22. Northern Muse (Solid Ground) > When Heart Is Open
  23. In The Garden
  24. Have I Told You Lately
  25. These Are The Days
  26. Gloria
  27. It Serves Me Right To Suffer
  28. Boom Boom
  29. She Moves Through The Fair
  30. Buona Sera

Musicians:

  • Van Morrison – vocals
  • Richie Buckley – saxophone
  • Dave Early – drums
  • Georgie Fame – keyboards
  • Steve Gregory – saxophone
  • Bernie Holland – guitar
  • Neil Drinkwater – keyboards
  • Brian Odgers – bass
  • Mose Allison – Vocals
  • John Lee Hooker – Vocals, guitar

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-Egil

Today: Bob Dylan played Jones Beach Theater, Wantagh, New York – 30 June 1988 – 25 years ago

bob dylan wantagh 1988

A very good 88-concert and the sound on the circulating soundboard tape is incredible.

It is concert #15 of the Never Ending Tour & this tour is “labeled” the Interstate 88 Tour, part 1.

Jones Beach Theater
Jones Beach State Park
Wantagh, New York
30 June 1988

Wantagh, New York

Wantagh New York

Wantagh (pronounced /WAHN-taw/) is a hamlet and census-designated place (an unincorporated section of the town of Hempstead) in Nassau County on Long Island, New York, United States. The population of Wantagh was 18,871 at the time of the 2010 census.

Wantagh is known as “The Gateway to Jones Beach“.

bob dylan wantagh 1988 2

Musicians:

  • Bob Dylan (vocal & guitar)
  • G. E. Smith (guitar)
  • Kenny Aaronson (bass)
  • Christopher Parker (drums)

Setlist

  1. Subterranean Homesick Blues
  2. Just Like Tom Thumb’s Blues
  3. You’re A Big Girl Now
  4. Tangled Up In Blue
  5. Masters Of War
  6. I Shall Be Released
  7. Stuck Inside Of Mobile With The Memphis Blues Again
  8. Lakes Of Pontchartrain (trad.)
  9. A Hard Rain’s A-Gonna Fall
  10. Eileen Aroon (trad., arr. Clancy Brothers and Tommy Makem)
    I know a valley fair,
    Eileen Aroon
    I know a cottage there
    Eileen Aroon
    Far in the valley shade I know a tender maid
    Flow’r of the hazel glade, Eileen Aroon
  11. Boots Of Spanish Leather
  12. Silvio (Bob Dylan & Robert Hunter)
  13. Gates Of Eden
  14. Like A Rolling Stone
  15. The Times They Are A-Changin’
  16. All Along The Watchtower
  17. Maggie’s Farm

Jones Beach Theater

joneas park theatre

 

Address 1000 Ocean Parkway
Wantagh, New York 11793
Location Jones Beach State Park
Type Amphitheatre
Opened 1952
Renovated 1992
Expanded 1998
Former name(s) Jones Beach Marine Theater(1952-94)
Jones Beach Amphitheater (1994-2000)
Jones Beach Theater (2000-02)
Tommy Hilfiger at Jones Beach Theater (2002-06)
Capacity 15,000

 

bob dylan wantagh 1988 3

 

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Continue reading Today: Bob Dylan played Jones Beach Theater, Wantagh, New York – 30 June 1988 – 25 years ago

Bob Dylan – Troy, New York 27 October 1989 (Videos)

bob dylan 1989

Here we have a good 89-concert from the “Fall US 89 tour”.

#5 – I Want You

Houston Fieldhouse
Rensselaer Polytechnic Institute
Troy, New York
27 October 1989

  1.  Gotta Serve Somebody
  2. What Good Am I?
  3. Ballad Of Hollis Brown
  4. Lenny Bruce
  5. I Want You
  6. I’ll Be Your Baby Tonight
  7. Highway 61 Revisited
  8. Mama, You Been On My Mind
  9. A Hard Rain’s A-Gonna Fall
  10. To Ramona
  11. It Ain’t Me, Babe
  12. Everything Is Broken
  13. It Takes A Lot To Laugh, It Takes A Train To Cry
  14. My Back Pages
  15. I’ll Remember You
  16. I Shall Be Released
  17. Like A Rolling Stone
  18. Disease Of Conceit
  19. Maggie’s Farm
  • 8-11 Bob Dylan (vocal & guitar), G.E. Smith (guitar)
  • 1, 18 Bob Dylan piano
  • 2, 5, 8, 10, 11 Bob Dylan harmonica.

Band:

  • Bob Dylan (vocal & guitar)
  • G. E. Smith (guitar)
  • Tony Garnier (bass)
  • Christopher Parker (drums)

#8 – Mama, You Been On My Mind

The Never Ending Tour 1989 started in Sweden with a performance at Christinehof’s Slottspark on May 22. This was only the fourth time that Dylan had performed in Sweden. He then performed in Finland, his second performance there, before returning to Sweden. He then performed two concerts in Dublin, Ireland, the first time that he had performed there since 1965. Dylan then performed in Glasgow, Scotland his second only performance in the country. The first being in 1966. After performing concerts in Birmingham and London Dylan performed in the Netherlands, Belgium and France, Dylan performed three concerts in Spain, four in Italy, a single concert in Turkey and two concerts in Greece.
After finishing the European tour Dylan returned to the United States performing at many of the same venues that he had performed in the year before, on the first year of the Never Ending Tour. Dylan continued to perform in the United States and Canada until November 15.

Wikipedia

Go ’way from my window
Leave at your own chosen speed
I’m not the one you want, babe
I’m not the one you need
You say you’re lookin’ for someone
Never weak but always strong
To protect you an’ defend you
Whether you are right or wrong
Someone to open each and every door
But it ain’t me, babe
No, no, no, it ain’t me, babe
It ain’t me you’re lookin’ for, babe

#11 – It Ain’t Me Babe

Troy is a city in the US State of New York and the seat of Rensselaer County. Troy is located on the western edge of Rensselaer County and on the eastern bank of the Hudson River. Troy has close ties to the nearby cities of Albany and Schenectady, forming a region popularly called the Capital District. The city is one of the three major centers for the Albany-Schenectady-Troy Metropolitan Statistical Area (MSA), which has a population of 850,957. At the 2010 census, the population of Troy was 50,129. Troy’s motto is Ilium fuit, Troja est, which means “Ilium was, Troy is”.
Troy is known as the Collar City due to its history in shirt, collar, and other textile production. At one point Troy was also the second largest producer of iron in the country, surpassed only by the city of Pittsburgh, Pennsylvania. The Rensselaer School, which later became Rensselaer Polytechnic Institute, was founded in 1824 with funding from Stephen Van Rensselaer, a descendant of the founding patroon, Kiliaen. In 1821, Emma Willard founded the Troy Female Seminary on 2nd Street, which moved to its current location on Pawling Avenue in 1910. It was renamed Emma Willard School in 1895. The former Female Seminary was later reopened (1916) as Russell Sage College, thanks to funding fromOlivia Slocum Sage, the widow of financier and Congressman Russell Sage. All of these institutions still exist today.troy new yorkHouston Field House is a multi-purpose arena on the campus of Rensselaer Polytechnic Institute (RPI) in Troy, New York. It is the nation’s third-oldest hockey rink, behind Northeastern University’s Matthews Arena and Princeton University’s Hobey Baker Memorial Rink. Further, it is the second-oldest arena in the ECAC Hockey League, behind Princeton’s rink. Until the opening of the Times Union Center in Albany in 1990, it was the largest arena in the Capital Region.hudson field house troyWikipedia

Crimson flames tied through my ears
Rollin’ high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
“We’ll meet on edges, soon,” said I
Proud ’neath heated brow
Ah, but I was so much older then
I’m younger than that now

#14 – My Back Pages

They say ev’rything can be replaced
Yet ev’ry distance is not near
So I remember ev’ry face
Of ev’ry man who put me here
I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released

#16 – I Shall Be Released

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-Egil

Lou Reed profile

lou-reed

One chord is fine. Two chords are pushing it. Three chords and you’re into jazz.
~Lou Reed

I think that everything happens for a reason, everything happens when it’s going to happen.
~Lou Reed

…he’s often cited as punk’s most important ancestor. It’s often overlooked, though, that he’s equally skilled at celebrating romantic joy, and rock & roll itself, as he is at depicting harrowing urban realities.
~Richie Unterberger

Patti Smith inducts Velvet Underground Rock and Roll Hall of Fame 1996:

Sweet Jane (@ Letterman 1993):

Wikipedia:

Birth name Lewis Allan Reed
Born March 2, 1942 (age 71)
Brooklyn, New York
United States
Genres Rock, experimental rock, art rock, protopunk, noise music, drone music, psychedelic rock, folk rock, glam rock, blue-eyed soul, spoken word
Occupations Musician, songwriter, producer, photographer
Instruments Vocals, guitar, ostrich guitar, bass, synthesizer, keyboards, piano, harmonica, drums, percussion
Years active 1964–present
Labels Matador, MGM, RCA, Sire, Reprise, Warner Bros.
Associated acts The Velvet Underground, John Cale, Nico,David Bowie, The Killers, Mick Ronson, Gorillaz, Laurie Anderson, Peter Gabriel, Metallica, Metric
Website www.loureed.com

Lewis Allan “Lou” Reed (born March 2, 1942) is an American rock musician, songwriter, and photographer. He is best known as guitarist, vocalist, and principal songwriter of The Velvet Underground, and for his solo career, which has spanned several decades. Though the Velvet Underground were a commercial failure in the late 1960s, the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era. As the Velvet Underground’s principal songwriter, Reed wrote about subjects of personal experience that rarely had been examined so openly in rock and roll, including sexuality and drug culture.

The-Velvet-Underground

After his departure from the group, Reed began a solo career in 1971. He had a hit the following year with “Walk on the Wild Side”, although he subsequently lacked the mainstream commercial success its chart status seemed to indicate. Reed’s work as a solo artist frustrated critics wishing for a return of the Velvet Underground. In 1975, Reed released a double album of feedback loops, Metal Machine Music, upon which he later commented, “No one is supposed to be able to do a thing like that and survive.”

lou reed

A Walk On The Wild Side (Live at Farm Aid 1985):

 Album of the day:

New York (1989)

lou reed newyork

Other March 02:

Continue reading Lou Reed profile

Blood On The Tracks – 4th Recording Session

On the 3th recording session for Blood On The Tracks on September 18th, Dylan only tried 2 takes on Buckets of Rain. The 4th recording session (on  September 19, 1974) was a way more important story….

Here are some quotes, facts & music….

If any of Dylan’s record albums deserve to be singled out as a “masterpiece” (and I’ve avoided this because how can one leave out ‘Blonde On Blonde’? ‘Highway 61 Revisited’? ‘Hard Rain’?), it is the one that most successfully combines conscious, deliberate creation (composition) with spontaneous expression (performance) – 1974’s ‘Blood On The Tracks’
~Paul Williams (Performing Artist 74-86)

..Dylan.. succeeded in producing an album that stoked up his genius quotient nearly ten years after he was thought to have left it by the roadside. And he had done it by reinventing his whole approach to language. Gone were the surrealistic turns of phrase on Blonde On Blonde, gone was the ‘wild mercury sound’ surrounding those mystical words. In their place was a uniformity of mood, a coherence of sound, and an unmistakable maturity to the voice…. He had never sung better.
~Clinton Heylin (Behind The Shades)

 

Albums involved:

ALBUM Release date CODE
Blood On The Tracks 1975-01-17 BOTT
Biograph 1985-11-07 BIO
The Bootleg Series Volumes 1–3
(Rare & Unreleased) 1961-1991
1991-03-26 TBS1-3
Blood On The Tracks – Test pressing  Nov 74  BOTT-TP
Jerry Maguire – Soundtrack 1996-12-10 JMS

Studio A, A & R Recording, New York City, New York
September 19, 1974, 7 pm-03am

Produced by Bob Dylan
Engineers: Phil Ramone & Glenn Berger (“Phil & Lenn”)

  1. Up To Me
  2. Up To Me
  3. Buckets Of Rain
  4. Buckets Of Rain
  5. Buckets Of Rain
  6. Buckets Of Rain – BOTT & BOTT-TP
    Life is sad
    Life is a bust
    All you can do is do what you must
  7. If You See Her, Say Hello – BOTT-TP
  8. Up To Me
  9. Up To Me
  10. Up To Me
  11. Meet Me In The Morning
  12. Meet Me In The Morning
  13. Buckets Of Rain
  14. Tangled Up In Blue
  15. Tangled Up In Blue
  16. Tangled Up In Blue – BOTT-TP (or 15)
  17. Simple Twist Of Fate
  18. Simple Twist Of Fate
  19. Simple Twist Of Fate – BOTT & BOTT-TP
    ‘Simple Twist of Fate’ is another absolutely extraordinary performance. Where ‘Tangled Up In Blue’ is bright, bouncy, jangly, ‘Simple Twist Of Fate’ is soft and warm and mournful. Dylan’s voice is.. gentle and rounded.
    ~Paul Williams (Performing Artist 74-86)
  20. Up To Me
  21. Up To Me – BIO
    In its own way ‘Up To Me’ is as masterful an achievement as ‘Tangled Up In Blue’, using much the same technique to create a well-crafted juxtaposition of ‘what I know to be the truth’ and what ‘I’m projecting’.
    ~Clinton Heylin (Still On The Road)
  22. Idiot Wind
  23. Idiot Wind
  24. Idiot Wind
  25. Idiot Wind – TBS1-3
  26. You’re A Big Girl Now
  27. Meet Me In The Morning
  28. Meet Me In The Morning
  29. Meet Me In The Morning
  30. Meet Me In The Morning
  31. Meet Me In The Morning
  32. Meet Me In The Morning
  33. Tangled Up In Blue
  34. Tangled Up In Blue
  35. Tangled Up In Blue

“[The real] wonder is in the spaces, in what the artist’s left out of his painting. To me, that has always been the key to Dylan’s art. To state things plainly is the function of journalism; but Dylan sings a more fugitive song: allusive, symbolic, full of imagery and ellipses, and by leaving things out, he allows us the grand privilege of creating along with him. His song becomes our song because we live in those spaces. If we listen, if we work at it, we fill up the mystery, we expand and inhabit the work of art. It is the most democratic form of creation”
~Peter Hamill (liner notes to BOTT)

 

Musicians: 

  • Bob Dylan (guitar, vocal)
  • Tony Brown (bass)

Related articles @ JV:

References:

-Egil