Tag Archives: recording Session

March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966




blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)

bob dylan al kooper 1966

Columbia Music Row Studios
Nashville, Tennessee
9-10 March 1966

Produced by Bob Johnston

Songs:

Continue reading March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966

March 8: Bob Dylan’s third Oh Mercy recording session in 1989





bob dylan Oh-Mercy

“Most of them are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, Sept 1989)

The Studio
New Orleans, Louisiana
8 March 1989
Third Oh Mercy recording session, produced by Daniel Lanois

Continue reading March 8: Bob Dylan’s third Oh Mercy recording session in 1989

February 13: Bob Dylan – 2nd Nashville Skyline recording session 1969

bob dylan nashville skyline

Well, Jann, I’ll tell you something. There’s not too much of a change in my singing style, but I’ll tell you something which is true… I stopped smoking. When I stopped smoking my voice changed… So drastically, I couldn’t believe it myself. That’s true. I tell you, you stop smoking those cigarettes (laughter)… and you’ll be able to sing like Caruso.
~Bob Dylan (to Jann Wenner Nov 1969)

Anyway, on Nashville Skyline you had to read between the lines. I was trying to grasp something that would lead me on to where I thought I should be, and it didn’t go nowhere – it just went down, down, down.
~Bob Dylan (to Jonathan Cott, Sept 1978)

The first recording session for “Nashville Skyline” was held on February 12, 1969 – but no recordings sheets are available from this session. The second session took place the day after – February 13, 1969. Dylan landed 3 master versions this evening.

Continue reading February 13: Bob Dylan – 2nd Nashville Skyline recording session 1969

Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990





bob dylan under the red sky

I made this record, Under the Red Sky, with Don Was, but at the same time I was also doing the Wilburys record. I don’t know how it happened that I got into both albums at the same time.
~Bob Dylan (to Jonathan Lethem, Aug 2006)

It’s a magnificent album, really, and I love every performance on it.
~Paul Williams (from Bob Dylan: Mind Out of Time – Performing Artist 1986-1990 and Beyond)

Oceanway Studios
Los Angeles, California
6 January 1990
Produced by Don Was, David Was and Jack Frost

Continue reading Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990

Dec 30: Bob Dylan Blood On The Tracks, 6th & final recording session 1974





blood-on-the-tracks-album-cover

The second session @ Minneapolis’ Sound 80 Studios, and the last recording session for “Blood On The Tracks”.

With the first session being a success, Dylan was more relaxed for this session. He knew & trusted the people he was working with. He was also more open to suggestions. The first song he wanted to try was the pivotal “Tangled Up In Blue”; the master take here proved to even top the brilliant New York version.

In New York “Tangled Up In Blue” had been recorded in the key of E (open tuning configuration), in Minneapolis Dylan first tried it in the key of G. Odegard then suggested: “..I think it would be better, livelier, if we moved it up to A with capos. It would kick ass up a notch” (quote from the book “A Simple Twist of Fate: Bob Dylan and the Making of Blood on the Tracks”). And so they did.. & the master take of one of the greatest songs in history was recorded.

Sound 80 Studio
Minneapolis, Minnesota
30 December 1974 
6th and last Blood On The Tracks recording session

Producer: David Zimmerman
Engineer: Paul Martinson

Continue reading Dec 30: Bob Dylan Blood On The Tracks, 6th & final recording session 1974