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June 9: Bob Dylan – Another Side Of Bob Dylan recording session in 1964

another side of Bob Dylan

“I wrote my fourth album [“Another Side of Bob Dylan”] in Greece, but that was still an American album.”
~Bob Dylan (to Robert Shelton June 1978)

“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)

In May Dylan went to London for a concert at the Royal Festival Hall. Afterwards he and Victor Maimudes visited Paris and a small town in Greece, where Dylan worked on songs for his next album. Back in New York, June· 9, 1964, Dylan went into the recording studio with Tom Wilson, a couple of bottles of wine, and a small crowd of friends, and recorded his entire fourth album, Another Side of Bob Dylan, in a single evening.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

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April 24: Bob Dylan: The 8th and last Freewheelin’ Bob Dylan session 1963




bob dylan freewheelin

 Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)

Dylan nailed 5 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.

bob dylan freewheelin shots

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March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966




blonde on blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)

He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)

bob dylan al kooper 1966

Columbia Music Row Studios
Nashville, Tennessee
9-10 March 1966

Produced by Bob Johnston

Songs:

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March 8: Bob Dylan’s third Oh Mercy recording session in 1989





bob dylan Oh-Mercy

“Most of them are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, Sept 1989)

The Studio
New Orleans, Louisiana
8 March 1989
Third Oh Mercy recording session, produced by Daniel Lanois

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February 13: Bob Dylan – 2nd Nashville Skyline recording session 1969

bob dylan nashville skyline

Well, Jann, I’ll tell you something. There’s not too much of a change in my singing style, but I’ll tell you something which is true… I stopped smoking. When I stopped smoking my voice changed… So drastically, I couldn’t believe it myself. That’s true. I tell you, you stop smoking those cigarettes (laughter)… and you’ll be able to sing like Caruso.
~Bob Dylan (to Jann Wenner Nov 1969)

Anyway, on Nashville Skyline you had to read between the lines. I was trying to grasp something that would lead me on to where I thought I should be, and it didn’t go nowhere – it just went down, down, down.
~Bob Dylan (to Jonathan Cott, Sept 1978)

The first recording session for “Nashville Skyline” was held on February 12, 1969 – but no recordings sheets are available from this session. The second session took place the day after – February 13, 1969. Dylan landed 3 master versions this evening.

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