Freewheelin’ in it’s released form is essentially a “best of” from one of the most creative years in Dylan’s life. The lag between sessions resulted in an album whose sound metamorphosed at least twice.
~Clinton Heylin (BD – The Recording Sessions)
Dylan nailed 5 master versions for “The Freewheelin’ Bob Dylan” @ this important recording session.
Continue reading April 24: Bob Dylan: The 8th and last Freewheelin’ Bob Dylan session 1963
The closest I ever got to the sound I hear in my mind was on individual bands in the Blonde on Blonde album. It’s that thin, that wild mercury sound. It’s metallic and bright gold, with whatever that conjures up. That’s my particular sound.
~Bob Dylan (to Ron Rosenbaum – Nov 1977)
He had a piano in his room at the hotel and during the day I would go up there and he would teach me a song. I would be like a cassette machine. I would play the song over and over on the piano for him. This served a double purpose. One, he could concentrate on writing the lyrics and didn’t have to mess with playing the piano; two, I could go to the studio early that night and teach it to the band before he even got there, so they could be playing the song before he even walked through the door.
~Al Kooper (talking about BoB recording sessions)
Columbia Music Row Studios
9-10 March 1966
Produced by Bob Johnston
Continue reading March 9: Bob Dylan’s 10th (and final) Blonde On Blonde recording session in 1966
“Most of them are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, Sept 1989)
New Orleans, Louisiana
8 March 1989
Third Oh Mercy recording session, produced by Daniel Lanois
Continue reading March 8: Bob Dylan’s third Oh Mercy recording session in 1989
Well, Jann, I’ll tell you something. There’s not too much of a change in my singing style, but I’ll tell you something which is true… I stopped smoking. When I stopped smoking my voice changed… So drastically, I couldn’t believe it myself. That’s true. I tell you, you stop smoking those cigarettes (laughter)… and you’ll be able to sing like Caruso.
~Bob Dylan (to Jann Wenner Nov 1969)
Anyway, on Nashville Skyline you had to read between the lines. I was trying to grasp something that would lead me on to where I thought I should be, and it didn’t go nowhere – it just went down, down, down.
~Bob Dylan (to Jonathan Cott, Sept 1978)
The first recording session for “Nashville Skyline” was held on February 12, 1969 – but no recordings sheets are available from this session. The second session took place the day after – February 13, 1969. Dylan landed 3 master versions this evening.
Continue reading February 13: Bob Dylan – 2nd Nashville Skyline recording session 1969
I made this record, Under the Red Sky, with Don Was, but at the same time I was also doing the Wilburys record. I don’t know how it happened that I got into both albums at the same time.
~Bob Dylan (to Jonathan Lethem, Aug 2006)
It’s a magnificent album, really, and I love every performance on it.
~Paul Williams (from Bob Dylan: Mind Out of Time – Performing Artist 1986-1990 and Beyond)
Los Angeles, California
6 January 1990
Produced by Don Was, David Was and Jack Frost
Continue reading Jan 6: Bob Dylan – First recording session for “Under The Red Sky” in 1990