Fantastic material. … The sound quality of the recording is as true and clean as any ever made along the Rolling Thunder tour. The vocals are crisp, powerful, and on top of the mix. All instruments are well balanced and represented in the overall sound.
The 11th recording made along the tour, this show was recorded on the 11th day of the 11th month …. and what a magical mystery tour it is. The complex, though loose weaving and interacting of the instruments and vocals create a beautiful tapestry that will not be matched on any tour before or since. With the ‘Desire’ album to be released in a few weeks, Bob relies heavily on it for the show material. The cryptic songs of desire and despair add another layer to the thick blanket of mythography that is, was, and will forever be ‘Rolling Thunder’. …. The obscure title comes from Dylan’s introduction of the song ‘Sara’. “We want to do this one for Larry, our favorite reporter, who’s out there somewhere. He tells it like it is.”
The Dylan/Baez set 1s extended to five songs. Tonight’s set includes the version of “The Water Is Wide” used as back- ground in the “Renaldo, Clara, and the Woman in White” scene. The concert is filmed for Renaldo and Clara. However, no footage is used, probably because Dylan uses no white face makeup, for the only time on the tour.
-Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
11 November 1975
Bob Dylan (vocal, guitar)
Bob Neuwirth (guitar)
T-bone J. Henry Burnett (guitar)
Roger McGuinn (guitar)
Steven Soles (guitar)
Mick Ronson (guitar)
David Mansfield (steel guitar, violin, mandolin ,dobro)
@ Columbia Studio 1 in New York City, New York – 24 October 1975: Bob Dylan’s 6th and last Desire recording session, produced by Don DeVito.
In this session he tried Hurricane 10 times, no other songs were tried.
A splice of takes 2 & 6 was released on his great album “Desire” – 16 January 1976.
Pistol shots ring out in the barroom night
Enter Patty Valentine from the upper hall
She sees the bartender in a pool of blood
Cries out, “My God, they killed them all!”
Here comes the story of the Hurricane
The man the authorities came to blame
For somethin’ that he never done
Put in a prison cell, but one time he could-a been
The champion of the world
The last three songs on the album (“You’re a Big Girl Now,” “I Threw It All Away,” and “Idiot Wind“) are as powerful and exciting as anything Dylan has done (comparable, for instance, to the May 1966 versions of “Ballad of a Thin Man” and “Like a Rolling Stone”). As phenomenal as every aspect of each of these performances is, the unique orchestration of guitars, keyboards, violin, drums and voice on “Big Girl” must be singled out for particular praise. Stoner’s bass-playing while Dylan sings “Down the highway, down the tracks, down the road to ecstacy” on “Idiot Wind” will have a special place in my heart as long as I live.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)
Fantastic concert from the penultimate show of Rolling Thunder Revue 2. Five songs from this show were chosen to be included on Bob Dylan’s brilliant live album “Hard Rain”: Maggie’s Farm, One Too Many Mornings, Shelter from the Storm, You’re a Big Girl Now & Idiot Wind.
Hughes Stadium Colorado State University Fort Collins, Colorado 23 May 1976
..Dylan starts his portion of the show off nicely by himself armed with an acoustic guitar. Other highlights include the only tour appearance of Love Minus Zero / No Limit, and the Desire tracks, along with the only known performance of Rita May.
Another GREAT 1976 concert, and the only known concert performance of Rita May.
New Orleans, Louisiana
3 May 1976 – Evening
Bob Dylan (guitar & vocal).
3-16 Scarlet Rivera (violin)
T-bone J. Henry Burnette (guitar & piano)
Steven Soles (guitar)
Mick Ronson (guitar)
Bobby Neuwirth (guitar & vocal)
Roger McGuinn (guitar & vocal)
David Mansfield (steel guitar, mandolin, violin & dobro)
April 22: Bob Dylan Just Like A Woman, Clearwater, Florida 1976 (Video)
Nobody feels any pain
Tonight as I stand inside the rain
That Baby’s got new clothes
But lately I see her ribbons and her bows
Have fallen from her curls
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl
Starlight Ballroom Belleview Biltmore Hotel Clearwater, Florida 22 April 1976 – Evening