“On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.”
~Bob Dylan (to Robert Hilburn – May 1978)
Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.
First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.
The first & second recording session (April 25 & 26) did not produce much (probably only a master of “We Better Talk This Over”), but on this sessions we (probably) got 4 masters: No Time To Think, Where Are You Tonight? (Journey Through Dark Heat), True Love Tends To Forget & Changing Of The Guards.
Continue reading April 27: Bob Dylan 3rd Street-Legal recording session, 27 April 1978
Bob Dylan’s Street-Legal covered
Street-Legal is the eighteenth studio album by Bob Dylan, released on June 15, 1978 by Columbia Records. The album was a serious musical departure for Dylan, who uses a large pop-rock band—complete with female backing vocalists—for the first time. Not his most critically acclaimed album, but I know a lot of people who loves it dearly.
The originals are better, I agree, but I love to hear what other artists can do with such great material.
My favorites are Ian Hunter, Patti Smith and Jerry Garcia.
Other entries in the series:
Highway 61 Revisited covered
Blood on the Tracks covered
Oh Mercy covered
Changing of the guards – Patti Smith:
Continue reading Bob Dylan’s Street-Legal covered
April 23: Bob Dylan at Budokan was released in 1979
The Budokan album was only supposed to be for Japan. They twisted my arm to do a live album for Japan. It was the same band I used on Street Legal, and we had just started findin’ our way into things on that tour when they recorded it. I never meant for it to be any type of representation of my stuff or my band or my live show.
~Bob Dylan (to Kurt Loder – March 1984)
I believe this double LP was made available so our hero could boast of being outclassed by Cheap Trick, who had the self-control to release but a single disc from this location.
~Robert Christgau (robertchristgau.com)
Released 37 years ago today (April 23).
The album was slaughtered by many critics.. especially in the US.
“The writers complain the show’s disco or Las Vegas. I don’t know how they came up with those theories. We never heard them when we played Australia or Japan or Europe. It’s like someone made it up in one town and the writer in the next town read it. I don’t know what the reviewers mean half the time. I don’t even care.”
~Bob Dylan (to Robert Hilburn – Nov 1978)
Continue reading April 23: Bob Dylan at Budokan was released in 1979