“Hey Joe” is an American popular song from the 1960s that has become a rock standard and as such has been performed in many musical styles by hundreds of different artists. “Hey Joe” tells the story of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. However, diverse credits and claims have led to confusion as to the song’s true authorship and genesis. The earliest known commercial recording of the song is the late-1965 single by the Los Angeles garage band The Leaves; the band then re-recorded the track and released it in 1966 as a follow-up single which became a hit.
From the filming of Willie Nelson 60th birthday party.
Jesse H. Jones Communication Center Building B
The University of Texas At Austin
28 April 1993
‘Cross the Green Mountain by Bob Dylan
”Memories linger, sad yet sweet/And I think of the souls in heaven who we’ll meet”
‘Cross the Green Mountain was written for the soundtrack of Gods and Generals, a Civil War TV series, in this very well constructed ballad Dylan puts himself in the mind of a Civil War soldier (a dying man). I’m not sure that it was written specifically for the movie or if Dylan had written it earlier and found use for it now, it’s hard to say. The mood is strikingly brought forward by his band, rolling along like in so many of his long and significant tunes. It is a major work of art, it deserved a better fate than to be tucked away on the bootleg series or on a TV-soundtrack!
I do not pretend to have the complete meaning to the song or found all the references Bob Dylan has used, so please enlighten me in the comments section. When I get enough new information I will update the post.
Check also out:
Analysis of Dylan’s Scarlet Town
Ain’t it just like the night to play tricks when you’re tryin’ to be so quiet?
We sit here stranded, though we’re all doin’ our best to deny it
And Louise holds a handful of rain, temptin’ you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there’s nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind