Stanhope, New Jersey
10 September 1988
- Bob Dylan (vocal & guitar)
- G. E. Smith (guitar)
- Kenny Aaronson (bass)
- Christopher Parker (drums)
Shine your light
You burned so bright
Roll on, John
Three years have gone since we was offered Tempest from Bob Dylan, it still sounds great.
Tempest is the thirty-fifth studio album by Dylan, released on September 7 to 11 (different countries and continents), 2012 . The album was recorded at Jackson Browne’s Groove Masters Studios in Santa Monica, California. Dylan wrote all of the songs himself with the exception of the track “Duquesne Whistle”, which he co-wrote with Robert Hunter.
Tempest was very well received by contemporary music critics, who praised its traditional music influences and Dylan’s dark lyrics. The album peaked at number three on the Billboard 200.
The album’s title initially spurred rumors that it would be Dylan’s final album, based on its similarity to the title of Shakespeare’s final play.
Dylan later responded:
“Shakespeare’s last play was called The Tempest. It wasn’t called just plain “Tempest”. The name of my record is just plain Tempest. It’s two different titles.”
Some facts from Wikipedia:
|Released||From September 7 to September 11, 2012|
|Recorded||January–March 2012 at Groove Masters Studios in Santa Monica, California|
|Genre||Rock, folk rock|
Here are three tracks from Tempest (with my analysis, sort of…):
“For me, after listening to it for two days, the most obvious masterpiece on Bob Dylan’s new album is the murder ballad, Tin Angel. It’s a story-song, the kind Dylan has done so magnificently many times before. Cross the Green Mountain, Tweeter and the Monkey Man and Brownsville Girl springs to mind. They are extremely cinematic songs and they tell a story over many verses. Another song that pops up in my head is the wonderful story of Spanish Jack by Willy DeVille, not very like in sound but in tone.” Read More…
Pay in Blood
“Bob Dylan says the stigma of slavery ruined America and he doubts the country can get rid of the shame because it was “founded on the backs of slaves.”
Bob Dylan told in a recent interview with Rolling Stone Magazine that in America “people are at each other’s throats just because they are of a different color, it will hold any nation back.” He went on to say that black people know that some white people “didn’t want to give up slavery.”” Read more…
“The song feels like a mash of several songs, and that’s actually what it is. He draws inspiration from the old ballad Barbara Allen, but he just uses it as a framework to tell an even more sinister tale. The new parts of the song also feels like a split between two different songs, one set in biblical times and the other addressing the state of USA/The Western world today.” Read more…
First live performance: The Home Of Eve and Mac MacKenzie
New York City, New York – September 1962
Last live performance: Firefly Festival, Dover – June 17, 2017
The Man in Me has been performed:
First live performance:
Last live performance: