Nov 18: Bob Dylan at Santa Monica, CA - 1979

Nov 18: Bob Dylan at Santa Monica, CA – 1979

Thank you. I suppose you’ve been reading the newspapers and watching the TV? And you see how much trouble this world is in. Madmen running loose everywhere. Anyway we, we’re not worried about that though — it doesn’t bother us — because we know this world is going to be destroyed. Christ will set up his kingdom for a thousand years in Jerusalem where the lion will lie down with the lamb — we know this is true. No doubt about it. So, it’s a slow train coming. It’s been coming for a long time, but it’s picking up speed.
~Bob Dylan(before Slow Train – Santa Monica first show 1979)

The first gospel tour (Nov 1, 1979 – Dec 9, 1979) might be the best of the the three gospel tours, here is a wonderful show from – first of four @ Santa Monica.

And we love the Gospel tours !

Civic Auditorium
Santa Monica, California
18 November 1979

Bob Dylan (vocal & guitar)
Fred Tackett (guitar)
Spooner Oldham (keyboards)
Tim Drummond (bass)
Terry Young (keyboards)
Jim Keltner (drums)
Regina Mcrary , Helena Springs , Mona Lisa Young (background vocals)

Gotta Serve Somebody
I Believe In You
When You Gonna Wake Up
When He Returns
Man Gave Names To All The Animals
Precious Angel

Thank you. I suppose you’ve been reading the newspapers and watching the TV? And you see how much trouble this world is in. Madmen running loose everywhere. Anyway we, we’re not worried about that though — it doesn’t bother us — because we know this world is going to be destroyed. Christ will set up his kingdom for a thousand years in Jerusalem where the lion will lie down with the lamb — we know this is true. No doubt about it. So, it’s a slow train coming. It’s been coming for a long time, but it’s picking up speed.
Slow Train
Covenant Woman

–
Gonna Change My Way Of Thinking
Do Right To Me Baby (Do Unto Others)

I don’t know what kind of God you believe in, but I believe in a God that can raise the dead. Will raise the dead, does raise the dead, all the time. This song is called hanging on to a Solid Rock Made Before The Foundation Of The World.
Solid Rock
Saving Grace

All right, you know Satan, he . . . We wrestle now against flesh and blood, but it’s all happening at a spiritual level. [audience: “Like A Rolling Stone!”] Satan is called the god of this world and, as you look around, you have much proof to see that he really is the god of this world. But, for those of you who don’t know . . . I’d be curious to know, how many of you do know or, how many of you don’t know, that Satan himself has been defeated at the cross? Does everybody know that? [cheers] Huh, at least, ah, at least we’re not alone!
Saved (Bob Dylan/Tim Drummond)
What Can I Do For You?
In The Garden

—
All right on the keyboards tonight, give him a warm hand, Spooner Oldham. All right, on the other set of keyboards and backup vocals, Terry Young. Playing the drums tonight, Jim Keltner. On lead guitar, Fred Tackett. On bass guitar, electric bass guitar, Mr. Tim Drummond. Singing on the bottom tonight, Miss Helena Springs. Singing in the middle, Regina McCreary. And singing on top, give her a warm hand, Mona Lisa Young. All right, you know this wasn’t a concert in a normal kind of sense. This was, really, to give all the praise and glory to God — we mean to do that. Because we believe we don’t deserve any praise
Blessed Be The Name
Pressing On

Original JEMS recording notes:

JEMS is pleased to release the fifth in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77.

Installment No. 5 jumps ahead 17 months but a world apart, as Dylan has converted to Christianity and taken to the road with a set of all new gospel-tinged material, completely ignoring his musical past in deference to his enlightened present.

The Gospel Tour, as it is known, began November 1 at the Fox Warfield Theatre in San Francisco, where Dylan kicked off a 14-night residency. This concert in Santa Monica was the first show that followed the Warfield run and opening night of four in the Los Angeles area. Other than going electric, I would posit there is no other moment in Dylan’s career that reverberated like this seemingly out-of-nowhere shift into what might best be described as a musical tent revival with Bob himself as preacher and soul saver. And because of that, the Gospel Tour is divisive: For some fans, it was the jumping off point; for others, they climbed aboard the slow train coming.

Dylan’s on-stage dialogue at times sparked confrontations with an audience that, by and large, wasn’t sure how to reconcile what they were seeing and hearing with all that came before it. I didn’t see the Gospel Tour in person; my first Dylan show was still six years away. As such, the radical shift that took place in 1979 doesn’t have the same impact for me when revisited in hindsight. On its own merits, the Gospel Tour offers richly satisfying performances and a focused Dylan who was leading the crusade every night.

And talk about a set list that challenged his audience. Dylan didn’t perform a single song from his back catalog, instead filling the set with all eight songs from Slow Train Coming; another seven from its companion, Saved, which would be released the following year; the still unreleased “Blessed Be the Name”; plus several gospel numbers performed by the show’s back-up singers: Regina Havis, Helena Springs and Mona Lisa Young.

To our ears, Millard nails it this night. As usual, he’s close to the PA with a quiet crowd around him, and the AKGs + Uher yield a great pull in his capable hands. It is a pleasure to listen to.

Lossless Bob has six entries for this show which tie back to two underlying recordings. In this case, Millard’s tape does match the complete recording from which the bootleg Live By Faith was derived. So instead of an uncirculated source, we have an upgrade, and while the bootleg and circulating copies are very good, we think you’ll find this fresh, first-generation transfer from reel sharper and cleaner, with less hiss in the quiet parts and more detail in the louder parts.

If you’d like to learn more about Mike the MICrophone, the links below offer a glimpse of his story.

Millard’s Wikipedia page
http://en.wikipedia.org/wiki/Mike_Millard

The best article written about Millard has been deleted from the original website but is reprinted here:
http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html

Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Also, JEMS continues to depend on mjk5510 for his skilled assistance in getting these recordings into your hands. He is a vital part of the process at this point.

Here’s to the late, great Mike the MICrophone and to finding more lost tapes.

BK for JEMS