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Do you know, it’s funny, but I never thought of being blind as a disadvantage, and I never thought of being black as a disadvantage.
~Stevie Wonder

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“If anybody can be called a genius, he can be. …..  If nothing else, he played the harmonica incredible, I mean truly incredible. Never knew what to think of him really until he cut Blowin’ In The Wind. That really blew my mind, and I figured I’d better pay attention. …. I love everything he does. It’s hard not to. He can do gut-bucket funky stuff really country and then turn around and do modern-progressive whatever you call it. In fact, he might have invented that. he is a great mimic, can imitate everybody, doesn’t take himself seriously and is a true roadhouse musician all the way, with classical overtones, and he does it all with drama and style. I’d like to hear him play with an orchestra. He should probably have his own orchestra.”
~Bob Dylan (Feb 1989, Rolling Stone Mag. – featurette on Stevie Wonder)

As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)