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With its acoustic guitars and drumless bits, this triumph of hard rock is no more a pure hard rock album than Tommy. … And… it uses the synthesizer to vary the power trio format, not to art things up.
~Robert Christgau

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On Who’s Next, the band crossed that line with power and grace. The album spawned the concert classics “Baba O’Riley” and “Won’t Get Fooled Again”; the great Daltrey vocal vehicles “Bargain” and “Song Is Over”; Entwistle’s scorching, anxiety-ridden “My Wife”; and Townshend’s most delicate song on record, “Behind Blue Eyes.” On Who’s Next, Townshend unleashed the power of the synthesizer as a rock & roll instrument, to be used like guitar or bass rather than as a special-effects novelty.
~The New Rolling Stone Album Guide (rollingstone.com)

The whole performance, with the sound so well mixed and the band so good that night, argues that the mid-1990s Bob Dylan can stand in the same room with the Dylans of the past. He is alive, alert, fully into his jazz-improvisational vocals and making some wonderful noises: and not imitating himself but singing—phrasing—afresh. Woodstock II is a real performance.
-Michael Gray (The Bob Dylan Encyclopedia)
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For once, Dylan responds to the importance of the event by delivering a tight, powerful set.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)