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“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)

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“His writing and control of atmosphere on songs like ‘To Ramona’ and ‘Spanish Harlem Incident’ come across as early flashes of the creative explosion that he was to go through in 1965–66. A great minor album, and his last solo album until the 1990s.”
~Michael Gray (The Bob Dylan Encyclopedia)

Webb Pierce was one of the most popular honky tonk vocalists of the ’50s, racking up more number one hits than similar artists like Hank Williams, Eddy Arnold, Lefty Frizzell, and Ernest Tubb. For most of the general public, Pierce — with his lavish, flamboyant Nudie suits — became the most recognizable face of country music..
~Stephen Thomas Erlewine (allmusic.com)

Joseph Arrington, Jr. (August 8, 1935 – August 13, 1982), better known as Joe Tex, was an American musician who gained success in the 1960s and 1970s with his brand of Southern soul, which mixed the styles of country, gospel and rhythm and blues.

Born in Rogers, Texas, and raised in Baytown, Tex’s career started after he was signed to King Records in 1955 following four wins at the Apollo Theater. Between that year and 1964, however, Tex struggled to find hits and by the time he finally recorded his first hit, “Hold What You’ve Got”, in 1964, he had recorded thirty prior singles that were deemed failures on the charts. Tex went on to have four million-selling hits, “Hold What You’ve Got” (1965), “Skinny Legs and All” (1967), “I Gotcha” (1972), and “Ain’t Gonna Bump No More (With No Big Fat Woman)” (1977).

Tex’s style of speaking over the background of his music helped to make him one of the predecessors of the modern style of rap music.