Released | March 30, 2004 |
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Recorded | October 31, 1964 |
Genre | Folk, folk rock |
Length | 104:12 |
Label | Columbia |
Producer | Steve Berkowitz and Jeff Rosen |
When Dylan and Sony began planning for The Bootleg Series Vol. 6, they weren’t sure what to release. Steve Berkowitz, an A&R head at Sony Music who worked on all the Bootleg Series discs with Dylan’s office, stresses that Dylan’s office is behind the brainstorming and decision-making for the Bootleg Series, not Sony. Concerts held at Carnegie Hall and New York’s Town Hall, both in 1963, were considered for The Bootleg Series Vol. 6, according to Berkowitz, but they were ultimately rejected.
The Halloween concert of 1964 had been previously bootlegged on vinyl and CD, but those releases were incomplete and taken from poor dubs of the soundboard tapes. The Bootleg Series Vol. 6 presented the entire concert for the first time from the original master tapes.
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A few critics, including biographer Clinton Heylin, were dismissive. “I’ve never rated [the Halloween show] as a performance,” Heylin explained in a phone interview. “Dylan is very focused when he comes to doing the new songs…But the old material, he’s completely and totally bored with. It’s not a good performance. He’s clearly stoned…The concert was a real landmark, not in the positive sense, but in the negative sense because it looked at the time like Dylan was going off the rails.”
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However, the set was well received by most critics, with NME’s Rob Fitzpatrick giving it the magazine’s highest rating (a 10 out of 10) and called it “utterly brilliant.”
Spanish Harlem Incident:
The best bootleg to surface before the official release was probably:
All Hallows Eve & More (1996):
-Egil & Hallgeir
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