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“A major inspiration to generations of improvising musicians, Albert Ammons is best remembered as an exciting pianist who inaugurated the Blue Note record label by hammering out blues and boogie duets with Meade “Lux” Lewis, and as the father of hard bop tenor saxophonist Gene Ammons. Born in Chicago on September 23, 1907, he learned the rudiments of piano from his parents and neighbors and began cultivating an ability to play the blues when he was 12 years old.” – Allmusic

Chicago in mind:

From Wikipedia:

Birth name	Albert C. Ammons
Born	September 23, 1907 Chicago, Illinois, United States
Died	December 2, 1949 (aged 42) Chicago, Illinois, United States
Genres	Jazz, blues, boogie-woogie
Occupations	Pianist
Years active	1920s–1949
Labels	Vocalion, Blue Note, Delmark,Mercury

Albert Ammons (September 23, 1907 – December 2, 1949) was an American pianist. Ammons was a player of boogie-woogie, a bluesy jazz style popular from the late 1930s into the mid 1940s.

In 1938 Ammons appeared at Carnegie Hall with Johnson and Lewis, an event that helped launch the boogie-woogie craze. Record producer Alfred Lion who had attended John H. Hammond’s From Spirituals to Swing concert on December 23, 1938, which had introduced Ammons and Lewis, two weeks later started Blue Note Records, recording nine Ammons solos including “The Blues” and “Boogie Woogie Stomp”, eight by Lewis and a pair of duets in a one-day session in a rented studio.

Shout of Joy (1938):

Ammons’s played at President Harry S. Truman’s inauguration in 1949. He died on December 2, 1949 in Chicago  and was interred at the Lincoln Cemetery, at Kedzie Avenue in Blue Island, Worth Township, Cook County, Illinois.

Album of the day:

The First Day (1992):

Other December 02:

Odetta Holmes (December 31, 1930 – December 2, 2008), known as Odetta, was an American singer, actress, guitarist, songwriter, and a civil and human rights activist, often referred to[who?] as “The Voice of the Civil Rights Movement”. Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she was influential to many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin. Time included her song “Take This Hammer” on its list of the All-Time 100 Songs, stating that “Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music.”

-Egil & Hallgeir