Anyway, Leadbelly did most of those kind of songs. He’d been out of prison for some time when he decided to do children’s songs and people said oh, why did Leadbelly change? Some people liked the old ones, some people liked the new ones. Some people liked both songs. But he didn’t change, he was the same man! Anyway, this is a song called …, It’s a new song I wrote a while back. I’m gonna try and do it as good as I can. there’s somebody important here tonight who wants to hear it, so we’ll give it our best … – preface to ‘Caribbean Wind’, Warfield Theatre, San Francisco, November 12, 1980
From wikipedia:
Released | September 10, 1990 |
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Recorded | Early 1990 |
Genre | Rock |
Length | 35:21 |
Label | Columbia |
Producer | “Jack Frost” (Bob Dylan), Don Was, and David Was |
Under the Red Sky is the twenty-seventh studio album by American singer-songwriter Bob Dylan, released in September 1990 by Columbia Records.
The album was largely greeted as a strange and disappointing follow-up to 1989’s critically acclaimed Oh Mercy. Most of the criticism was directed at the slick sound of pop producer Don Was, as well as handful of tracks that seem rooted in children’s nursery rhymes. It is a rarity in Dylan’s catalog for its inclusion of celebrity cameos, by Slash, Elton John, George Harrison, David Crosby, Stevie Ray Vaughan and Bruce Hornsby.
Reception:
Dylan has echoed most critics’ complaints, telling Rolling Stone in 2006 interview that the album’s shortcomings resulted from hurried and unfocused recording sessions, due in part to his activity with the Traveling Wilburys at the time. He also claimed that there were too many people working on the album, and that he was very disillusioned with the recording industry during this period of his career.
More opinions:
Michael Gray (Bob Dylan Encyclopedia):
The first Dylan album after Oh Mercy shows Dylan characteristically retreating from that album’s mainstream production values and safe terrain, and refusing to offer a
follow-up. Nevertheless his penchant for recently modish producers has him turn this time to DAVID & DON WAS of Was Not Was, who offer a rougher and less unified sound. It’s a pity Dylan pads out the album with some sub-standard rockism(‘Wiggle Wiggle’ and ‘Unbelievable’) and the ill-fitting, foggy pop of ‘Born in Time’, because the core of the album is an adventure into the poetic
possibilities of nursery rhyme that is alert, fresh and imaginative, and an achievement that has gone largely unrecognised.
It’s a magnificent album, really, and I love every performance on it. Oh, there have been times over the years when I’ve had my doubts about “10,000 Men” or “2×2,” but as with a good concert, each performance in sequence opens doors in listener and singer and musicians and, because the whole is greater than the sum of the parts, the parts are elevated in dignity and expressive power just by their connectedness to that whole. So I find myself getting into the groove of “10,000 Men,” the easy flow of the language, the surprising shouts and whispers of the vocal, the irrepressible Under the Red Sky humor that chugs along throughout (and catches my attention at different moments every time I listen).
Track listing:
All songs written by Bob Dylan.
Under The Red Sky:
Album of the day:
Other September 10:
Clarence “Gatemouth” Brown (April 18, 1924 — September 10, 2005) was an American musician from Louisiana and Texas. He is best known for his work as a blues musician, but embraced other styles of music, having “spent his career fighting purism by synthesizing old blues, country, jazz, Cajun music and R&B styles” His work also encompasses rock and roll, rock music, folk,electric blues, and Texas blues.
Ragged Glory is the twentieth studio album by Canadian musician Neil Young, his fifth with Crazy Horse, released in 1990. It was voted album of the year in the annual Pazz & Jop critics’ poll and in 2010 was selected by Rolling Stone as the 77th best album of the 1990s.
The album revisits the hard rock style previously explored on Everybody Knows This Is Nowhere and Zuma. The first two tracks are songs Young and Crazy Horse originally wrote and performed live in the 1970s with “Country Home” notably being performed on their 1976 tour. “Farmer John” is cover of a 60s song, written and performed by R&B duo Don and Dewey and also performed by garage band The Premiers. Young revealed that the song “Days that Used to Be” is inspired by Bob Dylan‘s “My Back Pages“. The album features many extended guitar jams, with two songs stretching out to ten minutes and more.
Released | September 10, 1990 |
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Recorded | April 1990 at Plywood Digital, Woodside, CA (except “Mother Earth”: The Hoosier Dome) |
Genre | Rock, hard rock |
Length | 62:43 |
Label | Reprise |
Producer | Neil Young and David Briggs |
B-side | “Drain You”/”Even in His Youth”/”Aneurysm” |
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Released | September 10, 1991 |
Format | CD, cassette, 7″, 12″ |
Recorded | May 1991 at Sound City, Van Nuys, California |
Genre | Grunge |
Length | 5:01 (album version) 4:30 (single version) |
Label | DGC |
Writer(s) | Kurt Cobain, Dave Grohl, Krist Novoselic |
Producer | Butch Vig |
Certification | Platinum (RIAA) |
-Egil
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