I like Johnny Cash a lot. I like everything he does really.
~Bob Dylan (to Nat Hentoff – Autumn 1965)In the end, Nashville Skyline is a lovely album but not a heavyweight contender, though its effects were major ones. Country music was despised, hick music when Dylan took it up. People were divided into the hip and the non-hip. The counterculture was in full swing and riddled with its own self-importance and snobbery. Nashville Skyline was a hard pill to swallow: but it did ’em good.
~Michael Gray (Bob Dylan Encyclopedia)
The 4th recording session for ‘Nashville Skyline’ took place on February 17, 1969. Two master versions emerged.. the lovely “Tonight I’ll Be Staying Here With You” & “Nashville Skyline Rag”. Johnny Cash joined the session halfway through & they tried out “One Too Many Mornings”, “I Still Miss Someone” (Cash) & “Don’t Think Twice”. A video from one of the takes on “One Too Many Mornings” is available (& included in this post).. fantastic stuff!
Nashville Skyline is the ninth studio album by American singer-songwriter Bob Dylan, released in April 1969 by Columbia Records.
Building on the rustic style he experimented with on John Wesley Harding, Nashville Skyline displayed a complete immersion into country music. Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan—a soft, affected country croon.
The result received a generally positive reaction from critics, and was a commercial success. Reaching number 3 in the US, the album also scored Dylan his fourth UK number 1 album.
….. When sessions resumed on February 17, “Tonight I’ll Be Staying Here with You” was the primary focus, and a master take was selected from a total of eleven takes. An instrumental, titled “Nashville Skyline Rag”, was also recorded at the beginning of the session, and it was later included on the album.
Sometime during that session, country legend Johnny Cash stopped by to visit. A friend and label-mate of Dylan’s as well as an early supporter of his music, Cash had been recording next door with his own band. The two wound up recording a series of duets, covering Dylan’s “One Too Many Mornings” and “Don’t Think Twice, It’s All Right” as well as Cash’s own “I Still Miss Someone.” None of these were deemed usable, but Cash returned the following day to record more duets.
Produced by Bob Johnston.
Songs:
14-34
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References:
-Egil
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