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Mike Cooley, guitarist, songwriter and singer in one of our favorite bands Drive-By Truckers, was born 14 September 1966.

Happy Birthday, Mike Cooley!

Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, but two of the members (Patterson Hood and Mike Cooley) are originally from The Shoals region of Northern Alabama, and the band strongly identifies with Alabama. Their music uses three guitars as well as bass, drums, and now keyboards.

During a recent solo tour, the Drive by Truckers’ Mike Cooley stopped by the Fretboard Journal magazine offices to perform this tune. “Birthday Boy” originally appeared on the DBT’s album ‘The Big To-Do.’ Cooley also describes the unique guitar he’s playing, built by luthier Scott Baxendale.

Mike Cooley – Birthday Boy:

Drive-By Truckers was co-founded by Mike Cooley and Patterson Hood in Athens, Georgia, in 1996. The two had played in various other bands including Adam’s House Cat which was chosen as a top ten Best Unsigned Band by a Musician contest in the late 1980s. After the demise of Adam’s House Cat, Cooley and Hood performed as a duo under the name “Virgil Kane.” They eventually started a new band, “Horsepussy,” before splitting for a few years. It was during this split that Hood moved to Athens, Georgia and began forming what would become Drive-By Truckers. Cooley soon followed.

Mike Cooley – Gravity’s Gone (The Hideout, Chicago, November 29, 2012):

 

” After spending much of his young life scrapping in the rock & roll trenches, he’s become one of the best songwriters of his generation, having
amassed a catalog of songs that can go toe-to-toe with any of his contemporaries. Along the way, he and DriveBy Truckers have become an acclaimed, enduring lynchpin of American rock & roll. And now, with The Fool on Every Corner, Cooley begins the latest chapter in his impressive career, uncompromising as always, and more thankful than ever.

I’m lucky as hell,” he says. “No doubt about it. I’m not rich, I’m probably not gonna be, and I’m totally cool with
that. But I’m making my living, and I do what I want—I do it my way. I’ve got an awesome family, a bunch of
great friends, loyal fans. And I think about that every day. It just would be immoral for me not to.”

– drivebytruckers.com (press release, Fool on Every Corner)

Today’s album is Fool On Every Corner (Spotify):

 

Tutti Frutti was recorded by Little Richard on this date in 1955

“A-wop bop-a loo-mop, a good goddamn!
Tutti Frutti, good booty”

“Tutti Frutti” is a 1955 song co-written and originally recorded by Little Richard, which became his first major hit record. With its opening cry of “A-wop-bop-a-loo-mop-a-wop-bam-boom!” (a verbal imitation of a drum pattern that Little Richard had heard) and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also a model for rock and roll itself.

In 2007, a panel of renowned recording artists voted “Tutti Frutti” number 1 on Mojo’s The Top 100 Records That Changed The World, hailing the recording as “the sound of the birth of rock and roll.” In 2010, the US Library of Congress National Recording Registry added the recording to its registry, stating that the hit, with its original a cappella introduction, heralded a new era in music. In April 2012, Rolling Stone magazine declared that the song “still has the most inspired rock lyric on record.”

About the lyrics:

…..

..In frustration during a lunch break, he started pounding a piano and singing a ribald song which he had been performing live for some time. The song that he sang was a piece of music that he “had polished in clubs across the South.”

Little Richard sang:

“A-wop bop-a loo-mop, a good goddamn!
Tutti Frutti, good booty”

After this lively performance, Blackwell knew the song was going to be a hit, but recognized that the lyrics, with their “minstrel modes and sexual humor” needed to be cleaned up.

Blackwell contacted local songwriter Dorothy LaBostrie to revise the lyrics, with Little Richard still playing in his characteristic style. According to Blackwell, Dorothy La Bostrie “didn’t understand melody”, but was definitely a “prolific writer”. 

The original lyrics

“Tutti Frutti, good booty / If it don’t fit, don’t force it / You can grease it, make it easy”

were replaced with

“Tutti Frutti, all rooty! Tutti Frutti, all rooty”.

(All rooty was hipster slang for “all right”.)

The opening, “A wop bop-a loo-mop, a good goddamn!” was also changed to “A-wop bop-a loo-mop, a-lop bam-boom!”

 From allmusic.com – Cub koda:

“Tutti Frutti” was the first rock & roll record where America got to hear an African-American gospel singer (Richard Penniman) sing with the brakes off. No amount of R&B crooning prepared the nation for the kind of culture shock that greeted most of them when the needle hit the disc and Little Richard started howling on the family phonograph; there had simply been nothing like him before this.   read more @ allmusic.com

Live from 1956:

 

 

Walter E. “Furry” Lewis (March 6, 1893 – September 14, 1981) was an American country blues guitarist and songwriter from Memphis, Tennessee. Lewis was one of the first of the old-time blues musicians of the 1920s to be brought out of retirement, and given a new lease of recording life, by the folk blues revival of the 1960s

 

Nasir bin Olu Dara Jones (born September 14, 1973), better known by his stage name Nas, is an American rapper and actor. He is also the son of jazz musician Olu Dara. Nas has released eight consecutive platinum and multi-platinum albums since 1994, four of which topped the Billboard charts upon release and has sold over thirteen-million records in the United States alone. Nas was also part of the hip hop supergroup The Firm, which released one album under Dr. Dre’s record label Aftermath.

 

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer and songwriter known for her powerful deep contralto vocals and her eclectic mix of musical genres including R&B, soul and jazz. Winehouse’s 2003 debut album, Frank, was critically successful in the UK and was nominated for the Mercury Prize.

– Hallgeir & Egil